The Incident Page #2

Synopsis: Captive in a foreign city, The Agent must fight his way through several obstacles to fulfill his mission, preserve his sanity, and ultimately, save the Earth.
 
IMDB:
5.7
Year:
2011
8 min
146 Views


Tonight it Hhnchen-Scarparella,

is this pasta with eggplant saut, right?

Yes.

The way I get alone. You only sleep.

- No, man

- Yes! Lie down!

Yes.

And you zihlst the pills after every time?

If the weather!

- I can not see my FUI3e.

- You do not have to! Just go!

Do not bring me to beat you.

Make you want to?

To get him.

Since when do the 'n base?

Back! Back with you!

George!

George!

- Speit What is it?

- The power goes off!

What?

Is assumed only the light and then there's drauflen

's loud bang.

But there are still 'ne

emergency power supply. - Broken.

How the automatic doors and everything else here.

We have included here?

My God!

- Speit What is it?

- Six.

- Could JB einschliefien people still?

- Some wait there in the dark!

Class.

Hatjemand maintenance people called or the Stromgesellschafi?

JB tries to figure out degree,

what's going on. He is in the next room.

- What is he doing?

- Checks to the lamps.

The lights are off! It's dark!

- Befurchtet How: We are f***ed!

- Why?

A flash of the power supply has shut down.

It works just the emergency lighting.

- Smtliche cables are scorched.

- Gtterspeise is all.

Face.

Are they here in Gebude everywhere only Glflhbirnen?

Some of the lighting consists of Neonrhren. I prufe yet.

- It's dark!

- Alone!

Otherwise there's the whole week

for you all just soup!

The current society, where there's

's emergency response team?

Kflmmern Zunchst we must ourselves to the occupants.

This is not right.

Will not work.

Bobby! Shut up!

W0 are Llberhaupt the other security guards?

Probably on the other side of the Gebudes.

Wendall brings just the tvvo

occupants in their cells. l need your help,

and imprison the rest again.

- Forget it!

The mflssen in their cells! The

are full of drugs, there is no risk.

It's not my job!

Call but the cops!

There is here a

gefhrliche exceptional situation, the

affects us all. - L'm here!

Good.

- I do not.

- George!

The you know, you see every day

by the glass. You are safe.

I take the tough hides.

Come on, George.

- Okay.

- Go ahead.

You need to keep them in line. George, you go ahead

. William, you're going at the end.

If you are in the cells

, let go to

and schliel3t from. If someone steps out of line

,

threatens him to her, that her

bring him to me.

Here.

The round is for the cafeteria

And the Square for the cell block.

We get along.

So 'ne Scheifie.

All herh6ren! The light will soon tackle

again. We promise!

- K6che What you doing here?

- They bring you to your room!

You have permission to discipline any

who steps out of line.

Food and medicine's in the rooms.

- Who where the permits? You?

- This may not carry the no!

Darfur need 'ne Ausbildungl

If he touches me, I cry.

Keep face and sit down!

To you I kilmmere myself!

Residents of Tract B shall be

in a row at the door. George and William

now bring you to your rooms.

George?

Silence!

The goes on by itself.

Are you the first time in 'NER Pats?

Why?

.

It is his first time!

Stop it!

Heillt your name? Now say it!

James Harper.

- Okay, did you see him?

- L got it.

Hey, you can get up?

Okay.

What do you think when we have power again?

Do you think JB and Wendell have the situation under control

? - I do not know.

- See Should not we? For security?

- We wait until the lights!

Only really get why the weil3e guard 'nen Taser?

It's only fair. In such 'a situation of

you can get a better disguise than I am.

Kiss my ass, Spackol

rather pass on what you do!

Come here, Bimbo!

Bob Kistler.

Martin Hauden.

Arthur West.

James Harper.

That's you

Stephen Gordon.

-

Man - Hey!

There comes out of.

Hey, man, what's happening?

F***!

All right, dude?

What's gotten into him?

No! l want to get out!

Hey! Hey!

Go immediately to your room!

What the push for 's movie, dude?

Whatever it is, 'ne repetition

I do not need it.

We Bring Back the.

God!

Oh, man

blood I?

No. lf only a little red.

- What is the out come?

