The Invisible Woman Page #2
Blue Revisions dated 11th June 2012 6.
NELLY’s hand silently stills the absent tap of an ERRANT
SCHOOLBOY’s foot against his chair as he sits in a
makeshift prompt box close by.
NELLY:
(shouting out)
John.
The SCHOOL CONDUCTOR NODS to a KEEN VIOLINIST, BOW AT THE
READY:
SCHOOL BOY 2
I can see for myself that there's
a storm coming.
THEN he nods to a LARGE SCHOOLBOY who rattles a metal storm
sheet, whilst the JOLLY PERCUSSIONIST turns a wind drum,
and a THIRD SCHOOLBOY SHIFTS a TIN OF PEAS, building in
momentum like icy drops of sleeting rain, all just visible
in the makeshift wings.
SCHOOL BOY 2 (CONT’D)
I smell the snow-
The RISING SOUNDS of percussive storm LOUDER NOW-
SCHOOL BOY 2 (CONT’D)
....I feel the hurricane, in the
air.
TWO SCHOOLBOY MOUNTAINEERS cross the stage, joining the
cafe scene
SCHOOL BOY 3
Well are you ready at last?
The BACK AND FORTH OF THE METAL STORM TRAY RATTLING, THE
PERCUSSIVE TAMBA BUILDING IN STEADY RHYTHM SUDDENLY SLICING
WITH:
6 INT. CARRIAGE. TRAIN. NEAR STAPLEHURST. KENT. DAY. 1865. 6
The TEARING STEADY RHYTHM OF TRAIN WHEELS AGAINST STEEL AND
TRACK-
The STREAK of countryside, FLEETING and ABSTRACTED, a BLUR
SCHOOL BOY 4 VO
I am sick and weary of all this
delay
Then just visible in the glass, NELLY[mid 20’s] reflection
indistinct yet rippling in the glass
Blue Revisions dated 11th June 2012 7.
SCHOOL BOY 3 VO
You hear what my friend says? Do
you cross the mountain with us or
not?
7 INT. SCHOOLHALL. MARGATE. DAY. 1885. 7
NELLY, seemingly lost in watching the play, oblivious to
BENHAM’s brief gaze, quietly observant, noting little to
give away her state of distraction bar the steam of her wet
boots and the sense that her mind is always elsewhere-
SCHOOL BOY 3
Fair weather or foul, I have no
time to lose. And I am for
pushing on-
But still BENHAM clocks it, looking back, resuming watching-
The SCHOOL BOY MOUTAINEERS climbing a mountainous pile of
plaster and cardboard Alp. The endless icy landscape beyond
and SWIRL of the PERCUSSIVE STORM DEAFENING IN THE
ORCHESTRA PIT:
A YOUNG PERCUSSIONIST SWILLS peas in a tin tray, creating the
noise of falling rain. It builds and builds-
ALL carrying NELLY far away, deep within her mind
8 EXT. STREET. FREE TRADE HALL. MANCHESTER. 1857. DAY. 8
POURING RAIN-
The impressive Manchester Free Trade hall looming above-
The TURN of WHEELS over wet cobbles-
The STEAMING FLANK OF HORSES, HOOVES TREADING WET COBBLES AS
THEY PULL A CARRIAGE TO A STILL
FINGERS REACHING UP to UNFASTEN a carriage door, CHARLEY
DICKENS [18 yrs] stands holding an umbrella waiting-
A young NELLY [18 yrs] steps down from the carriage to be
greeted by CHARLEY, holding up the umbrella, trying to shroud
her from the pouring rain.
CHARLEY:
(holding out a hand)
Miss Ellen, welcome. I am Charley
Dickens. Welcome to Manchester.
NELLY smiles, suddenly a glove clasped in her hand falls to
the ground. CHARLEY at once bends down picks it up.
Blue Revisions dated 11th June 2012 8.
NELLY:
Thank you..
Behind NELLY, MRS FRANCES TERNAN [late 40’s] NELLY’s mother a
bright, lively woman peering out into the grey of Manchester
life.
CHARLEY:
Welcome..Welcome..Mrs Ternan.
MRS TERNAN:
Charley, thank you. So wet.
CHARLEY:
Yes, do be careful.
