The Hills Run Red Page #3

Synopsis: Tyler is obsessed by the horror movie "The Hills Run Red", considered by those that had seen it the scariest movie ever made, with the deranged serial-killer Babyface in the lead role. However, the director Wilson Wyler Concannon and the movie vanished many years ago and there is no available print. His research is affecting his relationship with his girlfriend Serina that is needy and feels neglected. When Tyler discovers that Concannon's daughter Alexa works in a night-club, he decides to meet her and asks about the missing movie. The woman tells that the movie might be in her father's house in the middle of the woods, and Tyler decides to travel to the spot with Alexa, Serina and their friend Lalo. Along their journey, Tyler films and interviews some locals. During the night, they are attacked by the rednecks, but they are saved by Babyface that kills the assaulters and is controlled by Alexa that runs away from him. Tyler, Serina and Lalo get rid off the ropes, but Tyler decides to
Genre: Horror, Thriller
Director(s): Dave Parker
Production: WARNER BROTHERS PICTURES
  1 nomination.
 
IMDB:
5.5
Rotten Tomatoes:
57%
R
Year:
2009
81 min
Website
396 Views


who magically becomes an

invulnerable powerhouse murderer?

- Come on.

- No. It wasn't like that.

He had this baby-doll toy'

with this perfect face.

So he used it as a mask.

So maybe his father would love him.

But it didn't work.

But he wasn't invulnerable'

or bulletproof or anything.

I read somewhere that the killer

took the bodies and preserved them.

Mummified them, cured them.

Cured? What' like bacon?

Doesn't mean anything to me, sorry.

Yeah, yeah, that's... uh,

that's probably bullshit, you know?

No, there's a shot of

the smokehouse in the trailer.

- Yeah, it could have been the outhouse.

- Guess we'll find out when we get there.

I'll definitely take a sh*t in it

when we get there.

Ignore these idiots.

So, what are we, about halfway?

It's better

to move forward than back.

Yeah, that's what airlines

call... the point of no return...

Ooh. That makes me

all fuzzy inside.

There was some, uh, backpackers

not so Long ago.

Yeah, the three of them.

All they found was the backpacks.

Everybody hears stories.

But you don't know,

whether it's true or not though.

God. Don't do that.

What's wrong?

Nothing's wrong.

It's not a surprise' really.

Here. Ahem.

Scoot back a litle bit.

- Are we still interviewing?

- Yes.

In the middle of the woods,

in the middle of the night.

- Too weird for you?

- Why not?

In the middle of the woods

it's romantic.

So, what do you remember

about this place, the campsite?

Not a lot really.

But on the way here, you said it was,

what, halfway to where we're...?

Let me interview you.

Why the movie? This place?

Why is it so important to you?

Because people said it's the

scariest thing they've ever seen.

You know, the way he captured the...

the reality of the horror.

That's such a bullshit

interview answer. Come on.

Uh...

Because, you know, if I find it...

it's something I did' you know?

Something that no one else

could do, but me.

So by finding it,

you find yourself?

That sounds like

a bullshit interview answer.

But am I wrong?

Oh, wait. Stop.

- I didn't say cut.

- No, no.

Tyler. Tyler.

Good morning, campers.

Wake up, Hollywood.

F***er.

- I'll f*** her, all right.

- Don't even think it.

Please, we don't have anything.

Oh...

Look at what we got here.

What you packing this for,

dick-cheese?

Do you intend to do harm to us?

- What do you want with us, Sonny?

- You got all this fine-ass gear.

We've been thinking. Well, hell...

we can make us our own little movie...

That's right.

Nobody gives a sh*t...

about some dumb blood-and-guts flick

made 20 years ago.

Anybody who knows anything,

knows the real money's in porn.

This one first. Come on.

- Alright, then. Let's get on with it.

- Yeah.

Billion-dollar industry when you

calculate profits from the Internet...

- overseas sales...

- Hey. Hey. Come on.

I bet you thought we were just

a bunch of lowly hillbillies.

We turned out to be smarter

than you, didn't we?

Hell, I want you to think about

that while I f*** your friend.

What the f***, man?

What the f***?

Oh, my God.

Alexa, get the knife.

You can't be. You're dead.

Hush, little baby,

don't say a word.

Mama's gonna buy you

a mockingbird.

If that mockingbird

don't sing.

Mama's gonna buy you

a diamond ring.

