The Horse Whisperer Page #12
- PG-13
- Year:
- 1998
- 170 min
- 1,009 Views
TOM:
Now God has another idea entirely
with the mule.
EXT. THE FAIRGROUNDS - LATER THAT DAY
Tom has finished his "show." People are shaking his hand,
thanking him, as he walks away from the corral, towards a
trailer.
The Woman in the Ralph Lauren approaches:
WOMAN:
Excuse me.
He faces the Woman:
WOMAN:
Hi. I'm Dale. I just wanted to -- I
can't get over the way he felt under
me after you'd finish with him.
Everything had just, I don't know,
freed up or something.
The Woman is flirting. Tom shrugs, uncomfortably;
TOM:
Well, that'll happen.
WOMAN:
Where did you learn all this stuff?
TOM:
What stuff is that?
WOMAN:
About horses? I'd love to learn more
about it myself. Do you offer any
private lessons for riders?
TOM:
(getting the message)
Well... Dale... you know, a lot of
this stuff... it's just... nuts and
bolts.
WOMAN:
What do you mean?
TOM:
Well, if the rider's nuts, the horse
bolts.
(smiles)
That's the whole lesson right there.
You have a good day now... Just...
keep on freeing yourself up.
He leaves her, entering the trailer.
INT. RONA'S TRAILER - NIGHT
A small, well-used trailer. Tom and Rona are finishing dinner
like comfortable old friends. Rona rises, taking the plates
into the kitchen and starts rinsing them:
RONA:
Oh I clear forget. You had a call
from some woman in New York. She
sounded pretty wound up.
TOM:
I don't any woman in New York. But
from what I hear, most of them are
wound up.
RONA:
The number's by the phone.
He nods but doesn't move. He just looks at Rona and smiles.
She's a good woman. But Tom hopes she doesn't want anymore
than what they have together. Rona notices him looking and
smiles:
RONA:
What are you looking at, young man?
TOM:
How long were you married?
RONA:
Long enough.
TOM:
You ever miss it?
RONA:
Does a horse miss a saddle?
TOM:
Sometimes.
She chuckles, shuts the water off and crosses back to him,
sitting beside him.
RONA:
Well as a matter of fact, I don't...
most of the time.
She starts unbuttoning his shirt.
TOM:
You know, Rona, we weren't all that
good together even when we were good
together.
RONA:
Honey... I was always good.
Tom smiles as Rona leans in. They kiss.
INT. ANNIE'S OFFICE, N.Y.C. - MORNING
Annie is looking over a magazine cover with Lucy and her
staffers.
She is unhappy.
ANNIE:
You know it's perfectly shot, it's
perfectly cropped, it's perfectly
laid out and I'm so bloody bored,
I'd rather buy a Motor Racing magazine --
Start over.
Some general whines and groans as her assistant hands her a
note.
ANNIE:
Uh, would you all excuse me a moment?
She waits for them to leave as she sits before the phone.
One of her lines is lit:
EXT. A ROADSIDE SERVICE STATION SOMEWHERE IN UTAH - DAY
An endless sky. An empty ribbon of two-lane highway in Utah.
A small roadside station. Tom's pick-up truck, his horse
trailer hitched to it, getting gas.
Tom is on the pay phone. We hear Annie's voice:
ANNIE (O.S.)
This is Annie MacLean.
TOM:
Yeah. Hello. This is Tom Booker. I
got a message you called.
ANNIE:
(efficient,
expeditiously)
Oh! Yes. Thank you for calling back.
Uh, all right, let me try to explain
my situation as briefly as possible...
You see, my daughter had an accident
with her horse... They were both
injured and she, my daughter, she
hasn't been able to... fully... uh...
It was an extremely traumatic
experience... and uh...
Tom, sensing her turmoil, listening compassionately.
ANNIE:
I went on the Internet and found
this article about you... It says
you're a Horse Whisperer, that you...
you help people with horse problems.
And you have quite a success rate
when it comes to traumatized --
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