The Lady from Shanghai Page #3

Synopsis: Michael O'Hara, against his better judgement, hires on as a crew member of Arthur Bannister's yacht, sailing to San Francisco. They pick up Grisby, Bannister's law partner, en route. Bannister has a wife, Rosalie, who seems to like Michael much better than she likes her husband. After they dock in Sausalito, Michael goes along with Grisby's weird plan to fake his (Grisby's) murder so he can disappear untailed. He wants the $5000 Grisby has offered, so he can run off with Rosalie. But Grisby turns up actually murdered, and Michael gets blamed for it. Somebody set him up, but it is not clear who or how. Bannister (the actual murderer?) defends Michael in court.
Director(s): Orson Welles
Production: Columbia Pictures Corporation
 
IMDB:
7.7
Rotten Tomatoes:
86%
NOT RATED
Year:
1947
87 min
1,296 Views


about anything at all...

...until it's over and done with.

I'd like to,

but I can't deny that Mr. Bannister...

...did try to give his wife

the things she wanted.

She'd said once that she liked picnics.

We were on our way up

the Mexican coast...

...when he decided to stop

and give her one.

Well, Mr. Bannister's picnic party

was most typical of him.

A lot of trouble and a great deal

of money went into it, but...

...it was no more a picnic

than Bannister was a man.

When you hear what I got for you,

you'll say you bought it cheap.

We've worked a lot of cases together.

I'll be sorry if we make this the last.

There's a plot against my life, correct?

I'll be murdered.

That's the information you're peddling?

I'm going to be killed.

Why, Sid, don't you think I know about it?

All about it?

Now, leave me alone.

I want to enjoy myself.

Michael.

I found out about Broome.

I tried to tell you. He isn't a steward.

- He isn't a good one.

- He's a detective.

My husband hires him to watch me.

He wants to fix it so I'll never divorce him.

- So he can divorce you?

- I haven't a cent.

- He wants to cut me off without a cent.

- Does that matter? it shouldn't.

I told you, sweet,

you don't know anything about the world.

Well, lately,

I've been rounding out my education.

I'll say this much for you, Arthur,

when you give a picnic, it's a picnic.

- Time for another, Arthur?

- Time for another.

- You know what? Michael still insists...

- What?

I beg your pardon?

I said, what?

Michael still insists on quitting.

Why shouldn't he?

No, I think Arthur ought to try

and make him stay.

If he wants to go, let him.

But George likes to have him around.

Michael's so big and strong.

He makes a good bodyguard for you.

Isn't that what you said, George?

- I don't need one.

- That's right.

- Not even a big strong bodyguard?

- Don't make another drink.

- With an Irish brogue?

- He's had enough.

George thinks Michael's fallen for you.

And that makes me unhappy,

George hopes.

But George is wrong again.

Now, Arthur, I didn't say anything

about Michael and Elsa.

Make me another drink, George.

Another Grisby special coming up.

You know, you're a stupid fool, George.

You ought to realize, I don't mind it a bit...

...if Michael's in love with my wife.

He's young. She's young.

He's strong.

She's beautiful.

Sit down, darling.

Where's your sense of humor?

- I don't have to listen to you talk like that.

- Yes, you do, Lover.

Now, Arthur, you leave Elsa alone.

Come to think of it...

...why doesn't Michael

want to work for us?

Why should he?

Why should anyone

want to live around us?

Where's his sense of adventure?

Excuse me, sir. He's over there eating.

Tell Michael to step over here

for a moment.

Aye, sir.

Hey, Mike.

They want to see you over there,

Mr. Bannister and them.

Well, Michael.

Well, Mr. Bannister.

My wife's lost her sense of humor.

You've lost your sense of adventure.

Sit down. Have a drink.

Give him a drink, George,

and don't look so shocked.

Michael may not be in the social register,

but then...

...neither are you, anymore.

Is this what you do for amusement

in the evenings:

Sit around toasting marshmallows

and call each other names?

Sure, if you're so anxious for me

to join the game, I'd be glad to.

I can think of a few names

I'd like to be calling you, myself.

But, Michael, that isn't fair.

You're bound to lose the contest.

We'll have to give you a handicap, Michael.

You should know

what George knows about me...

...for instance,

if you really want to call me names.

And, Michael,

if you think George's story is interesting...

...you ought to hear

the one about how Elsa...

...got to be my wife.

Do you want me to tell him

what you've got on me, Arthur?

You know, once, off the hump of Brazil...

...I saw the ocean so darkened with blood,

it was black...

...and the sun fainting away

over the lip of the sky.

We put in at Fortaleza...

...and a few of us had lines out

for a bit of idle fishing.

It was me who had the first strike.

A shark it was, and then there was

another, and another shark again...

...till all about

the sea was made of sharks...

...and more sharks still,

and no water at all.

My shark had torn himself from the hook...

...and the scent, or maybe the stain it was,

and him bleeding his life away...

...drove the rest of them mad.

Then the beasts took to eating each other.

In their frenzy, they ate at themselves.

