The Lady from Shanghai Page #5

Synopsis: Michael O'Hara, against his better judgement, hires on as a crew member of Arthur Bannister's yacht, sailing to San Francisco. They pick up Grisby, Bannister's law partner, en route. Bannister has a wife, Rosalie, who seems to like Michael much better than she likes her husband. After they dock in Sausalito, Michael goes along with Grisby's weird plan to fake his (Grisby's) murder so he can disappear untailed. He wants the $5000 Grisby has offered, so he can run off with Rosalie. But Grisby turns up actually murdered, and Michael gets blamed for it. Somebody set him up, but it is not clear who or how. Bannister (the actual murderer?) defends Michael in court.
Director(s): Orson Welles
Production: Columbia Pictures Corporation
 
IMDB:
7.7
Rotten Tomatoes:
86%
NOT RATED
Year:
1947
87 min
1,296 Views


"To realize that I, Michael O'Hara,

had killed him. "

But I don't understand, Michael.

What were you doing with George

in Sausalito?

It says Mr. Grisby

wants to spend the night on a yacht...

...and asked me to drive him there.

And that's where I kill him.

You see,

with the rough tide there is in the bay...

...they wouldn't recover the body,

if there was one.

You don't understand, darling.

He isn't dead yet, Grisby's alive.

He won't be murdered until tonight.

Is that foolish enough for you?

My husband wrote that thing

and got you to sign it for him.

It's one of those famous Bannister tricks.

No, it's Grisby's idea.

It seems Mr. Grisby wants to disappear...

...and this is a scheme of his

to get himself declared dead.

There's more to it than that, Michael.

I don't know what, but there's more.

It's a trap of some kind.

You meet George tonight,

just as he arranged.

Go with him to Sausalito

and do whatever crazy...

...nonsense he asks you to do.

As long as no one's hurt it won't matter.

But don't let him out of your sight.

Maybe George isn't as big a fool

as he seems to be...

...but I'll swear my husband's

behind this whole thing.

Michael, why did you let yourself

get dragged into it?

Sure because I'm a fool,

a deliberate, intentional fool...

...and that's the worst kind.

Or didn't you know?

Yes, my beloved, my beloved fool.

I know.

I don't think there's anybody home,

just Broome.

Mr. Bannister's in the city, and

Mrs. Bannister, I think, went to the movies.

- Better wait for me in the kitchen.

- Okay.

Make some coffee, we'll both need it.

I've got things to attend to.

Well?

I wonder, am I the only one

that's on to you and her?

Who?

Nobody else seems to guess

you're sweet on her.

That ought to be worth extra,

but I'll throw it in for the same price.

- What are you selling?

- I can shut up, that's what I'm selling.

You see, I'm a snoopy kind of a guy.

I find things out. I get around.

I got around one afternoon in Sausalito.

I overheard a little conversation

down in Mexico.

I found out about a little plot of yours.

You wouldn't want me to say nothing

about how you're framing Michael.

Frame him for a murder

you're going to commit.

Well, let's talk it over tomorrow.

When you'll be playing dead

and someone we both know is really dead?

No, thanks, Mr. Grisby.

We'll settle our account, right now.

All right, Broome...

...if you insist.

- What are you doing?

- Hello, Michael.

I'm sorry. You drive.

Were you shooting a gun?

I was just doing a little target practice.

That's what you're going to say, isn't it...

...when you shoot the gun

down by the boat landing?

People come out of the bar

to see what happened.

You're going to say,

"I was just doing a little target practice. "

Of course, really,

you're supposed to have shot me.

And later, when nobody's looking...

...you're supposed to have thrown

my corpse into the bay.

Look out!

What happened back there?

Anybody hurt?

- Kind of banged it up, mister.

- Yes.

It's our fault. Here's my card.

Let me know if there's any damage.

Looks like you got damage.

- Your hand's cut bad!

- Really, it's all right.

- Well, goodnight.

- Goodnight, Mr. Grisby.

Goodnight.

- Did he get a good look at us?

- What?

The truck driver.

He'll make a good witness.

What?

He'll testify he saw us

just before the murder.

Broome, are you ill?

I've got some lead in me, where it hurts.

- I'll call a doctor.

- Did already.

Trouble is, the doc will report the police.

The police will want to know

who was the certain party who shot me.

Don't worry, he'll get his.

There's going to be a murder.

Ain't going to be a fake murder this time.

Somebody's going to be killed.

- You mean...

- Yeah, your husband.

Maybe he's the one who'll be knocked off.

- What?

- Could be.

You better get down to his office,

if you want to do anything about it.

- What are you doing?

- Getting blood all over the floor of the car.

My blood. It's perfect.

If you'd shot me,

there would be blood, fella. See?

Now, when you get back to the garage,

start washing out the bloodstains.

You're trying

to wipe out the evidence, see?

But be careful not to do such a good job

that they can't analyze the stains.

