The Hit Page #2

Synopsis: Ex-gangster Willie Parker has betrayed his former "colleagues" and now lives in Spain where he thinks he can hide from their vengeance. But one day, ten years later, two hitmen (Braddock and Myron) show up and kidnap Willie. They are ordered to escort him back to Paris where he should stand trial. But it is a long way to Paris...
Genre: Crime, Drama, Thriller
Director(s): Stephen Frears
Production: Central Productions
  Nominated for 1 BAFTA Film Award. Another 2 wins & 3 nominations.
 
IMDB:
7.1
Metacritic:
75
Rotten Tomatoes:
85%
R
Year:
1984
98 min
464 Views


- What you doing here?

Well, uh, sort of borrowing the place.

It's all right though, Mitch.

Uh, Bruno knows.

Oh. Well, no, he don't, actually. Um -

He gave me, uh, the keys

a couple of years ago...

and, uh, I had to leave

where I was in a hurry.

And I thought

that Bruno wouldn't mind -

- I wasrt expecting to find anybody here.

- Yeah, well, why should youse?

- Yeah. That's why the gun.

- Yeah, I can see that.

I mean, it's a social call, isn't it?

I mean, uh, you drop in on a friend,

and you know the flat should be empty...

and, uh, you find

this bugger installed here.

Well, naturally you're gonna, uh -

[Chuckles]

Well, I mean, if you're -

if you're carrying one.

Means nothing, eh?

That's clear.

[TVAnnouncer Continues, Indistinct]

Uh...

Australian Rules.

I get 'em sent over every week.

Uh, my name's Harry.

I know Mitch.

Um, I don't know you

though, mate, do I?

- No.

- Oh. I don't know you either.

But, uh, what's in a name?

[Chuckles]

Three friends of, uh, Bruno's -

All friends of Bruno's.

Good old Bruno.

How's it been, Mitch?

My name's Willie Parker.

You've probably

read about me in the paper.

You bastard.

[Harry] I didn't hear that, Mitch.

He's a joker, right?

He's a bloody clown. I swear to you, Mitch.

I never heard his name.

- Willie Parker.

- [Harry] Shut up.

- Shut up! What are you trying to do to me?

- Not trying to do anything to you, Harry.

I don't know you're on a job.

I don't know nothir.

[Chuckles Nervously]

I haven't read the paper.

I'll burn the fuckir paper.

[Lock Turns]

- [Gun C*cks]

- [Gasps]

[Whimpers]

No, look. Don't.

Maggie, I want you

to meet some friends.

Amigos, okay?

Son buenos amigos.

Mi estimado amigo

Mr. Mitchell...

and, uh, these are some other friends.

- Hola.

- [Phone Rings]

Wort be for us.

I don't take calls here.

Look. Why don't we, uh -

Why don't we have a beer, eh?

Nice, cold beer all around.

- Talk this thing out.

- [Ringing Continues]

- I could do with a beer, Mr. Braddock.

- Great.

That's what we need.

And we can sort it all out.

Hmm?

- Nothing for him.

- Oh, let bygones be bygones.

A beer, a chat.

Maggie, tres cervezas. Pronto. Okay?

Sit, sit. Get comfy.

She's called Maggie?

Magdalena Mara victoria Morales.

[Chuckles]

Beautiful, isn't it? But a mouthful.

I call her Maggie.

She's been with me for a year.

Best year I ever had.

How old would you say she was?

I don't give a toss how old she is.

Nineteen?

How about 16?

How about 15?

[Chuckles Nervously]

Not bad for an old fart, is it?

I suppose you're wondering

what she sees in me. Well...

money obviously, but it's more than that.

It's a real bond.

She was in bad shape when I met her.

Beautiful little kid

running wild in the streets.

Comes from an excellent family.

So she tells me.

Brother's a priest. All that.

[Sniffles]

But, you know, death, disaster...

unfortunate investments.

One minute she's a little princess

up in the hill...

next she's down there working the bars,

doing the best she can.

This is Spain.

- Why don't you shut up?

- I can't!

[Footsteps Approaching]

Did you know

I'd moved to Madrid, Mitch?

Mitch and me are old mates from Rome.

He helped some associates of mine

with a problem they were having.

You know how it is. A few greedy buggers

messing it up for everybody else.

Well, old Mitch come in one weekend...

sorted it out.

- Gracias.

- Oi.

De nada.

I'll just leave it here.

Whenever you're ready, Mitch.

Car keys?

Uh, the garage has got 'em, Mitch.

Uh, I've been using the car a little bit.

