The Left Handed Gun Page #2

Synopsis: William Bonney - Billy the Kid - gets a job with a cattleman known as 'The Englishman,' and is befriended by the peaceful, religious man. But when a crooked sheriff and his men murder the Englishman because he plans to supply the local Army fort with his beef, Billy decides to avenge the death by killing the four men responsible, throwing the lives of everyone around him - Tom and Charlie, two hands he worked with; Pat Garrett, who is about to be married; and the kindly Mexican couple who take him in when he's in trouble - into turmoil, and endangering the General Amnesty set up by Governor Wallace to bring peace to the New Mexico Territory.
Genre: Western
Director(s): Arthur Penn
Production: Warner Bros. Pictures
  1 win.
 
IMDB:
6.5
Rotten Tomatoes:
88%
APPROVED
Year:
1958
102 min
113 Views


Mr. Bonney, you can

depend on Mr. Moultrie.

Mr. Bonney.

I want you to know how sorry I

feel about your late employer.

He was a gentleman. We had

men like him in the South.

I didn't fight in the war.

I was sickly.

Keep it coming. I want

to hear it up in my room.

- How far to Madero?

- One night.

- State your name.

- Garrett.

- How's that?

- Garrett. Pat Garrett.

Bonney.

Little case of the quick jump.

Somebody gonna get

his head clipped off.

Garrett. Pat Garrett.

- Who's he?

- William Bonney.

One of the Tunstall boys.

- You'd think they'd have more respect.

- Respect?

Mr. Tunstall was laid

to rest this morning.

Cut that thing off!

Rally around the flag!

Tie me down!

- Rally around the flag!

- Rally around the flag!

Oh, man, you really

took a bite out of me.

Draw a woman.

At that funeral, I listened.

I heard flies on the window pane,

and then I heard voices mumbling.

Brady and Morton.

I got all four names.

You don't know?

I know.

Sheriff Brady, Mr.

Morton, Moon and Hill.

The sheriff?

- You can't.

- I can.

You can't shoot a sheriff.

- They call in the U.S. Marshal.

- They hang you.

They shot Mr. Tunstall,

nobody hangs them.

Oh, I don't want to.

You go. Go on. Blow their

heads off, I don't...

I got me some money. I got a

belly. I wanna go to Madero.

Now.

Charley, Mr. Tunstall was your friend.

- He was my boss.

- Tom?

He was my friend.

But he hardly said more

than 10 words to you.

He gave you that book

that you always read.

I read it. I can read.

I know that. But

that's all he gave you.

No, we belong to him.

He paid our wages.

Wages don't make it right

to go out and kill for a man.

Go to the law.

Go to Brady?

Go to Sheriff Brady?

- You ain't the law.

- Now I am.

They used their law to keep

Mr. Tunstall's herd out.

They shot him down blind.

- Charley?

- No.

It's still murder.

- It's against the Bible.

- No.

They did the murder.

- Now, wait...

- Mr. Tunstall was unarmed.

Never carried a gun.

That's right.

Murder.

Charley?

No, sir.

No, sir.

You gonna let them go free?

Ought not to.

No, sir. Ought not to.

Here's the sheriff's office.

Brady and Morton

gonna ride down here...

...to check the prisoners.

There's McSween's house over there.

We wait here and here.

When they get there, we stop them...

You there, get back!

Get back.

Brady.

I know you. And you too, Morton.

You killed Tunstall.

You sat up there in the

rocks and you murdered him.

Well, I'm calling you, you hear me?

You been called.

Throw that away. What

did you touch him for?

Get Bucky. Ride out to the

herd. Get Bucky and tell the men.

- Come with me, Billy.

- I gotta get McSween.

Come on. Go.

I saw that kid from that

hotel and Tom Folliard.

- Where? How many of them?

- More was behind the fence!

Tunstall's men. They must

be holed out at McSween's.

They gotta be at McSween's.

We'll get every one of them.

Don't kill the sheriff

and get away with it!

They're all holed up at

McSween's! Let's burn them out!

- Burn them out!

- Everybody get a torch.

We'll burn them out.

William, Hill, get some

more men on the way.

- Come on, burn them out.

- Where's McSween?

- Where's McSween?

- He's in the house.

- Come on, burn them out!

- Burn them out!

Burn them out!

- McSween.

- What's wrong?

- Get out of here.

- What happened?

They're coming here after us.

- Brady, I shot him.

- Shot Brady?

- And Morton. Got them both.

- Killed them?

You murdered them!

Get back!

- Get down! Get out of here!

- Get away from me!

Get away!

The piano!

The piano. Her piano. My wife.