You can just try to wash that out.

Get the gun.

It's in the glove compartment.

Good. Come on now. Let's go.

Be sure enough people in the bar

get a good look at you.

They're bound to ask about the shooting.

Just say you're doing

a little target practice.

Be sure and wait until you hear

the speedboat get away.

- Understand?

- Where are you going?

Give me that cap!

- What are you laughing at?

- Wait and see.

- Get the law!

- Get back in the house!

You come back in the house.

It's none of your business!

Why don't you let people

get some sleep around here?

- What are you doing with that gun?

- I was just doing a little target practice.

- Where are you going with it now?

- Is he drunk?

He's soused!

San Rafael, please.

Hello. I want to speak to Mrs. Bannister.

What?

It's me, Broome.

Get down to the office.

Montgomery Street.

You was framed.

Grisby didn't want to disappear.

He just wanted an alibi.

And you're it. You're the fall guy.

Grisby's gone down there

to kill Bannister, now.

Hello?

Hello?

Hello?

Stop that car! Stop the car!

Am I too late?

- For what?

- To save Mr. Bannister.

- Who?

- Arthur Bannister.

- That's blood, ain't it?

- Sure, it's blood.

- It's all over the seat.

- Where?

- Let go of me!

- There's blood all over him.

- Your name?

- Michael O'Hara.

Listen to this paper

I found on the sidewalk.

I want to know about Mr. Bannister.

Go ahead, Joe.

"I, Michael O'Hara,

in order to live in peace with my God... "

Yes, Michael?

- You were asking for me?

- Pardon me, please.

- "... freely make the following confession. "

- Confession!

"On the evening of August 9,

I shot and killed George Grisby. "

Then it wasn't you that was killed,

it was him, Grisby!

Hello, darling. Have you heard the news?

George has been murdered.

He was found here in the street

with Michael's cap in his hand.

Michael is going to need a good lawyer.

Well, it's my own fault...

...but that's how I got into it,

big boob that I am.

I began to ask myself

if I wasn't out of my head entirely.

The wrong man was arrested.

The wrong man was shot.

Grisby was dead and so was Broome.

And what about Bannister?

He was going to defend me

in a trial for my life.

And me, charged with a couple of murders

I did not commit.

Either me, or the rest of the whole world

is absolutely insane.

- You know my associate, Mr. Seeley.

- Hello.

He's arranged for your pass into the jail.

It's in the building.

- Should he take you?

- I'd rather go by myself.

- All right, Seeley. I'll join you in the office.

- Okay.

Excuse me, Mrs. Bannister.

You want to be alone with Michael?

- It was your idea.

- Morning, Bannister.

Morning, Judge.

Is your boy still in the hospital?

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Orson Welles

George Orson Welles (; May 6, 1915 – October 10, 1985) was an American actor, director, writer, and producer who worked in theatre, radio, and film. He is remembered for his innovative work in all three: in theatre, most notably Caesar (1937), a Broadway adaptation of William Shakespeare's Julius Caesar; in radio, the legendary 1938 broadcast "The War of the Worlds"; and in film, Citizen Kane (1941), consistently ranked as one of the greatest films ever made. In his 20s, Welles directed a number of high-profile stage productions for the Federal Theatre Project, including an adaptation of Macbeth with an entirely African American cast, and the political musical The Cradle Will Rock. In 1937 he and John Houseman founded the Mercury Theatre, an independent repertory theatre company that presented a series of productions on Broadway through 1941. Welles found national and international fame as the director and narrator of a 1938 radio adaptation of H. G. Wells' novel The War of the Worlds performed for his radio anthology series The Mercury Theatre on the Air. It reportedly caused widespread panic when listeners thought that an invasion by extraterrestrial beings was actually occurring. Although some contemporary sources say these reports of panic were mostly false and overstated, they rocketed Welles to notoriety. His first film was Citizen Kane (1941), which he co-wrote, produced, directed, and starred in as Charles Foster Kane. Welles was an outsider to the studio system and directed only 13 full-length films in his career. He struggled for creative control on his projects early on with the major film studios and later in life with a variety of independent financiers, and his films were either heavily edited or remained unreleased. His distinctive directorial style featured layered and nonlinear narrative forms, uses of lighting such as chiaroscuro, unusual camera angles, sound techniques borrowed from radio, deep focus shots, and long takes. He has been praised as "the ultimate auteur".Welles followed up Citizen Kane with 12 other feature films, the most acclaimed of which include The Magnificent Ambersons (1942), Touch of Evil (1958), and Chimes at Midnight (1966). Other works of his, such as The Lady from Shanghai (1947) and F for Fake (1973), are also well-regarded. In 2002, Welles was voted the greatest film director of all time in two British Film Institute polls among directors and critics. Known for his baritone voice, Welles was an actor in radio and film, a Shakespearean stage actor, and a magician noted for presenting troop variety shows in the war years. more…

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