The Houston Story
- Year:
- 1956
- 79 min
- 60 Views
Ever since I came to Houston a
month ago I've been looking for her.
I turned the town upside down,
but nobody knew her.
Nobody even heard the
name Carrie Hemper before.
A girl can't just disappear into
thin air. Not just like that.
Gee, I hope it isn't her.
I wouldn't want to find her this way.
This is it.
Bring her in, Harry.
I know in Oklahoma City she
was a dancer, a chorus girl.
Age?
Oh 24, 25 .. she never said.
Alright, Duncan.
Yeah. Yeah, it's her.
It's Carrie Hemper.
What happened?
- Suicide.
There are some questions
you will have to answer.
A crazy thing for her to do.
Yeah .. out of all the docks
in the world to jump off ..
She had to pick Houston.
Hi, Lou, Clara.
Hi Frank.
- You're late.
dinner on the stove.
I had a sandwich a little while ago.
I got a lot of work to do tonight.
I can't get over Angelo
losing on a TKO in the 6th.
Everybody is worrying about H-Bombs.
He worries about Angelo.
A cut eye. In the old days they
never stopped a fight for a cut eye.
The manager just slapped glue on to hold
him together and sent him out again.
I see you left your cab out front.
Yeah, I want to get an early start in
the morning. Saturday is a good day.
Say, what time does that kid down
the corner get the morning papers in?
Anytime now, I guess.
You don't read them early editions?
Oh, I got paid today.
Better take your rent
Be back in a little while.
Give me.
Where'd Frank go?
- Papers.
Did you hear him?
He's going to work again tonight.
Always working.
And thinking. He uses his head.
He's going to get someplace.
Frank is smarter than me.
Is that what you mean?
Almost every night he works
on those diagrams and maps.
All you got on your mind is Angelo.
You starting again?
What's the matter? The truth bother you?
You're not going any place
that cab wont take you.
We eat, don't we?
That's a good reason for living?
I'm just getting the table ready
for you. So's you can work.
Thanks, Clara.
- Got the morning paper?
No, they haven't come out yet.
What are you doing tomorrow, Clara?
Going sailing on my yacht.
How'd you like to buy
yourself a new dress?
Fine. All next week we
can eat the buttons off it.
Now look. I won 25 bucks at
a poker game with the boys.
It's all yours.
What gives?
Look Frankie, just because we've
known each other since we were kids.
Two weeks ago was Clara's
birthday. I was broke then.
Now I'm not.
- What are you trying to do?
Talk me out of a birthday present?
You can even come shipping with me.
Not thanks .. I figured since you'd
be out all day tomorrow ..
I'd be able to put a full
day in on this and finish it.
Thanks, Frank.
The house will be all yours.
For 25 bucks I'd have fixed
the table up for you myself.
Yes?
- Are you Frank Duncan?
What can I do for you?
Maybe we could talk.
- What about?
Carrie Hemper.
Why didn't she come? I want to
talk to her and nobody else.
Carrie is dead. You said so
yourself, right in the papers.
You like talking to dead people.
You got some marbles missing, Frank.
You ought to have some teeth missing.
I don't want to talk to a messenger boy.
You said that stiff in the morgue was
Carrie Hemper. Why did you do it?
You shouldn't have done that, friend.
Because I got orders not to mess you up.
Tell her to call me here.
You know, I hope they change
their minds about those orders.
You mean, just like that, it happened?
All the work you did, all
the time it took and then ..
In one little second.
The phone rings, somebody says
okay and you're a millionaire.
Nobody said okay yet, Louis.
But they could.
The phone did ring. That's
the important thing. It rang.
Why Galveston? Why would
they want you down there?
The sooner we get there,
the sooner we'll find out.
Okay, fasten your seatbelt.
We're flying low the next forty miles.
[ Singing:
]"Put the blame on me, boys."
"Put the blame on me."
Let's go, Duncan.
This is the man, Mr Shay.
I want Carrie Hemper alive. Not dead.
It's open.
He's here, Zoe.
The guy that killed off
Carrie Hemper for you.
What's the pitch, buster?
I'll ask you one.
Why is it bothering you so much?
Carrie is my grandmother.
You don't say.
What's the matter? Haven't
you seen a leg before?
Not one that belonged to Carrie Hemper.
Joe told me about the birthmark.
Joe?
Joe Hemper.
We were friends. We worked
together in the Oklahoma fields.
He always was going to hit it big.
What did he do, strike oil?
Yes, with his head.
He fell off a derrick
and landed on his face.
He's dead.
Poor sucker.
He probably didn't even have
enough money for a decent funeral.
I saw to it.
That's nice of you, Duncan.
Oh, that's why you came
here to find me, huh?
I figured from what he said about you,
you'd be glad to hear you're a widow.
What do you man "glad"?
Having a husband probably
slowed you down some.
Joe hated you Carrie. He hated you good.
You always wanted to be
where the big money was.
Joe never got there.
It was because you were
smarter than he was ..
You couldn't expect that he wouldn't
get sore at you when you ran out on him.
Is that the end of the story?
Almost.
Except Joe wanted to give
you something before he died.
What was that?
Joe wanted me to use both hands but
you're the kind that bruises easily.
Look. There was nothing personal in
that slap. It had nothing to do with me.
You just can't refuse a dying
man's last wish. That's all.
Let go of me.
You didn't do that whole morgue
bit just to come here and hit me.
Do you always think that fast?
What do you want?
One thing.
Joe told me you were connected
with the big mob boys.
I want to get to Pauley Atlas.
Gordy.
This joker wants to get to Pauley Atlas.
Mr Duncan.
I think you are a little confused.
Is that so?
I'm Gordy Shay. The manager.
Now somehow you seem to think
we have a lot of answers here.
Like on a television quiz program.
It's called "What's My Racket".
But we don't book
comedians here, Mr Duncan.
You'd book a Salvation Army man if he
would make you 5 million dollars a year.
You did say five million?
Distinctly.
But this is one comic that will only
tell his jokes to Pauley Atlas.
Well now maybe I can
learn to laugh just as loud.
No. You run a nightclub, Mr Shay. You do
not want to have anything to do with me.
I need financing.
Not the kind that comes from banks.
Five million dollars is ..
A lot of money.
Not in Texas.
I'll get to Atlas without you.
Maybe he won't think you're so smart
when he finds you passed up a good deal.
No. I'll call you tomorrow.
Meanwhile, I'll see if I
can't find Mr Atlas's number.
In the phone-book.
Mr Anderson is by the pool, Mr Shay.
Atlas does alright for himself.
He should do even better
with you around, huh?
Come on.
It's the funniest story I ever heard.
Well, here comes Gordy.
You know, you are working too hard.
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"The Houston Story" Scripts.com. STANDS4 LLC, 2024. Web. 18 Dec. 2024. <https://www.scripts.com/script/the_houston_story_20476>.
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