The Hills Run Red Page #3
invulnerable powerhouse murderer?
- Come on.
- No. It wasn't like that.
He had this baby-doll toy'
with this perfect face.
So he used it as a mask.
So maybe his father would love him.
But it didn't work.
But he wasn't invulnerable'
or bulletproof or anything.
I read somewhere that the killer
took the bodies and preserved them.
Mummified them, cured them.
Cured? What' like bacon?
Doesn't mean anything to me, sorry.
Yeah, yeah, that's... uh,
that's probably bullshit, you know?
No, there's a shot of
the smokehouse in the trailer.
- Yeah, it could have been the outhouse.
- Guess we'll find out when we get there.
I'll definitely take a sh*t in it
when we get there.
Ignore these idiots.
So, what are we, about halfway?
It's better
to move forward than back.
Yeah, that's what airlines
call... the point of no return...
Ooh. That makes me
all fuzzy inside.
There was some, uh, backpackers
not so Long ago.
Yeah, the three of them.
All they found was the backpacks.
Everybody hears stories.
But you don't know,
whether it's true or not though.
God. Don't do that.
What's wrong?
Nothing's wrong.
It's not a surprise' really.
Here. Ahem.
Scoot back a litle bit.
- Are we still interviewing?
- Yes.
In the middle of the woods,
in the middle of the night.
- Too weird for you?
- Why not?
In the middle of the woods
it's romantic.
So, what do you remember
about this place, the campsite?
Not a lot really.
But on the way here, you said it was,
what, halfway to where we're...?
Let me interview you.
Why the movie? This place?
Why is it so important to you?
Because people said it's the
scariest thing they've ever seen.
You know, the way he captured the...
the reality of the horror.
That's such a bullshit
interview answer. Come on.
Uh...
Because, you know, if I find it...
it's something I did' you know?
Something that no one else
could do, but me.
So by finding it,
you find yourself?
That sounds like
But am I wrong?
Oh, wait. Stop.
- I didn't say cut.
- No, no.
Tyler. Tyler.
Good morning, campers.
Wake up, Hollywood.
F***er.
- I'll f*** her, all right.
- Don't even think it.
Please, we don't have anything.
Oh...
Look at what we got here.
What you packing this for,
dick-cheese?
Do you intend to do harm to us?
- What do you want with us, Sonny?
- You got all this fine-ass gear.
We've been thinking. Well, hell...
we can make us our own little movie...
That's right.
Nobody gives a sh*t...
about some dumb blood-and-guts flick
made 20 years ago.
Anybody who knows anything,
knows the real money's in porn.
This one first. Come on.
- Alright, then. Let's get on with it.
- Yeah.
Billion-dollar industry when you
calculate profits from the Internet...
- overseas sales...
- Hey. Hey. Come on.
I bet you thought we were just
We turned out to be smarter
than you, didn't we?
Hell, I want you to think about
that while I f*** your friend.
What the f***, man?
What the f***?
Oh, my God.
Alexa, get the knife.
You can't be. You're dead.
Hush, little baby,
don't say a word.
Mama's gonna buy you
a mockingbird.
If that mockingbird
don't sing.
Mama's gonna buy you
a diamond ring.
No.
No.
Stop it. They're my friends.
please, don't hurt them.
- Just leave them alone, please.
- Stop. Get away from her.
Run!
Jesus. I think
she just saved our asses.
- Tyler, lean over this way, man.
- What? Okay.
- Come on.
- This is just like the movie.
Tyler' will you shut the hell up
about the f***ing movie?
LALO:
F*** this hurts.
F***.
Go back to the car.
Get some help.
- Tyler, wait a minute.
- Serina, I got her into this.
Now, go.
- Sh*t.
- Tyler.
This is so f***ed up.
We can't just leave them, right?
and getting help.
Look, he's just a guy, okay?
I don't know. He's wearing f***ing...
uh, body armor or something.
- There's 3 of us. We can take him.
- F*** that.
We're in the woods' this guy
- He's after us. We need help.
- What is your location?
We're near the camping grounds
in Scargill. On some trail.
There are over fifteen
camping grounds in Scargill.
You've got to be more specific.
- Oh, please.
- Blanks.
- What?
- Miss?
- Blanks. Not real.
- Miss, are you there?
Those a**holes are all the way dead.
For real. Wake up.
Alexa?
Are there buildings
or any Landmarks around...
that might help me
figure out where you're at?
Landmarks?
All I see is f***ing trees.
I...
- I don't know...
- Shh.
Run. Run.
Come on.
Lalo. I'm stuck.
- F***.
- It's my hair.
Help me.
Okay, run, Serina, run!
Hey, come on, f***er.
I can't answer
But leave me a message
and I'll get back to you.
What the f***?
Somebody!
Help me! Help me!
Oh, my God. Alexa, hold on.
- Are you okay?
- I think so.
What the hell?
Did he do this to you?
- We have to get out of here.
- Okay' hold on.
I know why he didn't finish
the movie.
BABYFACE:
Got it all in one take.
Come on. Let's go.
Help!
Help me, please!
Please, mister.
You gotta help me, please.
Serina?
Tyler.
It's Babyface. He got Lalo.
- Where?
- We have to get outta here.
- We have to go.
- Okay...
F*** this.
Fetch.
Hey, I remember you.
- How long since you've been there?
- It's sort of deep in.
That's what airlines call...
the point of no return...
My father said you don't make films.
You live them. Sacrifice everything.
Sacrifice everything.
They're watching.
All the time.
Am I'm everything
you dreamed of?
So you're the one that
made a life's study of my film.
Where are my friends?
Well, you didn't really come all
this way to ask me that, did you?
Hmm?
She said you were dead.
That's acting, kid.
She's good at it, ain't she?
Girl's a work of art.
- Are you him?
- Huh?
Babyface?
Not at first.
The original
wasn't that good an actor.
Watch this.
CONCANNON:
ALL right, let's go. You ready?
Give it to me. Give it to me.
Give it to me.
Son of a b*tch. Cut! Cut!
What the hell's the matter with you?
That didn't look real at all.
Give me this thing. Give me this thing.
You be me, all right?
And I'll be You. Here.
ALL right.
Let me show you how to do this.
Right here.
And action.
Tyler:
CONCANNON:
Cut! print!
See now, everybody is expendable
for the good of the film.
Everybody.
I know. I know. You're thinking...
I knew all along...
I had to be some kinda around-the-bend
psycho b*tch, yadda yadda.
The truth is
you didn't know sh*t.
And you didn't suspect sh*t,
because... I am that good.
We were helping you.
You don't have to do this.
You don't have to do it.
Mm. I'm sorry, lover girl.
But the show must go on.
But who are we kidding?
You don't have a chance in hell
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Hills Run Red" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/the_hills_run_red_9991>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In