The Last Temptation of Christ Page #3
JESUS (V.O.)
Who's that? Who's following me?
Seeing nothing, Jesus starts again. The FOOTSTEPS return --
LOUDER.
JESUS (V.O.)
Is that you?
He clutches his head, collapses to his knees in pain:
JESUS (V.O.)
Magdalene! Magdalene!
CUT TO:
EXT. MAGDALA - DAY
Three camels in the forefront of a caravan kneel to the
ground. Their riders and the camels are completely covered
with sand. As the camels rest, the riders open their cloaks
revealing bright robes of red, blue and gold and exotic
jewelry.
Jesus walks past the caravan on the main plaza of Magdala,
where TOWNSPEOPLE are salting fish in a public market. The
streets are crowded with camels, donkeys, Mongols on
horseback, Afghans laden with rugs and blankets, Nubian slaves
following their Greek and Roman masters. A Berber woman
dances. She is caked with dust. As she dances, the dust flies
away, revealing her dress, her jewelry, her body.
Jesus passes a well where a woman is seated, drawing water.
Her naked breasts are painted. He tries to avoid her glance.
JESUS (V.O.)
Thank you Lord for bringing me where
I did not want to come.
He pushes his way through the crowd until he reaches the
home of Mary Magdalene. On her door, there is a painting of
two intertwined snakes, one black, one white, and above the
LINTEL, a painting of a large yellow lizard with its legs
stretched out as if crucified. A row of camels, horses and
donkeys stand outside. Jesus enters.
A young Indian nobleman with an aristocratic air, passes by
Jesus and into the courtyard, Jesus stares and follows behind
him.
JESUS (V.O.)
He must be one of God's angels. He
came down to show me the way.
CUT TO:
EXT. MARY MAGDALENE'S COURTYARD - DAY
Jesus and the nobleman take their places seated on the ground
in Magdalene's courtyard. About a dozen men wait for their
turn with Magdalene.
Besides the young Indian nobleman (with three gold bands
around his ankles), there are three Bedounin, three old men
with painted eyelashes and nails, two young men with black
beards and moustaches, and two rich black merchants. An old
lady is off to one side crouched on the ground with a small
cage containing some crabs. A small fire is beside her on
which she is cooking food. There is no door to Magdalene's
room where she does business, only a wispy half torn curtain
floating in the infrequent breeze. This affords her waiting
clients a half-darkened view of the proceedings. An Arab
makes love to her. She is nude, and good at her work.
The young Indian nobleman lowers his eyelids, begins swaying
his upper body back and forth and moves his lips as if in
prayer. Jesus and the others glance at him. One of the black
merchants pushes him with his knee and smiles.
BLACK MERCHANT:
Prince of India, what does your God
have to say about all this?
INDIAN NOBLEMAN:
(opening his eyes)
All what?
BLACK MERCHANT:
Here, in front of you.
INDIAN NOBLEMAN:
That everything is a dream.
One of the old men, using prayer beads, turns to them.
OLD MAN:
Well, if it's a dream, then don't
wake us.
Jesus stares straight ahead. At that moment the Arab comes
out from Magdalene's room. All the men groan as if saying
"about time." The old man gets up and enters.
YOUNG MAN:
Don't take all day, old man. There's
six more here before me.
CUT TO:
LATER - THE SUN
is waning. Three merchants wait with Jesus. Two are eating.
An Egyptian emerges from the Magdalene's house. Another man
gets up. Jesus defers to him.
CUT TO:
LATER - IT'S DARK
Jesus sits alone. The last customer closes the courtyard
door.
Jesus stands, enters Magdalene's room.
CUT TO:
INT. MAGDALENE'S ROOM - DARK - AMBERLIT - NIGHT
Mary, lies naked on a stack of blankets, covered with the
sweat of all nations. Facing the wall, she calls:
MAGDALENE:
Is there anyone else?
Jesus stops in the middle of the room.
Mary turns and recognizes Jesus. She instinctively pulls
back.
MAGDALENE:
What are you doing here.
JESUS:
I want you to forgive me.
The Magdalene doesn't understand.
JESUS:
I've done too many wrong things. I'm
going to the desert. To the monastery.
Before I go I want you to forgive
me. Please.
MAGDALENE:
Oh, I see. You sit out there all day
with the others. Then you come in
there with your head bowed, saying
'Forgive me, forgive me.' Well it's
not that easy. Just because you need
forgiveness don't ask me to do it.
JESUS:
Mary, I'm sorry.
MAGDALENE:
I don't want your pity. I'm fine,
just fine. I don't need help from
anybody. Especially you or your God.
JESUS:
God can save your soul.
MAGDALENE:
I don't want him. He's already broken
my heart. Say the truth.
Mary is half in darkness. As she speaks her legs partially
open and one hand slips between them. Her other hand covers
her breasts.
MAGDALENE:
You want to save my soul? This is
where you'll find it. You're the
same as the others only you can't
admit it. You lie about it. You're
pitiful. I hate you. Here's my body.
Kiss it. Save it.
Jesus, angry, lunges for her and hits her hand away very
hard. She pulls back on the couch and they stare at each
other. When Magdalene speaks again she is calmer, but even
sadder.
MAGDALENE:
Is that the way you show you're a
man? You never had the courage to be
one. If you weren't hanging onto
your mother, you were hanging onto
me. Now you're hanging onto God,
going to the desert to hide because
you're scared. Well go. Whenever I
see you my heart breaks. Don't look
at me.
She stands and puts on a dress.
CUT TO:
LATER:
Mary takes a casserole from the fire, pours it into a bowl
and hands it to Jesus with a barley roll. Jesus eats
ravenously.
MAGDALENE:
Is that the way you eat? Without
thanking God? Don't you think you
should thank him for giving you all
this:
bread, beans, whores, wine...JESUS:
Let me eat and let me go.
Mary looks at him and touches his face. As she speaks, Jesus
doesn't respond.
MAGDALENE:
I remember when we were children.
When I was five and you were three.
I remember when we laid under the
tree together. I watched you. Later
I wanted you to come to me but not
before you suffered...
Magdalene is coming on to him. He is her lifetime love. No
matter what he does, she will never stop loving him.
JESUS:
Stop it.
He stands and walks over to the fire.
MAGDALENE:
I never felt so much tenderness toward
anyone as I felt for you then... all
I ever wanted was you... nothing
else.
JESUS:
And what do you think I wanted? Do
you think I wanted this? God help
me.
MAGDALENE:
To do what?
It takes him a moment to answer, but when he finally speaks
it is with some tenderness.
JESUS:
To leave.
MAGDALENE:
Please... stay.
(pause)
Here, it's cold. Sleep by the fire.
(she reaches for him)
Is it so bad, sharing a prostitute's
room? You'll still have your virginity
for the desert. I promise.
JESUS:
I can't stay, Mary. I'm sorry.
CUT TO:
EXT. MONASTERY - NIGHT
A small desert commune huddled near the edge of a precipice.
The monastery is actually an unconnected series of low mud
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"The Last Temptation of Christ" Scripts.com. STANDS4 LLC, 2024. Web. 27 Dec. 2024. <https://www.scripts.com/script/the_last_temptation_of_christ_893>.
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