The Italian Job Page #6
EXT. SHUTTERS HOTEL -BALCONY -SUNSET
The five of them sit in chairs on the balcony of his hotel
room. There's a sweeping view of the Pacific.
CHARLIE:
We need an in to get a video blueprint of
the interior. We're not going into this
place blind. Half-Ear, you take the
first surveillance shift. Who goes in,
who goes out, levels of security, you
know the drill.
HALF-EAR
You got it.
CHARLIE ,
I also want audio surveillance on his
phone.
LYLE:
I'll hack into the phone company's
central office remote observance
monitoring system and fool it into
thinking there's a legal tap on the line.
(MORE)
(CONTINUED)
CONTINUED:
LYLE (CONT'D)
Reroute the digital copies of his calls
to our own listening post.
CHARLIE:
How long?
LYLE:
I'll burn through the night, have it up
and running before morning.
CHARLIE:
(to Handsome Rob)
We need to know how long to get from the
house to Union Station downtown.
HANDSOME ROB:
No problemo.
CHARLIE:
Stella. How much time will you need with
the safe?
STELLA:
I'll have it open in five minutes flat.
HANDSOME ROB:
It's not the same as opening a safe for
the cops. Your heart will be pounding in
your ears. Perspiration on your
fingertips. It's a whole different ball
game.
STELLA:
You get me to the safe, I'll open it.
Out over the ocean, the sun is in its death throes, bruising
the sky a coiling purple and orange.
EXT. STEVE'S HOUSE -MORNING
Nestled at the end of a cul-de-sac on Oporto Drive in the
Hollywood Hills. Chrome. Glass. Carved wood.
EXT. MARAVILLA DRIVE -MORNING
The U-Haul panel truck is parked on the side of the road that
overlooks Oporto Drive and Steve's house.
INT. U-HAUL -MORNING
It's been converted into their surveillance vehicle, the back
outfitted with monitors and surveillance equipment.
(CONTINUED)
CONTINUED:
Half-Ear peers through binoculars and says his ^notes' into a
micro-cassette recorder. His binoculars focus in on the
fence that surrounds the perimeter of the property.
HALF-EAR
(into recorder)
We've got an anti-scaling fence.
Hardened, electroplated steel. Hacksaw
won't work. We'll need Nitramon.
The binoculars SWISH PAN TO a guard booth where a guard keeps
an eye on the gate.
HALF-EAR (CONT'D)
Armed guard. 9MM semi-automatic in the
holster. Security booth is accessible
and ideal for a triple charger chemical
grenade.
.The binoculars SWISH PAN TO four Rottweilers prowling the
grounds.
HALF-EAR (CONT'D)
Sh*t. Dogs. Why do black men hate dogs?
I'll tell you why, Charlie. Because dogs
are racist. That's a natural fact.
Someoneelsedealwithem.
Someone else deal with 'em.
EXT. 101 FREEWAY -DAY
A sea of cars, gridlock in L.A. Crammed in the middle of the
traffic meltdown is Handsome Rob's rental car.
INT. RENTAL CAR (CRAWLING)
Timing out the getaway route. He's got a Thomas Guide on the
passenger seat and a stopwatch ticking away but he's going
nowhere fast. He futilely leans on the car horn.
INT. U-HAUL -DAY
Lyle's surveillance shift. He takes digital photos with a
telephoto camera. ZOOMS IN on a security pad on the front
door.
LYLE:
(into micro cassette player)
Advent Home Navigator Hybrid System.
Monitors 132 points for intrusion, fire,
and environmental hazards.
(MORE)
(CONTINUED)
CONTINUED:
LYLE (CONT'D)
Best way around it is to get a back door
password, trip the alarm during the
heist, then call it in as a false alarm.
CUT TO:
INT. STEVE'S HOUSE -OFFICE -DAY
A HAND turns the dial to a Worthington 1000 vault. The vault
opens and voila:
stacks and stacks of gold bricks.EXT. STEVE'S HOUSE -DAY
The same hand clutches a very heavy duffle bag. OUR VIEW
BOOMS UP to see Steve, three years older than when we last
saw him, his beard shaved away.
INT. U-HAUL -SAME TIME
Through his digital camera lens, Lyle watches Steve walk
towards his car:
a Ferrari 550 Barchetta Pininfarina. It'sthe first time he's seen Steve in three years.
LYLE:
(into micro cassette recorder)
15:
25. There he is. He's gained 15 to20 pounds living off our money. And
Handsome Rob,' you're going to be pissed
when you see his wheels.
Lyle watches the security guard hit a switch in the guard
booth. The gate rises like the blade of a guillotine in
reverse. The Ferrari zooms away.
EXT. FIGUEROA STREET -DAY
Another route. Handsome Rob's rental car is in the left turn
lane waiting for the light to change.
INT. RENTAL CAR
The light finally is a green arrow but the lady in front of
Handsome Rob is so preoccupied with applying her make-up that
she doesn't go until he honks but by then it's too late as
she makes ,it through the light but he doesn't.
He checks his stopwatch. Simmers.
EXT. PENINSULA HOTEL -POOLS IDE -DAY
In a bikini, Stella lies on a lounge chair under a cabana,
reading a copy of Vogue magazine.
(CONTINUED)
CONTINUED:
But as we take a closer look, we see that she's really
reading the owner' s manual for the Worthington 1000 safe
which she' s inserted in the fold of Vogue.
INT. U-HAUL -DAY
Charlie's shift. He sees a Latina housekeeper get into her
car.
CHARLIE:
(into micro cassette recorder)
Housekeeper leaves at 17:30.
EXT. COIN & BULLION STORE -EVENING
Steve bangs a fist against the steel security door that
covers the closed store. The steel door rises up and a
Ukrainian named YEVHEN unlocks another door. He is the gold
dealer that Philly Steak told Charlie about.
YEVHEN:
You're right on time.
INT. COIN & BULLION STORE -EVENING
Yevhen is 50 and like many in the gold trade, there isn't a
conspiracy theory that he doesn't embrace. As they make
their way to a back room, he keeps his mouth in overdrive —
YEVHEN:
All those poor bastards out there putting
their life savings in banks and S&Ls and
mutual funds. What do they think — that
when the collapse comes they can depend
on the government? I don't think so.
Steve motions to a security camera that looms down on them.
STEVE:
Is the camera off?
YEVHEN:
Of course. .Just like you said. I never
tape you, you can see for yourself.
Steve sees the red light is off. He lays the duffel bag on a
table, unzips it, pulls out three 25 pound gold bricks with
the face of a Balinese Girl stamped on each one. As Yevhen
inspects them —
YEVHEN (CONT'D)
Governments are nothing more than puppets
on the strings of the Trilateral
Commission with their twisted gods.
(CONTINUED)
CONTINUEDONTINUED:
Yevhen retrieves a briefcase, opens it, presenting Steve with
stacks of Ben Franklins: $100,000 worth. As Steve inspects
the cash —
YEVHEN (CONT'D)
I mean, it's so obvious that in a world
where NAFTA can overturn the Supreme
Court, not to mention Microsoft's
nefarious financial machinations, this, is
our only refuge —'• gold.
• Steve closes the briefcase.
YEVHEN (CONT'D)
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Italian Job" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/the_italian_job_368>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In