The Hip Hop Project Page #3
Who?
Little John and the-
Hold on, hold on, hold on,
hold on, hold on.
Y'all teaching me something
right here.
In New York,
when you say Little John,
everybody be like, "Who? "
What? "
See, that's funny.
That means that there are
different regions
that respond
to different things, right?
So I don't even know
if somebody from New York
could really capture
something from the South.
So I'm gonna bring a MC up,
and let's see if y'all can
really feel this New York MC
for the people who like
people like Little John.
Play a beat, any beat.
Let me see if y'all can feel
some New York stuff.
Let's see ifwe
can blend it together.
Oh, oh, oh, oh, oh.
Come on dance, y'all.
Come on, let's dance.
- Come on, where the South at?
I'm representing the South
today, baby.
You see it?
B- boy down, baby, ATL,
a'ight?
New Orleans, a'ight?
VA, where you at?
So they want to see if we can
rock like the Southerners, huh?
They want to see it?
No doubt, baby.
Yeah, yeah, yeah.
Yo, you know what's on now
I'ma change the game
in a little while
I'ma flip and primp,
just listen
My style just different
And you niggas know
I'm the sickest
So you gonna do,
nigga, better move back
When I act, listen black,
better pull back
I'ma a smack me a chump,
tryin' to act tough
Really got no time
for that bullcrap
Mics are flamin'
I'm lanes are changing
I'm keep a nigga runnin' like
he really not brave enough
Every time I flow I got to know
when I'm dangerous
Ain't no other nigga coming
close to brave as this
See now I'm down,
but in the meanwhile
Freestyle
as my niggas see now
I'ma speed it up now
just the way that I heat it up
Then I'm gonna take an impression
on a wonderful rhythm
How you gonna test me,
MVP:
All of these lookin' minor league
All better flee
when I spit that heat
Now to comp with the verse
coming out of my teeth
Look I'ma take it over
into closure
Got a group of niggas
right behind my shoulders
Waiting to explode
like a supernova
Whack niggas in the game,
now I'm moving 'em over
Y'all ain't ready for that beat.
Y'all ain't ready for that beat.
- If you had the ability
to have everybody stop
and bob their head
and listen to
what you had to say,
meaning the whole world stops
and listens to you,
what would you have to say?
- Y'all walk with me
real quick.
Uh.
Thinking back to '84
When I was a pain
in my mother's eye
From the day of birth,
I ripped her insides
I wasn't planned
I was an option
The first she kept
but the second conceived
Wondered if she knew the same
would happen to me
Mother's Cry,
that's basically
talking about my ordeal
and having to make a decision
on whether or not to have a child,
which I didn't.
I knew my life be different
As I walked up in the clinic
Four months pregnant
The seed growing
in my stomach
I can feel it
Just talking about how I felt
walking in the clinic,
how I felt, you know,
just thinking back, like, you know,
if my mother sat with me a minute.
The source of my music
is basically my life,
personal situations that people,
I guess, are scared to touch on,
or, you know, to let go.
So for me it's like, you know,
freeing myself
from, you know,
pains inside of me.
I just free myself
through my writing and my music.
You don't know
what it is like
Attached to your baby
And you 'bout
to take its life
I wanted to keep it
But the consequence
I couldn't handle...
- Well, Ma Dukes
just passed on Monday.
I was in this classroom when
this girl came up and was like,
"Oh, Chris, you got a call. "
I was like, "What is it? "
She's like, "I don't know if I should be
the one telling you this. "
And I was like, "What? "
He was like, "You know,
basically I was in the hospital. "
He's like,
"Basically your mother died. "
I never experienced death.
Like, I never been to a funeral
before in my whole life.
I regret it;
I told my moms that Sunday
that I was gonna see her.
And I didn't even
go nowhere that day.
I didn't even go see her,
and she was right down the block.
But I spoke to her on the phone.
She called me,
and the aide was,
like, making out everything
that she was saying.
She was like, "She misses you.
She wants to see you,
and she wants to come home. "
And I always hate it when
my moms is in the hospital,
always hated that sh*t.
I'm telling you,
that's definitely what keeps me, like,
even wanting to do stuff is music.
What I think it is about music
is just that it's something
that's, like,
you know what I'm saying,
when you feel like you
don't have anything in the world.
It's a sense of ownership.
- I'm proud to accomplish,
you know,
regardless ofwhether
it's a high school diploma
or getting my GED.
I did it,
and I did it on time.
Running late.
When my father left,
I didn't know what was next,
so I got to build my own future,
you know what I'm saying.
And it's just like,
I see my father.
He was limited,
and I'm not gonna be like that.
I'm not limited in what I can do.
- Yo, P.
Hey.
- I know.
- So how you feelin'?
- Good, good.
Long time comin'.
- Oh, congratulations.
- Hold on, hold on, hold on,
hold on, hold on.
Going back to Art Start,
do this rehearsal.
I try to make every show
a rehearsal for something else.
And also just keeping
everybody together,
keeping CaNNoN busy.
- I don't know
any program director
that expends the level
of personal time and attention.
I remember going up
to his office at Art Start,
and it'd be like 10:00,
and he's calling them
to see if they got home.
They're talking about
a life issue,
and he's giving them
all the time in the world,
like he doesn't have
anywhere to go,
like he has nothing to do.
He's just, yeah,
just real laid-back,
"Yeah, you know, I understand.
"Well, maybe
what you should do is this.
Well, you know, I find that-"
and I'm like,
"Wow, this is amazing. "
He never put them off.
He always put the needs of those
young people before himself.
- I think he does it because
this is his way of giving back,
giving kids things
that he wasn't given as a child,
as a teenager,
as a man growing up.
- I was born in Nassau, Bahamas.
Six months later, my mother,
she left to come to America,
and she was supposed
to come back for me,
but she never came.
Any orphan who don't know
their parents,
you're always going to wonder
what the person is like.
And I had expectations
of knowing myself,
trying to figure out what
my mother would be like, you know.
When I was 14,
I came to New York to live with her.
I was looking to have
a relationship with her,
and I guess
I had animosity towards her.
She kicked me out,
and I just was on the streets
since I was, like, 15.
Pride will make you not want
to ask anybody,
you know,
if I could stay with them.
So I would get on the train,
write rhymes,
and just go to sleep
right there.
I started needing money,
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"The Hip Hop Project" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/the_hip_hop_project_20424>.
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