The Lady from Shanghai Page #8

Synopsis: Michael O'Hara, against his better judgement, hires on as a crew member of Arthur Bannister's yacht, sailing to San Francisco. They pick up Grisby, Bannister's law partner, en route. Bannister has a wife, Rosalie, who seems to like Michael much better than she likes her husband. After they dock in Sausalito, Michael goes along with Grisby's weird plan to fake his (Grisby's) murder so he can disappear untailed. He wants the $5000 Grisby has offered, so he can run off with Rosalie. But Grisby turns up actually murdered, and Michael gets blamed for it. Somebody set him up, but it is not clear who or how. Bannister (the actual murderer?) defends Michael in court.
Director(s): Orson Welles
Production: Columbia Pictures Corporation
 
IMDB:
7.7
Rotten Tomatoes:
86%
NOT RATED
Year:
1947
87 min
1,343 Views


from the cops, not safe from her.

One of the Chinese worked

in an amusement park.

It was closed for the season.

An empty amusement park

makes a good hideout...

...and she wanted me hidden.

Well, I came to...

...in the Crazy House.

And for a while there,

I thought it was me that was crazy.

After what I'd been through,

anything crazy at all seemed natural.

But now, I was sane on one subject: her.

I knew about her.

She'd planned to kill Bannister,

she and Grisby.

Grisby was to do it

for a share of Bannister's money.

That's what Grisby thought.

Of course, she meant to kill Grisby, too,

after he'd served his purpose.

Poor howling idiot. He never even did that.

He went and shot Broome

and that was not part of the plan.

Broome might have got to the police

before he died.

And if the cops traced it to Grisby,

and the cops made Grisby talk...

...he'd spill everything,

and she'd be finished.

She had to shut up Grisby, but quick...

...and I was the fall guy.

In here. We're less likely to be heard.

I thought it was only your husband

you wanted to kill.

Why don't you try to understand?

George was supposed

to take care of Arthur...

...but he lost his silly head

and shot Broome.

After that, I knew I couldn't trust him.

He was mad.

He had to be shot.

- And what about me?

- We could have gone off together.

Into the sunrise?

You and me? Or you and Grisby?

I love you.

"One who follows his nature

keeps his original nature in the end. "

But haven't you heard ever

of something better to follow?

No.

I knew I'd find you two together.

If I hadn't, Elsa,

I might have gone on playing it your way.

You didn't know that,

but you did plan for me to follow you.

You've been drinking.

I presume you think

that if you murder me here...

...your sailor friend will get the blame,

and you'll be free to spend my money.

Well, dear, you aren't the only one

who wants me to die.

Our good friend, the district attorney...

...is just itching to open a letter

that I left with him.

The letter tells all about you, Lover...

...so you'd be foolish to fire that gun.

With these mirrors, it's difficult to tell.

You are aiming at me, aren't you?

I'm aiming at you, Lover!

Of course, killing you is killing myself.

It's the same thing.

But, you know,

I'm pretty tired of both of us.

You know, for a smart girl,

you make a lot of mistakes.

You should have let me live.

You're going to need a good lawyer.

He and George...

...and now me.

Like the sharks,

mad with their own blood...

...chewing away at their own selves.

It's true.

I made a lot of mistakes.

You said the world's bad.

We can't run away from the badness...

...and you're right there.

But you said we can't fight it.

We must deal with the badness,

make terms.

And didn't the badness deal with you...

...and make its own terms

in the end, surely?

You can fight, but what good is it?

Goodbye.

- Do you mean we can't win?

- No, we can't win.

Give my love to the sunrise.

We can't lose either, only if we quit.

And you're not going to?

Not again.

I'm afraid.

Michael, come back here!

Michael, please!

I don't want to die!

I don't want to die!

I went to call the cops

but I knew she'd be dead...

...before they got there.

And I'd be free.

Bannister's note to the DA would fix it.

I'd be innocent officially.

But that's a big word, "innocent. "

"Stupid" is more like it.

Everybody is somebody's fool.

The only way to stay out of trouble

is to grow old...

...so I guess I'll concentrate on that.

Maybe I'll live so long that I'll forget her.

Maybe I'll die trying.

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Orson Welles

George Orson Welles (; May 6, 1915 – October 10, 1985) was an American actor, director, writer, and producer who worked in theatre, radio, and film. He is remembered for his innovative work in all three: in theatre, most notably Caesar (1937), a Broadway adaptation of William Shakespeare's Julius Caesar; in radio, the legendary 1938 broadcast "The War of the Worlds"; and in film, Citizen Kane (1941), consistently ranked as one of the greatest films ever made. In his 20s, Welles directed a number of high-profile stage productions for the Federal Theatre Project, including an adaptation of Macbeth with an entirely African American cast, and the political musical The Cradle Will Rock. In 1937 he and John Houseman founded the Mercury Theatre, an independent repertory theatre company that presented a series of productions on Broadway through 1941. Welles found national and international fame as the director and narrator of a 1938 radio adaptation of H. G. Wells' novel The War of the Worlds performed for his radio anthology series The Mercury Theatre on the Air. It reportedly caused widespread panic when listeners thought that an invasion by extraterrestrial beings was actually occurring. Although some contemporary sources say these reports of panic were mostly false and overstated, they rocketed Welles to notoriety. His first film was Citizen Kane (1941), which he co-wrote, produced, directed, and starred in as Charles Foster Kane. Welles was an outsider to the studio system and directed only 13 full-length films in his career. He struggled for creative control on his projects early on with the major film studios and later in life with a variety of independent financiers, and his films were either heavily edited or remained unreleased. His distinctive directorial style featured layered and nonlinear narrative forms, uses of lighting such as chiaroscuro, unusual camera angles, sound techniques borrowed from radio, deep focus shots, and long takes. He has been praised as "the ultimate auteur".Welles followed up Citizen Kane with 12 other feature films, the most acclaimed of which include The Magnificent Ambersons (1942), Touch of Evil (1958), and Chimes at Midnight (1966). Other works of his, such as The Lady from Shanghai (1947) and F for Fake (1973), are also well-regarded. In 2002, Welles was voted the greatest film director of all time in two British Film Institute polls among directors and critics. Known for his baritone voice, Welles was an actor in radio and film, a Shakespearean stage actor, and a magician noted for presenting troop variety shows in the war years. more…

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