The Imposter Page #4

---

You have a w more minutes,

it's been what?

Six months.

We're ready to go.

We've got that material that

you need to stay at the top.

Yeah, but it's not

all about the money.

No, no, it's not

about the money.

lt's also about

the ministy, yeah.

Oh and wait till you

see these lyrics, man.

Deep, l can't even, deep.

Yeah?

You'll be reaching

thousands forthe Gospel

before you know it.

,

You have the album, the tour

U.K., bus, plane, boat,

whatever it takes,

eveyming you want.

We just need you.

The question is,

do you want it?

Yeah, all right.

(Johnny C)

l need to talk

to Reyes.

What about?

Maybe l got myself

a new record deal.

Record deal?

Back in business, baby.

l just need kind of a small

Ioan to cover some expenses.

What kind

of small business loan

are we talking about,

Johnny?

Ten Gs.

All right,

COMe On.

(Johnny C)

All right!

Johnny C.

Hey, man.

N4 friend,

my brother.

How are you, son?

It's good to see you.

lt's good to

see you as always.

Good to see you too.

Nowfantastic so say it

with me, guaranteed CHR hit.

Platinum on the wall baby,

you knowwhat l'm talking about?

Absolutely. All we need

to do, a little cream,

a little gravy on top,

your little vocals.

A little... that little

rock thing you do.

You do it better than l but you

knowwhat l'm talking about.

Then we start

working on pipelines.

We get the spins on

the Christian radio stations,

which speaking

ofthis vey morning,

l get a phone call

from who?

A radio station

in Dallas saying,

''Oh, cheerio,

Johnny C single.

''On my radio,

l want to hear it?

Can you give it

to me no''

Already people are

calling about this.

Oh, it's fabulous.

We need to start this thing

right away, l mean right away.

Monday's good.

Tony, Monday, Monday?

Thumbs up by Tony,

so we do this Monday then.

All right,

thanks man.

Give me a ring

if you need anything.

Call me, love you.

[music]

l'm employed again, man.

You know l'm good

hr it.

Come on, Mule.

lt's rule numberfour

Johnny;

you don't mix

the merchandise customers

with the banking customers.

Because l borrowed

a little money from you,

you're gonna play it

like that?

What's up, Mule, this is you

and me we're talking about?

lt's rule number four

you still got 3 112 week! s

of being a banking customer.

l don't have

[music]

What's wrong

with you, Mule?

[music]

# What can you do, #

#just hit my knees

and leave it up to you. #

# Sometimes, it hits

like a train. #

# The winds of change

come like a hurricane... ##

lce man's got ya.

Come on, Moxie.

Don't wory, about it, Moxie,

l'll take care of you.

He tried to radiate

you, that's all.

[ice man singing]

(lce man)

Hey, somebody

over there called me.

Yeah, what is a

Kumbaya by the way?

l never heard

what a Kumbaya is.

Hey, hey,

howyou doin'?

Good, you almost succumb

to the radiation,

but Oprah cast

a light over eveything.

She protected you.

You know Keyman

had it right.

lt's the light

out there.

That's the light

that's gonna get ya.

Oh, careful, you don't

wanna knock yourself out.

Where am l?

What?

Well, that's

a good question.

You don't know

where you is?

You should know

by now.

But that don't matter

'cause right now, you knowwe're

in the middle of

a big problem.

There's a war going on

and it's taking over

the entire city.

All of it, except

right here.

The last touch

of reality right here.

Oprah keep tying

to get me to leave,

but l ain't ready

to go yet.

Let's find out

if you're ready to go

'cause l got the .broadband,

single band, scotch malt,

rubber band right here.

Whatever it takes.

(Johnny C)

Mo, l gotta get home.

Hold on, l gotta

find out whether

you can leave yet

or not.

(Johnny C)

l goM get home.

Where you going?

l ain't even made

your coffee yet.

Come on, where you going?

Hey, hey, get back here.

Hey, where you going?

Come back here.

Hey!

Whoa, ain't no need to get

your britches up in an uproar.

He ain't going with us yet.

We ain't done

with him neither.

[music]

# Sometimes it hits

like a train. #

# The winds of change

come like a-- #

(Johnny C)

The narcissist

is rarely lonely.

He's got all the miends

he needs inside himself

butfor me, mey wouldn't

come out and play.

(Jerome)

Where've you been, mate?

l've been searching

for you for 2 days.

l got mugged.

You got mugged?

Yeah.

Well, let's have

a look at you then.

Oh, yeah, we're definitely

gonna need some make-up

to coverthat up

for the photo shoot.

No worries, the chicks

dig the scars.

Pipes okay?

Right, then what

are we waiting for?

Got some tracks

for you to work on, yeah?

Got some tracks

for you to work on, yeah?

[music]

# l tried eveything

to find you- #

Johnny, you gotta wait for it.

You gotta wait for it.

Come on, man.

You knowjust play it.

Pick it up behre the

firstchorus, all right?

First chorus, here we go.

[music]

(Johnny C)

# l tried eveything

to find you. #

Johnny love,

why don't we go and take a 5.

(Johnny C)

Man, it's these lyrics,

they really suck.

(Jerome)

No, l understand.

Let's give you a break men.

You've been going

at it for a while.

(Johnny C)

This is so

not cool, man.

This is so underneath

what l'm used to doing,

the music, the lyrics.

lt's like a total notch

down from what l'm used to.

l mean l've been on

another level, man.

You don't even understand

what l've been through.

l do understand.

Spin around and talk

to me for a second.

l'm yourfriend, man.

Look at me,

it's Jerome.

You know me?

This isn't about the music,

it's not about the lyrics.

lt's about something completely

dierent, all right.

You're wound like

a rubber band, mate.

You're about ready

to snap on me, yeah?

Come on, this is

about you, okay?

Me?

Yeah,

it's about you.

You need

to relax, man.

See you back

in 10, Johnny.

# Acouple more weeks

and the walls come down. #

# l don't care if

it's East orWest, #

# l just need

to get some rest. #

# l'm home. #

# l'm home. #

#And it's the architecture

of peace #

# and it's the streets,

the lead to release #

# and it's the hallways

and doorways of hope #

#And it's the place

that we call home. #

# Sha, la, sha, la, la. #

# Sha, la, sha, la, la. #

# Sha, la, sha, la,

Ia, la, la, la. #

# Sha, la. #

# ome ##

Beautiful.

Beautiful.

Marketing called and they are

really getting behind this, huh?

That's good.

Can l get an advance?

Sure, yeah, sure.

l will call accounting

and it will take,

you know some time,

of course,

to push it all

through.

All right, okay.

l can wait.

Well, good foryou,

mate, l'm glad you can

but l'm talking, you know,

a fewweeks.

lt's accounting,

numbers, cray madness,

all that sort of stuff.

But the main thing is, Johnny,

you've nailed this, baby.

This little platinum thing is

gonna be a big platinum thing

just for you and before

time people forget all

about this Grand Design, span

design and focus on Johnny C,

Rate this script:0.0 / 0 votes