I thought Bruno would be glad to have

the motor turned over once in a while.

If you want the car,

have to phone down for it.

- Tell them to bring it round.

- Right. Sure.

[Harry Speaking Spanish]

[Spanish]

Bringing it straight round, Mitch.

It's a white Mercedes.

I know what it is.

Carburetor's a bit dicey.

I was gonna have it serviced, but I didn't.

You leaving straightaway?

Oh, that's too bad.

Madrid's a fabulous city, and the...

Go on.

Hey.

I don't deserve this, Mitch.

Do you like...

the girl?

- Maggie?

- Mmm.

Yeah. Yeah, I do.

I mean, she's got a hell of a temper

sometimes, but we get along.

I think I finally struck it lucky.

Gonna have to take her, Harry.

Best I can do for you.

Well, it'll shut me up.

That's for sure.

Not that I'd, you know -

I appreciate it, Mitch.

How long will you keep her?

She'll be all right.

She's a good kid.

I guess I was just in the wrong place,

wrong time.

Yeah.

Get the girl.

We're taking her with us.

- Eh?

- Is that gonna work, Mr. Braddock?

Get the girl!

You, the bags.

[Maggie Groaning]

Harry. Harry!

Harry.

[Speaking Spanish]

- Harry!

- You.

Tell this whore

that we're just about to go out...

and if she doesn't behave herself,

then I'm gonna get very angry.

I don't think I need to tell her.

Good.

[Maggie Sobbing]

[Door Closes]

[Muffled Groan]

- [Muffled Whimper]

- That's enough.

I'm sure true love will see us through.

Even with a reward.

- Wait.

- [Myron] Mr. Braddock.

Wait.

I didn't talk to 'em, Mitch.

Didrt have time.

Fair old reward though, isn't it?

Have to be careful.

Want a drink?

Shall we watch the game?

[Man Announcing Game, Indistinct]

That's my team, Mitch.

Hawthorn.

They're losing.

[Lighter Clicks]

[Announcer] Two points for Edwards

at the seven-and-a-half minute mark...

of the second, uh, quarter

of the elimination final for 1983...

and, uh, the Blues

still bouncing back.

[Announcer Continues, Indistinct]

[Car Door Opens]

Everything all right, Mr. Braddock?

[Engine Starts]

Aw, look.

She's terrified.

Don't worry.

You're - You're in safe hands.

She doesn't understand

a word I'm saying.

- [Willie] Do you want me to translate?

- No.

She's a pretty little thing, isn't she?

She's wasted on that Aussie.

Now you'd have thought

he'd taught her a bit of English.

- Do you speak any English?

- Qu?

English. Do you speak any English?

Oh. Yes. English.

Fair dinkum.

Jesus. I'm horny.

[Willie Chuckles]

Well, it's comir along.

I think she's taken a fancy to me.

#[Flamenco, Up-tempo]

Wait here.

#[Singers Shouting]

Out. Come on. Out.

Qu pasa?

#[Man Singing In Spanish]

[Spanish]

#[Continues]

- [Braddock Grunts]

- [Spanish]

[Screams]

[Sobs]

No!

- Oh!

- [Myron] What are you doing?

[Sobbing]

What does it look like I'm doing?

We can't take her with us,

and we can't let her go.

- [Sobbing]

- Oye!

- Por qu?

- Mira. Margarita.

As es la vida.

[Sobs]

Por qu?

[Myron] But what about Harry?

He'll talk as soon as he finds out.

- Harry's dead.

- [Willie Speaking Spanish]

- What?

- So we don't need her.

You. Get away from her.

[Maggie]

No.

No. No!

[Sobbing Softly]

[Sobbing]

Take 'em both to the car.

[Car Door Closes]

He should have killed them both

together in the flat.

I don't know.

It's supposed to be quick, clean work.

Look at him now.

Australians, women.

It's not his fault.

It's an accident.

Rate this script:0.0 / 0 votes

Peter Prince

Peter Prince (born 10 May 1942) is a British novelist. He was born in England and studied in America. His first novel Play Things won the Somerset Maugham Award in 1973. He won an Emmy Award for Outstanding Writing in a Limited Series or a Special for his work on the 1980 BBC miniseries Oppenheimer. His novel The Good Father was adapted into a film starring Anthony Hopkins. His latest novel Adam Runaway was published in 2005. more…

All Peter Prince scripts | Peter Prince Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Hit" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/the_hit_20428>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Hit

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who wrote the screenplay for "Schindler’s List"?
    A Aaron Sorkin
    B Eric Roth
    C Steven Zaillian
    D Quentin Tarantino