The Imposter Page #2
might be using again.
And you finally left him?
No.
Elizabeth needs
a father.
Well, l hope
she gets one.
(James)
l will follow ~All of Me~
with ~Believe is an Act.~
(Johnny C)
Uh-uh, we can't do that.
We always do ''Believe''
before ''All of Me.''
That change will
mess me up big time.
(James)
Ah, we've been doing it this
way the whole tour long.
We have?
Tara and Elizabeth
gonna be waiting?
Johnny?
Huh?
What?
Never seem to find the time
l find that hard
to believe.
You doing all right?
Not sure l can keep
holding it all together.
l'm not sure you need to.
[music]
# Is there a code
that l can't crack? #
# N4 life is slipping
right o the tracks. #
# Don't even know
if l want it back #
# so take it away
from me. #
#And l find your beautiful
mind in eveything #
# and eveything
is all l need. #
# l find your beautiful
eyes see eveything, #
# so show me
something beautiful. #
# l find your beautiful eyes
# so show me what
you want me to be. ##
# so show me what
you want me to be. ##
He's singing about
the love ofJesus
and he's up there
mentally undressing that woman.
Why won't you
say anything?
How long do you want
to keep giving him permission.
Look, we both played
with the painkillers.
l was wrong.
All right.
Go ahead, give
him a pass, again.
And when Elizabeth gets
into drugs or bad men,
go ahead give her
a pass too.
That's not fair.
When you defend
behavior like Johnny's,
who are you really giving
a pass to?
All right, John goes out,
gets himself wasted,
drags himself home again,
what do you get out ofthis?
Nothing.
What do you get out of
this Tara, what's the payo?
The payoff is a deadbeat
drug-strung husband.
No.
What do you get
out ofthis?
What did
your mother getout
of her relationship
with your father?
She got to be
the hero.
(ProM
Okay, good.
What else?
She got to be the good one,
always putting him down.
And what else?
She got to be
the rescuer.
So ifyour dad had
cleaned up his act,
just like your mother wanted,
would she be happy?
Hey, great way
to finish the tour.
What'd you think of
worship before you went on?
Oh, it was great man,
you've always
had a good voice.
Um, well, you know
where to find me
if you need
a newsinger.
You seen Johnny?
Yeah, thanks for
coming out tonight.
No, problem,
you were great.
Oh, thank you.
Yeah, take care
you guys.
Bye-bye,
nice to meet you.
Thanks.
Thank you.
Have a good night.
Hey, babe.
Just doing
the autograph thing.
Who was she, Johnny?
Oh, you know l'm just doing
my lead singer duties, nothing.
You were looking
at her more than anyone else
during that entire concert.
(Johnny C)
l can't see passed
the lights, you know?
and l start to stare
at somebody, that's just,
that's what l do.
Come on, don't start on
me with that, all right?
We've got the whole world here
and all you can be is unhappy?
My voice,
you knowour band,
it's eveything you ever
wanted and more, you kno
No, Johnny, it's given you
eveything you've everwanted.
(Johnny C)
What is that?
Look, babe,
we sing in front
ofthousands and thousands
of people.
Evey night, we change lives,
that's what we do.
All right,
Mr. Changing Lives,
have you ever cheated on me?
What, l was just
thinking, l'm just thinking.
Just thinking.
Great.
Great.
Elizabeth
and l are staying here.
You're staying here?
Look, l don't know
what you're strung out on.
Let me autograph this
for you.
Leave me alone, man.
[music]
[music]
# There's a place
# and l have searched
the world to find #
# someone or
something to fill it, #
# but it's harder
the longer it's denied. #
# It's a hunger
and l can't fill it. #
# It's a thirst in a dy land,
# for something but l'm stuck
in the sinking sand. #
-Alright, no problem.
#And l've searched
in evey direction #
# when l knowyou're
calling my name, #
# but l choose
not to listen #
# 'cause l know
l'll have to change. #
# So this empty
still remains. #
(Johnny C)
Are you coming
back home?
Please sweey, l miss you,
and Eliabeth too.
l miss you too.
You knowshe wrote
another song for you.
(Johnny C)
She did?
for me?
Yeah.
Oh, babe,
it would be so great
ifyou could just visit
just once, please.
Okay.
# It shom its face
in expectation #
# and again when
achievement's not enough. #
# The more l gain,
the more l see it, #
it's not enough... #
[phone ringing]
Hello.
Oh, l'm sory, l thought
this was my phone.
# But l choose not
to listen, #
# cause l knowl'll have
to change. #
# So this empty
still remains. #
[music]
(male)
You think we
got what we need?
Yeah,
it sounds good.
Hey, Johnny.
Fo-five minutes late,
Johnny.
Man, you guys are
never ready for me.
Ready this time.
[coughing]
What's wrong?
Man, there was a dog barking
Iast night outside
my house and it
just wouldn't stop.
Johnny!
You got anything you
want to talk about?
Hos Tara, Elizabeth?
They're fine.
They're back
and they'rejust
sleeping away like babies.
Sleep, sleep,
beautiful sleep.
lt's so beautiful.
lt's like they have
intestinal worms or something.
lntestinal worms,
you knowthat's a great lyric.
lfyou don't like worms,
howabout seepage?
l've always liked
the word, ''Seepage.''
ln fact seepage
rhymes with sleepage.
[singing]
They, oh,
they've got seepage
in the sleepage.
Whatdo
you think, Brian?
What's going on
with you?
Man, you don't
even want to know.
What is going on?
You don't want me
to ruin yourworld.
How much oxy
are you taking?
(Johnny C)
It's prescription.
There's no pharmacy label
on this and no doctor.
His name's
not on there.
l never did this.
That's my stuff.
l'm sory, Brian.
(rian)
It's okay,
but listen, Johnny.
The label is
voicing concern.
lf this gets out,
the Christian market
will turn
on the whole band.
lt's not gonna
happen this time.
You knowwhat?
Can you just go get a drink
ofwater or something?
(Johnny C)
Man, you know
eveybody wants mis,
the money, the fame...
...to make a difference,
send a message, me,
the James project.
l've been drinking
for quite some time now.
Were you, on stage?
What do you think, man?
Tara left me and she took
Elizabeth with her
and they went down
to Texas.
And you knowwhat?
l think it's better
for eveybody, including you
because there's not
gonna be as much tension.
There won't be
all the crying.
l mean good riddance.
Why?
Because she's
never happy.
(James)
Wm'd she
Ieave you?
She went home.
Why did she
Ieave you, Johnny?
Because l've been
sleeping around, man.
ls matwhatyou
wanted to hear?
Okay, there
l've said it.
You're done.
What do you mean
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Imposter" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/the_imposter_10680>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In