- No Plan.

Kijlmmert From now on, any self-re

to his Scheif2. - J.

nothing away like!

Come on, man!

$ E Scheif...

- W0 is JB?

- I do not know.

We get the knife from the KiJche!

F***.

Hey, Carter.

Hey, boss. Do you like my Kochktmste?

- The Tur.

- Yes.

- The table in front!

- Yes!

- That they will not stay permanently.

- No.

In the pantry!

Max?

Max, you're in there?

Ricky?

Okay.

George! F***!

You've scared me to death!

Why it took so long?

I tell 's you, Ricky is shot by vdllig.

What?

He has gone mad!

F***!

- Hey, Ricky!

- L'm not out. Never.

Okay.

W0 is JB?

Do not know.

- FHUSSGH We call the police.

- We have no telephone.

Come on!

The kitchen is complete.

Nobody comes inside. We are safe.

How do you know?

A Scheil3 weil3t you!

Ricky, that's a fact!

Here you can come in no one.

But it is also 'ne fact that there is no

Security's!

Come on, dude! Everything will be fine.

Okay.

Come out if you're ready, okay?

F***!

W0 is JB?

I know not.

Scheif $ e!

There are a few of which drauflen!

F***!

F***!

I come!

Did he see us!

WeiB not.

Ricky!

Scheifie, Scheme!

Ricky!

I see nothing here!

ScheifLe.

L-O!

Max?

Max!

Max, come!

The disc does not get the breaks, right?

F***!

Oh, God!

KUCHG Our three stars!

They have offered my grandfather a car.

Four Tflren, air conditioning, weil2 s turn.

ScheifLe.

Come!

F***!

F***!

- Max, look at him not!

- Is the JB?

Come, boys!

F***.

If the weather.

Hey, look.

Are their drugs?

- I've watched Harry Green.

- Where?

He has one occupants made to

spit his pills.

- Sure?

- Scheille, no! I do not know.

As well as I see it either.

What fl [] S '[6f'l her anyway? That's albernl

your torch burns,

who know us can see.

Should we wander around in the dark?

Here we do not know to stay! Go!

- What are you doing?

- The Tflr on!

Scheme, which is never without power!

Take the flashlight off, otherwise we have gleichl

Does nothing.

What a Scheifkteil!

- What do wirjetzt with Ricky?

- What do we do?

Okay, him forth.

I schtze times, so far no one has yet

called the police.

Okay, where are the phones?

As far as I know, is one in

Bilro by JB.

And in the registration room is perhaps one more thing.

So the office.

Yes, there are also different conclusion I.

- Let's run through it?

- We have some 'choice ne?

Well...

He) '-

What?

What is it?

What is it?

Was anything. Weather.

He) '-

- Does it help me? l collect vouchers.

- Coupons?

Yes, if I'm going to dismiss did not

I have saved a lot Ubrig.

- We'll be back.

- Cool.

Bring me then with newspapers.

- Schliel3 off!

- Quiet!

- Okay.

- LESST final step, the only of aul3en.

The

all of their medications are not taken.

- Normalervveise betubt are like zombies.

- Today's zombies are on speed.

What do you think?

Why should all start pltzlich

, spit out their pills?

- Auflerjemand has told them

- Harry Green?

- Yes, I've watched him.

- Is Scheib but no matter!

Rate this script:0.0 / 0 votes

Jules Saulnier

Jules Saulnier (1817-1881) was a French architect. He is best remembered for his work on the Menier Chocolate Co. buildings in Noisiel, France. Many historians cite his 1872 building as the first true skeleton structure, having its exterior walls requiring only simple infill. The February 1997 issue of the Architectural Review called the iron and brick chocolate factory at Noisiel "one of the iconic buildings of the Industrial Revolution". In 1992, the factory was designated by the government of France as an official Monument historique and is on the list to be named a UNESCO World Heritage Site.A street in the Parisian suburb of Saint-Denis is named in Jules Saulnier's honor. more…

All Jules Saulnier scripts | Jules Saulnier Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Incident" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/the_incident_20514>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what does the term "subplot" refer to?
    A The closing scene
    B The opening scene
    C The main storyline
    D A secondary storyline that supports and enhances the main plot