The Insider Page #32
MIKE WALLACE:
Did I get you up?
LOWELL:
No, I usually sit around in my hotel
room, dressed like this at 5:30 in the
morning, sleepy look on my face.
There's an awkward quiet. Mike enters. He slows, looks
around.
MIKE WALLACE:
How many shows have we done? Huh?
C'mon, how many?
LOWELL:
Oh, lots.
MIKE WALLACE:
Yeah, that's right.
LOWELL:
But in all that time, Mike, did you ever
get off a plane, walk into a room, and
find that a source for a story changed
his mind? Lost his heart? Walked out on
us? Not one f***ing time! You want to
know why?
MIKE WALLACE:
I see a rhetorical question on the
horizon.
LOWELL:
I'm going to tell you why. Because when
I tell someone I'm going to do something,
I deliver.
MIKE WALLACE:
Oh, how fortunate I am to have Lowell
Bergman's moral tutelage to point me down
the shining path. To show me the way.
LOWELL:
Oh, please, Mike...
MIKE WALLACE:
(beat)
Give me a break!
LOWELL:
No, you give me a break! I never left a
source hung out to dry, ever. Abandoned.
Not 'til right f***ing now! When I came
on this job, I came with my word intact.
I'm gonna leave with my word intact.
F*** the rules of the game! Hell, you're
supposed to know me, Mike. What the hell
did you expect? You expect me to lie
down? Back off? What, get over it?
MIKE WALLACE:
In the real world, when you get to where
I am, there are other considerations...
LOWELL:
Like what? Corporate responsibility?
What, are we talking celebrity here?
MIKE WALLACE:
I'm not talking celebrity, vanity, CBS.
I'm talking about when you're nearer the
end of your life than the beginning.
Now, what do you think you think about
then? The future? "In the future I'm
going to do this? Become that?" What
"future"? No. What you think is: how
will I be regarded in the end? After I'm
gone.
He trails off. They look at each other.
MIKE WALLACE (cont'd)
Now, along the way I suppose I made some
minor impact.
(beat)
I did Iran-Gate and the Ayatollah,
Malcolm X, Martin Luther King, Saddam,
Sadat, etcetera, etcetera. I showed
them thieves in suits.
(beat)
I've spent a lifetime building all that.
But history only remembers most what you
did last. And should that be fronting a
segment that allowed a tobacco giant to
crash this network?
(beat)
Does it give someone at my time of life
pause?
(simply)
Yeah.
And the look on Wallace's face is "It did. Whether it should
or should not...what difference does that make? It did."
And we realize only now that he has not come to argue.
LOWELL:
Mike...in my...
MIKE WALLACE:
(low)
You and I have been doing this together
for fourteen years.
And he gives Lowell a copy of The New York Times.
MIKE WALLACE (cont'd)
This is today's New York Times.
(beat)
In it is the whole sordid story of what
went on inside our shop.
Lowell looks down at the page. The headline is "'60 MINUTES'
ORDERED TO PULL INTERVIEW IN TOBACCO REPORT."
MIKE WALLACE (cont'd)
And in the editorial... It accuses
us...of betraying the legacy of Edward R.
Murrow.
Turning, he walks out and down the hallway. Lowell looks at
the newspaper.
INT. THE COMMUTER HELICOPTER - MORNING
The helicopter approaching Manhattan. John Scanlon sitting
with Hewitt, both of them reading The Wall Street Journal
Wigand article.
DON HEWITT:
(troubled)
They conclude most of it seems pretty
unsubstantiated...
(looking at him, sickened)
You're full of sh*t, John.
INT. COFFEE SHOP, NEW YORK - MORNING
Lowell at a table littered with New York Times, New York
Daily News, etc. His phone rings...
LOWELL:
Yeah.
INT. A CITY BUS, NEW YORK - MORNING
Broadway backgrounds streak past Debbie DeLuca's head as she
rides, talking on a cell phone, The Wall Street Journal in
her hand.
DEBBIE DELUCA:
...front page. There's a picture of
Wigand. Article's entitled, "Getting
Personal," by-lined to Suein Hwang and
Milo Geyelin. Wait, hold on a second,
Lowell.
Debbie hits "call waiting."
DEBBIE DELUCA (cont'd)
Yeah. Yeah, sure. I'll see if I can
find him. Hold on...
(beat; to Lowell)
Yeah, Don's looking for you...
LOWELL:
Good.
DEBBIE DELUCA:
The sub-heading is, "Brown & Williamson
Has a 500-Page Dossier Attacking Chief
Critic."
It quotes Richard Scruggs calling it "the
worst kind of an organized smear campaign
against a whistle-blower."
INT. COFFEE SHOP, NEW YORK - MORNING
EXTREMELY CLOSE Lowell.
DEBBIE DELUCA'S VOICE (OVER)
"...a close look at the file, and
independent research by this newspaper
into its key claims, indicates that many
of the serious allegations against Mr.
contradictory evidence..."
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Insider" Scripts.com. STANDS4 LLC, 2024. Web. 26 Nov. 2024. <https://www.scripts.com/script/the_insider_479>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In