The Importance of Being Earnest Page #11

Synopsis: Jack Worthing and Algernon Moncrieff are two men that are both pretending to be someone they are not.
Genre: Comedy, Drama
Director(s): Anthony Asquith
Production: General Film Distributors
  Nominated for 1 BAFTA Film Award. Another 1 win & 1 nomination.
 
IMDB:
7.6
Rotten Tomatoes:
88%
NOT RATED
Year:
1952
95 min
993 Views


that I had written during

my few unoccupied hours.

In a moment of mental abstraction,

for which I never can forgive myself,

I deposited the manuscript

in the bassinet...

and placed the baby

in the handbag.

- But where did you deposit the handbag?

- Do not ask me, Mr. Worthing.

Miss Prism, this is a matter

of no small importance to me.

I insist on knowing where you deposited

the handbag that contained that infant!

I left it in the cloakroom of one of

the larger railway stations in London.

What railway station?

Victoria.

The Brighton line?

The Brighton line.

- Gwendolen, wait here for me.

- If you are not too long,

I will wait here for you all my life.

This suspense is terrible.

- Miss Prism, is this the handbag?

- Let me look.

Examine it carefully

before you speak.

The happiness of more than one life

depends on your answer.

Thank you.

It seems to be mine.

Oh, yes! Here is the injury

it received...

through the upsetting of

a Gower Street omnibus...

in younger and happier days.

Here is the stain on the lining...

caused by the explosion

of a temperance beverage,

an incident that occurred

at Leamington.

And here on the lock are my initials.

I had forgotten that in an extravagant

mood I had had them placed there.

The bag is undoubtedly mine.

I am delighted to have it

so unexpectedly restored to me.

It has been a great inconvenience

being without it all these years.

Miss Prism,

more is restored to you

than the handbag.

I am the baby

that was placed in it.

- You?

- Yes... Mother!

Mr. Worthing, I am unmarried!

Unmarried?

L-I do not deny that

that is a serious blow,

but who has the right to cast a stone

against one who has suffered?

Cannot repentance wipe out

an act of folly?

Why should there be one law for men

and another for women?

Mother, I forgive you.

Mr. Worthing, there is some error!

There is the lady who can tell you

who you really are. Oh, dear.

Lady Bracknell,

I hate to seem inquisitive,

but could you kindly inform me

who I really am?

You are the son of my poor sister,

Mrs. Moncrieff,

and, consequently,

Algernon's elder brother.

Algy's elder brother?

Then I have a brother after all.

I knew I had a brother.

I always said I had a brother.

Cecily, how could you ever have

doubted that I had a brother?

Dr. Chasuble, my unfortunate brother.

Miss Prism, my unfortunate brother.

Gwendolen, my unfortunate brother.

Algy, you young scoundrel,

you will have to behave

with more respect to me in the future.

You've never behaved to me

like a brother in all your life.

Not till today, I admit.

I tried my best, however,

though I was out of practice.

My own!

But what "own" are you?

What is your Christian name

now that you've become someone else?

Your decision on the subject

of my Christian name

is irrevocable, I suppose.

I never change,

except in my affections.

What a noble nature

you have, Gwendolen.

Then the question must be

cleared up once and for all.

Aunt Augusta, at the time when

Miss Prism left me in the handbag,

had I been christened already?

Every luxury that money could buy,

including christening,

had been lavished on you

by your fond and doting parents.

Then I was christened.

That is settled.

Now, what was my Christian name?

Let me know the worst.

Being the eldest son, you were

naturally called after your father.

Yes, but what was

my father's Christian name?

I cannot at the moment recall

what the general's Christian name was.

I've no doubt he had one.

He was eccentric, I admit,

but only in later years.

Algy, can't you recollect

what our father's Christian name was?

My dear boy, we were never

even on speaking terms.

He died before I was a year old.

His name would be in the army lists

of the period, I suppose, Aunt Augusta?

The general was essentially a man

of peace, except in his domestic life,

but I've no doubt his name

would appear in any military directory.

The army lists

of the last 40 years are here.

These delightful records

should have been my constant study.

M, generals.

"Magley," "Maxby,"

"Maxbohm"...what ghastly names!

"Markly," "Migsby," "Mobbs."

"Moncrieff." Lieutenant, 1840.

Captain, lieutenant colonel,

colonel, general, 1869.

Christian name...

Ernest John.

Gwendolen, I always told you

that my name was Ernest, didn't I?

Ernest, my own Ernest.

Cecily, at last.

Laetitia, at last.

Gwendolen, at last.

My nephew? You seem to be

displaying signs of triviality.

On the contrary, Aunt Augusta.

I have now realized

for the first time in my life...

the vital importance

of being earnest.

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Oscar Wilde

Oscar Fingal O'Flahertie Wills Wilde (16 October 1854 – 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and the circumstances of his imprisonment and early death. Wilde's parents were successful Anglo-Irish intellectuals in Dublin. Their son became fluent in French and German early in life. At university, Wilde read Greats; he proved himself to be an outstanding classicist, first at Dublin, then at Oxford. He became known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles. As a spokesman for aestheticism, he tried his hand at various literary activities: he published a book of poems, lectured in the United States and Canada on the new "English Renaissance in Art" and interior decoration, and then returned to London where he worked prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversational skill, Wilde became one of the best-known personalities of his day. At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays, and incorporated themes of decadence, duplicity, and beauty into what would be his only novel, The Picture of Dorian Gray (1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, drew Wilde to write drama. He wrote Salome (1891) in French while in Paris but it was refused a licence for England due to an absolute prohibition on the portrayal of Biblical subjects on the English stage. Unperturbed, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late-Victorian London. At the height of his fame and success, while The Importance of Being Earnest (1895) was still being performed in London, Wilde had the Marquess of Queensberry prosecuted for criminal libel. The Marquess was the father of Wilde's lover, Lord Alfred Douglas. The libel trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency with men. After two more trials he was convicted and sentenced to two years' hard labour, the maximum penalty, and was jailed from 1895 to 1897. During his last year in prison, he wrote De Profundis (published posthumously in 1905), a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. On his release, he left immediately for France, never to return to Ireland or Britain. There he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life. He died destitute in Paris at the age of 46. more…

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