The Hollow Page #5

Synopsis: Restless spirits stir this Hollow's Eve, beckoning Ian Cranston, the last blood relative of Ichabod Crane, back to Sleepy Hollow. Thundering hooves unleash a wave of bone-chilling screams as the ghost of the Headless Horseman rides again! Ian must try to save the town and his girlfriend, Karen and determine whether the sword-wielding stalker is their clownish classmate, Brody in costume, or the dark rider himself. If it's truly the Headless Horseman... how do you kill what's already dead?
Director(s): Kyle Newman
Production: DEJ Productions
  2 nominations.
 
IMDB:
4.5
R
Year:
2004
83 min
Website
416 Views


Come here! I gotta get you | on that truck.

- Why? | - Because I have to!

Because people are dieing.

- What? | - Erika's dead.

What? What are you...

Keep running, okay? | Just come on.

That's right punk ass! | You don't want none!

Take it back to mama!

Help!

Help! | Help!

- Why did you stop for? | - That.

The Horseman is coming back. | We're all gonna die.

- Get in. | - Let's go.

Hold on.

- Get them outta here, alright? | - Wait!

Karen, get back in the car.

No way, not until you tell me | what's going on.

There's no time, | get back in the car!

Lan, I'm staying with you.

Get out of here. We'll lead him | the other way. Go on!

Hurry up!

Let's go!

Help me! Help me! | Get me out of here.

Help! Help!

Help! Help!

Sh*t!

Help! Get me out of here.

Alright. Chill out.

You got any idea | how to do that?

Go to the driver's side, it's open, | unlock the doors from there.

Don't pay attention to him! | You can't help him now.

- Open the door! | - What are you talking about?

The man is a dead body | right here!

Come on, son. Open the door, | you can do it, I know you can.

You can do it.

Unlock it.

Here we go.

We gotta help the young teacher | or else everybody is gonna die.

If you're getting there, I'm going | to the good side of the bridge.

Listen to me, | there are people there.

Your girl's up there too, | she's in trouble.

What are you gonna do | about her?

She made a decision, | she chose Junior.

Listen son, this is real.

You're part of a new legend | of young avengers.

When people tell your story | a hundred years from now...

you wanna be known as | a coward or as a hero?

Alright.

- Alright damn it! Let's do it. | - That's right.

Lan, wait, I can't.

Yes, you can.

Come on! Yes, you can. | Just please, get up.

Sh*t!

There's a cabin over there. | Just go there and lock yourself...

No lan, I'm staying with you.

No you're not. Go. | I'll be right back.

I promise. Just go! | Lock the door!

My God! | My God!

- Karen! | - The shanty. It's that way.

- God! Get me out of here. | - Get away from the window.

- No, I can't. | - Yes, you can.

- You can. Just do it! | - You don't know what's back here.

- Is the teacher with you? | - Karen, get away from the window.

- Where's the teacher? | - I don't know.

You two get to the bridge | as fast as you can.

You're not coming with us?

No. Me and the teacher got to | meet the Headless. Go on!

- Are you alright, teacher? | - Yeah.

Oh my God! You killed him.

You can't kill him, it's already | dead. Let's go.

Come on Klaus. What?

Come on, get up! Get up.

Here. Let's go. | Come on.

Lan, run!

- My God! | - Come on guys, don't stop!

- God! I thought you were... | - I know.

I know.

Are you okay? It's over. | I promise, it's over.

Over? Nothing's over.

What are you talking about? | We crossed the bridge.

The Horseman has no power | over here, right?

What about the hayride people?

- I busted the gate, they got out. | - You did what?

I wrecked the fence. The one | that leads into the graveyard.

- Oh dear Lord! | - What?

Dear Lord what?

The Horseman wants me, right?

I'm on the other side | of the bridge...

there's no way | he can get me here, right?

Not in particular, teacher, you may | be the last of your lineage...

he'll take your head if he's given | the choice...

but tonight that Horseman wants | a Crane, any Crane will do.

My dad.

Losers.

Hello?

We need something from the | Horseman's own time.

How are we gonna find something | from the Revolutionary War?

Right here. Now this here is | my great great great...

is my great great great great | grand, what the hell...

is an ancestor of mine.

He's in there with a full military | uniform, and there's a sword.

Now we gotta push this thing off. | Everybody pull together. Push.

Open it up.

Right son, grab that sword. | Go on.

You gotta run this straight | through the demon's heart...

and send him straight | back to hell.

- You think you can do that? | - Yeah.

What's this?

The program lan wanted to watch. | It's got it all set up to tape.

I don't wanna watch this. | Where's the remote?

- Come on, give it to me. | - No.

- Lucy, give it to me. | - No.

Give it to me.

- Give it to me. | - No.

I'll get it.

Trick or treat!

Honey, we got customers.

- Are you The Death? | - No, I am.

Look at you guys! | Great costumes.

Thanks.

- Carl, turn it back. | - Honey, don't start.

It's more trick or treaters, | you get it.

Carl, you didn't go to either | of his things.

The least you can do is | let me tape his program.

Here.

Okay, you little block heads. | It's called 'trick or treat'.

If I give you candy, you're | suppose to go play...

ding-dong-ditch somewhere else.

Okay. No more candy.

See how you like the dark. | Little bastards.

Is everything okay?

Just some kids | screwing around.

It's what Halloween | is for, right?

Come on. | When was the last time...

we watched a scary movie?

I never liked these things.

What are you talking about?

You used to take me | to these all the time.

Well...

somebody told me...

that girls get horny | when they're scared.

Well, it worked.

Yes, it did.

- Must be those kids. | - Didn't sound like kids.

- Get inside! | - Lan!

- Get inside right now. | - What are you doing?

- What's going on? | - Come here, get away from the door.

- Sweetie, hi. | - Just do what I say.

Who made this movie? | What else did he do?

What the hell?

How was the second hayride? | Where did you get that sword?

Lan, you're acting | like an idiot.

Lan!

Mom, get out of the way...

- Damn! | - Dad, no!

Damn those kids!

Are you okay?

- Klaus? | - Teacher.

It worked, he ran off.

No, the Horseman don't run, | you know that as well as I do.

He's gonna gather more strength, | get some heads and feed the vines.

- What am I suppose to do now? | - You gotta go after him.

Are you crazy old man? My son | is not going after that lunatic.

He's not going alone, you're | going with him, coach.

Nobody's going anywhere, not | until we call the police.

Yeah, except now the | sheriff's laying there...

with a stump instead of a head.

What?

Dad, it's us. We're the only ones | that can stop him...

nobody else, just us.

What do we got to do with this?

We're Cranes, descendants | of Ichabod Crane.

Lan, you sound crazy. | What are you talking about?

I know how we sound, dad. | I know.

What makes you think we'll | be able to stop him?

Because we have | done it before...

and we have to do it again, | we have to.

Just trust me, okay?

Please.

What's that?

Damn it!

Where is he?

What was that?

Son of a b*tch.

Dad, where is he?

Did you hear that?

Dad?

Dad?

What's the matter with you, | you sick son of a b*tch?

You're gonna take the head of a | Crane when he's down, hu?

Why don't you come to battle | you bastard? Come on!

Hey, Horseman, you hear me? | I beat you.

The Cranes beat you again. | How do you like it?

We beat you.

In his heart teacher. | Drive it through his heart.

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Hans Rodionoff

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Submitted on August 05, 2018

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