No.

No.

Stop it. They're my friends.

please, don't hurt them.

- Just leave them alone, please.

- Stop. Get away from her.

Run!

Jesus. I think

she just saved our asses.

- Tyler, lean over this way, man.

- What? Okay.

- Come on.

- This is just like the movie.

Tyler' will you shut the hell up

about the f***ing movie?

LALO:

F*** this hurts.

F***.

Go back to the car.

Get some help.

- Tyler, wait a minute.

- Serina, I got her into this.

I'm not gonna leave her now.

Now, go.

- Sh*t.

- Tyler.

This is so f***ed up.

We can't just leave them, right?

We're doing what Tyler says,

and getting help.

Look, he's just a guy, okay?

I don't know. He's wearing f***ing...

uh, body armor or something.

- There's 3 of us. We can take him.

- F*** that.

We're in the woods' this guy

just killed three people.

- He's after us. We need help.

- What is your location?

We're near the camping grounds

in Scargill. On some trail.

There are over fifteen

camping grounds in Scargill.

You've got to be more specific.

- Oh, please.

- Blanks.

- What?

- Miss?

- Blanks. Not real.

- Miss, are you there?

Those a**holes are all the way dead.

For real. Wake up.

Alexa?

Are there buildings

or any Landmarks around...

that might help me

figure out where you're at?

Landmarks?

All I see is f***ing trees.

I...

- I don't know...

- Shh.

Run. Run.

Come on.

Lalo. I'm stuck.

- F***.

- It's my hair.

Help me.

Okay, run, Serina, run!

Hey, come on, f***er.

I can't answer

the phone right now.

But leave me a message

and I'll get back to you.

What the f***?

Somebody!

Help me! Help me!

Oh, my God. Alexa, hold on.

- Are you okay?

- I think so.

What the hell?

Did he do this to you?

- We have to get out of here.

- Okay' hold on.

I know why he didn't finish

the movie.

Yeah, he's still shooting it.

BABYFACE:

Got it all in one take.

Come on. Let's go.

Help!

Help me, please!

Please, mister.

You gotta help me, please.

Serina?

Tyler.

It's Babyface. He got Lalo.

He's right behind me.

- Where?

- We have to get outta here.

- We have to go.

- Okay...

F*** this.

Fetch.

Hey, I remember you.

- How long since you've been there?

- It's sort of deep in.

That's what airlines call...

the point of no return...

You better mount up.

My father said you don't make films.

You live them. Sacrifice everything.

Sacrifice everything.

They're watching.

All the time.

Am I'm everything

you dreamed of?

So you're the one that

made a life's study of my film.

Where are my friends?

Well, you didn't really come all

this way to ask me that, did you?

Hmm?

She said you were dead.

That's acting, kid.

She's good at it, ain't she?

Girl's a work of art.

- Are you him?

- Huh?

Babyface?

Not at first.

The original

wasn't that good an actor.

Watch this.

CONCANNON:

ALL right, let's go. You ready?

Give it to me. Give it to me.

Give it to me.

Son of a b*tch. Cut! Cut!

What the hell's the matter with you?

That didn't look real at all.

Give me this thing. Give me this thing.

You be me, all right?

And I'll be You. Here.

ALL right.

Let me show you how to do this.

Right here.

And action.

Tyler:

You really killed him.

CONCANNON:

Cut! print!

See now, everybody is expendable

for the good of the film.

Everybody.

I know. I know. You're thinking...

I knew all along...

I had to be some kinda around-the-bend

psycho b*tch, yadda yadda.

The truth is

you didn't know sh*t.

And you didn't suspect sh*t,

because... I am that good.

We were helping you.

You don't have to do this.

You don't have to do it.

Mm. I'm sorry, lover girl.

But the show must go on.

But who are we kidding?

You don't have a chance in hell

of getting through this.

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David J. Schow

David J. Schow (born July 13, 1955) is an American author of horror novels, short stories, and screenplays. His credits include films such as The Crow and The Texas Chainsaw Massacre: The Beginning. Most of Schow's work falls into the subgenre splatterpunk, a term he is sometimes credited with coining. In the 1990s, Schow wrote Raving & Drooling, a regular column for Fangoria magazine. All 41 instalments were collected in the book Wild Hairs (2000), which won the International Horror Guild's award for best non-fiction in 2001. more…

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Submitted on August 05, 2018

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