You could feel the lust of murder,

like a wind stinging your eyes...

...and you could smell the death

reeking up out of the sea.

I never saw anything worse,

until this little picnic tonight.

And do you know,

there wasn't one of them sharks...

...in the whole crazy pack that survived.

I'll be leaving you now.

George, that's the first time

anyone ever thought enough...

...of you to call you a shark.

If you were a good lawyer,

you'd be flattered.

- Where's Mrs. Bannister?

- I'm sure I don't know, sir.

She adores it here in Acapulco.

So do I, but...

It's nice and quaint,

but I want to go back to Frisco.

Mind walking with me, fella?

I know all the best places.

You might enjoy it.

I want to make you a proposition.

Beautiful, isn't it?

- The beach, you mean, or the tourists?

- Everything.

There's a fair face to the land, surely.

But you can't hide the hunger and guilt.

It's a bright, guilty world.

Darling, of course you pay me.

What's your guess, Michael?

Think the world's coming to an end?

There was a start to the world sometime,

so I guess thrall be a stop.

- It's coming, you know.

- Huh?

Oh, yeah, it's got to come.

First, the big cities...

...then maybe even this.

It's just got to come.

I prefer to be somewhere else

when it does.

I will be.

That's what I need you for, Michael,

to see to it that I'm not around.

- How would you like $5,000?

- What?

That's what I said, $5,000, fella.

What do I have to do for it?

I'll fill in the details later.

Meanwhile, think it over, Michael.

$5,000.

It's yours.

All you have to do is kill somebody.

Who, Mr. Grisby?

I'm particular who I murder.

Good boy!

You know,

I wouldn't like to kill just anybody.

- Is it somebody I know?

- Yeah. But you'll never guess.

I give up.

It's me.

I'm perfectly sober, Michael.

I'm willing to pay $5,000

if the job is well done.

This is a straightforward

business proposition.

I want you to kill me.

So long, fella.

- Michael.

- Yes?

- You talked to George yesterday.

- I did.

- Did he say anything about us?

- He's afraid the world's going to explode.

He talked about suicide.

I've thought of that sometimes.

Suicide?

Do you think it's wrong, Michael?

I don't know.

Would you kill yourself if you had to?

I don't know.

- I've looked at those pills so many times.

- Pills?

The ones my husband takes

to kill the pain...

...and wondered if enough of them

would kill my pain.

The pain of just being alive?

Rate this script:0.0 / 0 votes

Orson Welles

George Orson Welles (; May 6, 1915 – October 10, 1985) was an American actor, director, writer, and producer who worked in theatre, radio, and film. He is remembered for his innovative work in all three: in theatre, most notably Caesar (1937), a Broadway adaptation of William Shakespeare's Julius Caesar; in radio, the legendary 1938 broadcast "The War of the Worlds"; and in film, Citizen Kane (1941), consistently ranked as one of the greatest films ever made. In his 20s, Welles directed a number of high-profile stage productions for the Federal Theatre Project, including an adaptation of Macbeth with an entirely African American cast, and the political musical The Cradle Will Rock. In 1937 he and John Houseman founded the Mercury Theatre, an independent repertory theatre company that presented a series of productions on Broadway through 1941. Welles found national and international fame as the director and narrator of a 1938 radio adaptation of H. G. Wells' novel The War of the Worlds performed for his radio anthology series The Mercury Theatre on the Air. It reportedly caused widespread panic when listeners thought that an invasion by extraterrestrial beings was actually occurring. Although some contemporary sources say these reports of panic were mostly false and overstated, they rocketed Welles to notoriety. His first film was Citizen Kane (1941), which he co-wrote, produced, directed, and starred in as Charles Foster Kane. Welles was an outsider to the studio system and directed only 13 full-length films in his career. He struggled for creative control on his projects early on with the major film studios and later in life with a variety of independent financiers, and his films were either heavily edited or remained unreleased. His distinctive directorial style featured layered and nonlinear narrative forms, uses of lighting such as chiaroscuro, unusual camera angles, sound techniques borrowed from radio, deep focus shots, and long takes. He has been praised as "the ultimate auteur".Welles followed up Citizen Kane with 12 other feature films, the most acclaimed of which include The Magnificent Ambersons (1942), Touch of Evil (1958), and Chimes at Midnight (1966). Other works of his, such as The Lady from Shanghai (1947) and F for Fake (1973), are also well-regarded. In 2002, Welles was voted the greatest film director of all time in two British Film Institute polls among directors and critics. Known for his baritone voice, Welles was an actor in radio and film, a Shakespearean stage actor, and a magician noted for presenting troop variety shows in the war years. more…

All Orson Welles scripts | Orson Welles Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Lady from Shanghai" Scripts.com. STANDS4 LLC, 2024. Web. 29 Aug. 2024. <https://www.scripts.com/script/the_lady_from_shanghai_12149>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Lady from Shanghai

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what is a "montage"?
    A A single long scene with no cuts
    B A musical sequence in a film
    C A series of short scenes that show the passage of time
    D The opening scene of a screenplay