- Go! Get out!

- Leave me be!

My wife! My wife!

Ben! Ben!

Oh, God, Ben.

Ben. Ben.

What are you doing? Let go of me!

Let go!

Ben! Ben! Ben!

Help me! Ben!

I'm sorry. Oh, God.

Oh, Ben. Ben, I'm sorry!

Where's the law?

Oh, Ben.

McSween?

- The boy?

- The floor caved in.

Hey, Billy.

Bucky wouldn't come.

He wouldn't listen.

None of them.

Your arm.

McSween's house.

I got some clothes in my pack roll.

I got two of them. I got two of them.

You lay still, now. I'll get

some grease for that burn.

Don't touch it, now.

It's stuck to your...

Stuck to your arm.

We got two of them.

We got two of them.

Just lay still.

We'll hide out for a couple of days, then

we'll head north for the farm country.

No. Get me to Saval.

- Who?

- Saval. He's a gunsmith down in Madero.

Charley's down in Madero.

I'll take you to Madero.

Garrett. Pat Garrett.

Bonney.

- Looks like you got nine lives.

- Got eight left.

You're hurt bad. Come on,

let me give you a hand.

- No, you get me to Saval.

- The gunsmith.

- We got a doctor.

- He don't want no doctor.

- He just wants Saval.

- I saw his wife around here a while ago.

- Celsa?

- Yeah, come on.

Saval.

Billy. Billy.

Your arm, your neck. What happened?

Celsa! Celsa!

Celsa! Celsa!

Celsa, come here.

Billy!

Be careful. His arm.

Look at him. Hey.

- Watch his arm.

- Easy, easy, easy.

You find Charley and get you a room.

You can stay at my place.

Let's go.

You don't kill a sheriff.

- You see anybody?

- Not yet.

You best keep him out of sight.

Best.

Two years, he run away.

Do you see his eyes?

He's old in two years.

He's in a bad way.

Run away, run back.

Sew his clothes, give

him food, he's gone again.

Look, his shirt is all burned.

I tried to take his gun belt.

He grabbed my hand.

It's under his pillow.

It's the same as

before, wherever he goes.

- What?

- Pain.

This here's Charley Boudre.

He's a friend of Billy's.

This lady takes care of Bill.

- Is he bad off?

- Well, he sleeps a lot.

Could we come in?

- lf you don't stay too long.

- Oh, we won't.

Hey, Billy?

Hey, Tom.

Look what crawled out

from underneath a rock.

What?

Hey, Charley, you old

horse's blanket. Come here.

Why, it's that poor boy

that got hisself killed.

Newspapers said that poor outlaw

youth was fried to a grease spot.

I'd like to lay this little

offering on that poor soul's grave.

Wait, what is that?

A little friend to keep him company.

A horny toad.

Oh, what a weeping shame

to die so young and so fair.

Why, the whole town of Lincoln

is draped in solid black.

All them red-eyed widow women...

...is weeping and throwing

their selves off the roofs.

The sight, I tell you.

- Oh, you'd say.

- Hold on, Tom.

Tom, my heart is near broke.

- Best thing we sing a little hymn.

- I reckon.

A flock of angels

Shall fly him up to heaven

Stop it now. Stop it! Stop it!

I reckon we better go now.

Hey, Billy.

Need anything, we'll be hanging

around outside in the street.

We'll come back tomorrow

and put some flowers on him.

Hey, did the governor ever figure

out how to stop this cattle war?

You ask me, I'd string

them all up to a tree.

That boy I saw across the street

carrying his arm stiff by his side...

...does he live around here?

- Not as I know.

- Who is he?

I don't know, Joe.

You coming to Pete Maxwell's party?

- I seen you talking to him.

Rate this script:0.0 / 0 votes

Leslie Stevens

For the editor of the United Kingdom Dictionary of National Biography and father of Virginia Woolf, see Sir Leslie Stephen.Leslie Clark Stevens IV (February 3, 1924 – April 24, 1998) was an American producer, writer, and director. He created two television series for the ABC network. The Outer Limits (1963–1965) and Stoney Burke (1962–63) and Search (1972–73) for NBC. Stevens was the director of the horror film Incubus (1966), which stars William Shatner, and was the second film to use the Esperanto language. He wrote an early work of New Age philosophy, est: The Steersman Handbook (1970). more…

All Leslie Stevens scripts | Leslie Stevens Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Left Handed Gun" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/the_left_handed_gun_12384>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Left Handed Gun

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "climax" of a screenplay?
    A The highest point of tension in the story
    B The final scene
    C The introduction of characters
    D The opening scene