MARIA TERNAN [20 yrs] NELLY’s sister smiling clutching a hat
box-
CHARLEY (CONT’D)
Miss Maria. Come inside..Come
inside..
The SWAY of CRINOLINE skimming the rainy pavements-
CHARLEY (CONT’D)
My father is waiting. The others
are already here. What a day!
NELLY, MRS TERNAN guided by CHARLEY towards the entrance of
the Free Trade hall passing a poster advertising-
The Frozen Deep by Mr. Wilkie Collins. Under the management
of Mr. Charles Dickens clearly visible on a billboard
overhead-
MARIA:
Nelly, look-
MARIA beaming, eyes searching the poster, at last finding Mrs
Frances Ternan, Miss Maria Ternan, Miss Ellen Ternan. NELLY,
MARIA and MRS TERNAN peering at the poster with quiet awe.
NELLY:
Yes, there we are.
MRS TERNAN:
The print is a little small, but no
matter.
CHARLEY beyond waiting. MRS TERNAN ushering MARIA and
NELLY inside. Their bonnets and skirts a flash of
colour against the grey of Manchester life all around
Blue Revisions dated 11th June 2012 9.
9 INT. CORRIDOR. FREE TRADE HALL. MANCHESTER. 1857. DAY. 9
CHARLEY leading the trio of women along an impressive wood
lined corridor. Chairs stacked either side.
10 INT. MAIN HALL. FREE TRADE HALL. MANCHESTER. 1857. DAY 10
The opulent and magnificent interior of the Free Trade
Hall-
Paintings of the Kings and Queens of England flank one side
of the wall as CHARLEY leads them towards-
A beautiful theatre in the final moments of construction at
the far end of the vast hall. CARPENTERS, STAGE MANAGEMENT,
GASLIGHT ENGINEERS working around the distant figure of
CHARLES DICKENS [mid 40’s] lost in directing the STAGE HANDS
and STAGE MANAGEMENT in placing the scenery on the stage.
DICKENS:
Yes..Yes..If we could have the flat
over there..We need to create as
much space as possible..We’ll
probably have to bring everyting to
the left..What worked at Tavistock
house will seem lost here..Our set
looks like a toy theatre if we do
not-
CHARLEY leading NELLY, MRS TERNAN and MARIA towards the stage-
CHARLEY:
Father-
DICKENS turns and at once he is lost behind a huge flat of
painted rocks being manoeuvered into place on the stage. Once
the scenery has past, he is revealed. He jumps down from the
stage, springing across the hall, smiling, arms outstretched
delighting in their arrival-
DICKENS:
At last we have a full company! Mrs
Ternan welcome.
MRS TERNAN:
Mr Dickens.
(surveying theatre)
What a beautiful theatre you have
built for us.
DICKENS:
We have tried. I am glad. Welcome
Miss Maria..A good journey I hope?
Blue Revisions dated 11th June 2012 10.
MARIA:
Yes..Yes..Mr Dickens. Thank you.
MRS TERNAN:
It was quite comfortable.
DICKENS:
Good. Good. And you must be Miss
Ellen Ternan.
DICKENS stops, mid way through shaking their hands, pausing
on NELLY, with a smile.
DICKENS (CONT’D)
You’ve met my eldest son Charley of
course.
NELLY:
Yes..yes..He very kindly rescued my
glove.
DICKENS:
Ah, the gallant chevalier!
DICKENS grips CHARLEY’s shoulder in passing, turning to
present them to the MEMBERS of the COMPANY
DICKENS (CONT’D)
Ladies and gentleman may we welcome
our newcomer, Miss Ellen who is
helping us in our hour of need.
(to NELLY)
We wish your sister Frances well.
Is it the Haymarket or Phoenix we
have lost her to?
NELLY:
The Haymarket. She is so sad not to
be here.
MRS TERNAN:
But Nelly will give you a wonderful
performance-
DICKENS:
I have no doubt.
DICKENS smiles, the MEMBERS of the company on the approach,
welcoming. DICKENS, in a spiral of energy, enthusiastically
enjoying the performance of these introductions-
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"The Invisible Woman" Scripts.com. STANDS4 LLC, 2024. Web. 8 Nov. 2024. <https://www.scripts.com/script/the_invisible_woman_596>.
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