The Kingdom of Heaven Page #10
- Year:
- 1991
- 30 min
- 570 Views
The GRANDEE, of course, does, instantly.
TIBERIAS (CONT'D)
You are an ignorant and difficult
bastard.
MUSLIM GRANDEE:
(smugly)
Who is ignorant who knows God?
TIBERIAS exhaustedly waves the man out. The MUSLIM GRANDEE
goes, starchily. TIBERIAS, face in hands, sits at his work
table.
HOSPITALER (OS)
My lord.
(CONTINUED)
46.
CONTINUED:
(3)TIBERIAS looks up and sees: BALIAN. TIBERIAS gets up and
walks nearer the table with the model. He holds out both
hands and Balian, after a moment of uncertainty, takes them.
TIBERIAS:
It is true.
(remarking resemblance)
You are your father’s son. He was
my friend. I am yours.
(a beat)
Godfrey dead...It could have come
at a better time.
HOSPITALER:
He has been examining your model.
TIBERIAS:
An engineer?
BALIAN nods, peering at the model, almost unable to help
himself, and Tiberias notices.
TIBERIAS (CONT'D)
It was shouted in the streets this
morning that you killed a great
lord of Syria.
BALIAN:
I was fortunate.
TIBERIAS:
Saladin himself has written to say
your fight was no breach of the
peace. That you had a cause.
(a beat)
What know you of Saladin?
BALIAN:
That he is the King of the
Saracens, and surrounds this
kingdom.
TIBERIAS:
Indeed he does. He has two hundred
thousand men at Damascus alone. He
might win a war if he goes to war
and he is daily given cause for war
by the Templars, by fanatics newly
from Europe, and by bastards like
Reynald. Here from this room I keep
the peace, so far as it may be
kept. I begin sometimes to wonder
if it’s worth the trouble.
(MORE)
(CONTINUED)
47.
CONTINUED:
(4)TIBERIAS (CONT'D)
But Saladin and the king between
them would make...
(exhaustedly)
...a “better world”.
(a beat, smiling)
What did your father tell you of
your obligations?
BALIAN:
That I was to be a good knight.
TIBERIAS at first smiles. Then looks BALIAN closely in the
eye.
TIBERIAS:
I pray the world and Jerusalem can
accommodate such a rarity as a
perfect knight.
(a beat)
Have you dined?
INT. THE GREAT HALL OF THE PALACE. NIGHT
In a great hall under a long second-story gallery A DINING
TABLE.
TIBERIAS, careworn, is eating slowly. BALIAN is nervous,
picking at food. He looks up as two figures come into the
room:
GUY and SIBYLLA.Sibylla holds Guy’s arm. BALIAN looks down at his plate. GUY
seats his wife; and then sits across from Balian and stares
at him. Drunk, and pouring wine from a jug.
GUY:
You sit at my table?
BALIAN and GUY stare at each other.
BALIAN:
It is the king’s table. So I am
told.
GUY:
It is. I have not seen a king at it
for some years.
(stares at Balian, drinks
wine)
Well. However far you rise we shall
always remember the docks. Eh?
(rising)
I won’t eat. I am finicky about
company. In France
(MORE)
(CONTINUED)
48.
CONTINUED:
GUY (CONT'D)
(points at Balian)
This could not inherit. But here
there are no civilized rules.
He rises to leave. GUY and TIBERIAS stare at each other, an
inch from drawing daggers. SIBYLLA sits her face unchanged.
BALIAN steals a look at SIBYLLA, who catches him at it: and a
world is said though her face does not change.
GUY (CONT'D)
I have business in the East. My
wife does not lament at my
absences. That is either the best
of wives
(kisses the top of
Sibylla’s head)
Or the very, very, worst.
(goes)
TIBERIAS:
Do you go to meet Reynald?
GUY turns at the door.
GUY:
(openly lying, and mocking
Tiberias)
No, my lord. He is in disfavor. I
am a member of this court. Why
should I make league with
that...trouble-maker.
He upends his cup. Wine like blood on the stones. Then he
drops the cup and leaves. No one can think of anything to
say. Sibylla turns hostess and as if this has not happened:
SIBYLLA:
(to BALIAN)
We will ride together. And you will
tell me about France and what is
and is not the fashion there now.
BALIAN looks, to say the least, unequal to the job.
SIBYLLA (CONT'D)
(drily)
Are you married?
BALIAN:
My wife is dead.
(CONTINUED)
49.
CONTINUED:
(2)SIBYLLA:
(dry)
You must be found another.
BALIAN:
When I am ready I imagine I will
find her myself.
She smiles at his abruptness. But has reason (Guy) to look
careworn. She looks seriously at Balian, who is now eating.
TIBERIAS:
(murmuring)
The king.
All stand quietly. The KING moves along through the shadows,
attended.
A white, masked, figure on the gallery above.
TIBERIAS (CONT'D)
(brokenly, careworn, and
now to himself)
The king.
All stand. The KING disappears from the gallery. An Equerry
comes forward and whispers in TIBERIAS’ ear.
TIBERIAS (CONT'D)
The King would see Godfrey’s son.
SIBYLLA:
(smiles)
I will take him.
EXT. A COURTYARD. TWILIGHT
Falling water. The palace is full of shadows, whispers, a
desert Elsinore. BALIAN, walking with SIBYLLA, looks around
warily. The dinner continues beyond an archway (TIBERIAS
talking business).
BALIAN:
I spoke without knowing who you
were.
SIBYLLA:
(running her fingers over
the plants)
Would knowing who I am make any
difference to the fact that I was
wrong?
(CONTINUED)
50.
CONTINUED:
BALIAN:
No.
SIBYLLA:
I was wrong. I am sorry.
Sibylla walks lightly along.
SIBYLLA (CONT'D)
I knew who you were. It’s
unmistakable. I loved your father.
I shall love you.
BALIAN trips on a stone. Sibylla smiles.
SIBYLLA (CONT'D)
Do you fear being with me?
BALIAN:
Yes.
SIBYLLA looks pleased. It is as it should be. She walks
around the fountain.
SIBYLLA:
A woman in my place has two faces.
One for the world, and one which
she wears in privacy.
BALIAN:
I have never had more than one
face.
SIBYLLA:
That will change with your new
position.
BALIAN:
I do not think so.
Sibylla, jolted, looks back at him with great interest.
SIBYLLA:
Then with you, I will be only
Sibylla.
A slight sound. A SERVANT susses out the fairly dangerous
sexual situation and disappears behind a pillar.
SIBYLLA (CONT'D)
Tiberias thinks me unpredictable. I
am unpredictable.
(MORE)
(CONTINUED)
51.
CONTINUED:
(2)SIBYLLA (CONT'D)
(smiles)
Come.
She takes BALIAN’s hand. Not grandly. Like a girl.
INT. A CORRIDOR IN THE PALACE. MOMENTS LATER
BALIAN and SIBYLLA have come to the king’s door, which is
guarded.
BALIAN:
You do not come in?
SIBYLLA:
No.
(with genuine respect)
I cannot.
She lets go of his hand and goes off down the corridor. At
the end she opens a door: a fall of light. She goes through
the door, leaving the door open. Balian stares at the open
door; then looks at the door to the king’s chambers. The
doors are swung open.
INT. THE KING’S APARTMENTS. NIGHT
BALIAN enters the room. It is lit by oil-lamps. Silks and
tapestries but it is still a working room--papers and scrolls-
books. A great map. The KING sits in a chair before the
window, his back to Balian. Before him, Jerusalem and the
desert stars.
THE KING:
(easily, but lonely)
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Kingdom of Heaven" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/the_kingdom_of_heaven_482>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In