The Libertine Page #4

Synopsis: The feature film The Libertine was incredibly difficult to make, from finding and retaining the incredible cast, to dealing with funding problems including an overnight tax law change in the U.K., to the daily grind of production on a tight budget. Capturing the Libertine asks the question, "If it's this difficult to make independent films, why do it?"
 
IMDB:
6.5
Year:
2006
38 min
755 Views


NICK (CONT'D)

Discrediting these charges is a teameffort. That means all of you haveto work together.

MAURICE:

Jaqueline, you could come to thedinner.

JAQUELINEWhy would I have dinner with an insidetrader?

MAURICE:

Alleged.

(MORE)

MAURICE (CONT'D)

You never want to see just me. This

would take some pressure off.

EDITH:

Maurice. Focus.

MAURICE:

Don't you think it would be nice tohave company?

EDITH:

If I want company, I'll leave thebuilding.

MAURICE:

Show off.

JAQUELINENicolas, do you bill by the hour?

NICK:

Absolutely.

MAURICE:

Then he won't mind waiting. Edith,

go knock on their door.

JAQUELINEIt's not enough she stands by you,

you want her to run errands.

EDITH:

When you make a jab like that, leanforward. It will make you morethreatening. When you lean backthat way, it comes off as a defensivebark from a scared little girl.

MAURICE:

Nicolas, why don't you take a stabat the conversation?

NICK:

I want to update you on the statusof the trial. Things are going aboutas well as could be expected, and Iremain cautiously optimistic.

MAURICE:

Get to the content.

22.

23.

NICK:

We're working very hard to establishthat these charges are baselesscharacter assassination.

MAURICE:

To prove these charges are baselesscharacter assassination.

NICK:

(to Jaqueline)

Which is greatly hindered by yourmaligning your father in the publicforum.

JAQUELINEHe should just plead guilty.

MAURICE:

Ha.

JAQUELINEReally.

MAURICE:

You don't actually think I'm guilty.

JAQUELINEOf course I do! Why else would I besaying these things on TV?

MAURICE:

Because you're an attention hog.

JAQUELINEThe narcissist sees himself in

everyone.

MAURICE:

It's not polite to psychoanalyzeyour parent. I think there's a

commandment against it.

JAQUELINEWhat have I said to suggest I thinkyou're innocent?

MAURICE:

I'll tell you what happened.

NICK:

That's not necessary.

MAURICE:

She needs to hear me tell the story.

24.

NICK:

Then tell her while I'm not around.

MAURICE:

You're paid by the hour.

NICK:

Our strategy involves having youplead the fifth and avoid the stand.

We'll discredit the maid, and youwill never have to tell your side.

That means I don't need to hear yourstory. I don't want to hear yourstory.

MAURICE:

But it exonerates me.

NICK:

It's irrelevant.

MAURICE:

You think I'm a rapist.

NICK:

It's not my job to think one way orthe other.

MAURICE:

We've been friends for decades.

NICK:

The only thing that matters isdiscrediting this maid.

JAQUELINEShe has a name. It's Ama Parker.

EDITH:

Good for her.

JAQUELINEExcuse me?

EDITH:

I mean, most people get to have theirown name, but good for her that shehas one too.

MAURICE:

Edith, what are you doing?

25.

EDITH:

(to Jaqueline)

Do you want to be the daughter of asex offender?

JAQUELINEI didn't know I had a choice.

EDITH:

By some strange circumstance, it

appears you may. Do you choose tobe the child of a world leader and a

business mogul, both of whom willlovingly hand you a golden career asa graduation present? Or do youchoose to be the daughter of acriminal deviant and his disgracedwife? Neither of whom will be able

to make a single call on your behalf?

JAQUELINEI may have a blossoming career as aTV pundit.

Maurice and Edith chuckle.

EDITH:

I'm proud of your instinct for selfpromotion, but do you really thinkyou're going to get calls you afterthis trial?

JAQUELINE:

(to Maurice)

Your career is over. You just don'tsee it yet.

(to Edith)

And you can free yourself from himany time.

MAURICE:

You really think I'm guilty?

EDITH:

What are you even doing here?

JAQUELINEI wanted to hear him confess.

NICK:

Don't confess.

MAURICE:

How can I confess to something Ihaven't done?

26.

NICK:

That's good. Keep saying that.

MAURICE:

You all know me.

JAQUELINEYou're a swine.

EDITH:

Both of you, calm down.

MAURICE:

I'm your father.

EDITH:

Nick, what advice do you give whenyour clients become overly emotionalin court?

NICK:

I usually tell them to imagine they'rein a long line at the DMV. I find

that brings out the perfect balanceof indignant restraint.

MAURICE:

I'll make some phone calls for you.

I'll get you a plum executive jobout of school.

JAQUELINENo one wants your calls.

MAURICE:

For now.

EDITH:

Honey, I know you feel abandoned.

JAQUELINEDon't take an interest in psychology

now.

EDITH:

I love your passion for people.

JAQUELINEDon't humor me to control me. You

hated it when I minored in psychology.

You said it was soft.

27.

EDITH:

You see your father not doing hispart, and you think, "if he's goingto let the Lunel-Caspi ship sink,

why should I stay onboard?"

MAURICE:

I'm fighting this trial witheverything I have.

EDITH:

You see his creepy wall collage.

MAURICE:

That's my wall of vindication.

NICK:

She's right. It sends a messagethat you are not sympathetic withthe victim.

MAURICE:

Of course I'm not sympathetic withthe victim. She's trying to frameme! If you have a problem with it,

don't bring journalists into my living

room.

NICK:

It's not about the collage, it'sabout a pattern of behavior.

MAURICE:

My behavior is not the issue. The

issue is your competence as a lawyer.

JAQUELINEYour behavior is the only issue.

EDITH:

(to Jaqueline)

You don't care about self interest,

fine. Doesn't your father deserve afair trial?

JAQUELINEEveryone deserves a fair trial.

EDITH:

And can he get a fair trial if youturn public opinion against us?

JAQUELINEFine. I'll think about it.

28.

EDITH:

That's all we can ask.

MAURICE:

No, it's not all we can ask. We can

ask for some goddamn loyalty.

EDITH:

(to Maurice)

Recognize a win.

MAURICE:

(to Nick)

Come into the other room with me.

NICK:

What for?

MAURICE:

I need some legal counsel. Awayfrom their biased ears.

Maurice leads Nick toward the master bedroom.

EDITH:

Not that one.

Maurice nods and leads Nick into the second bedroom.

JAQUELINEIf you had any self-respect, you'dleave him.

EDITH:

Jaqueline, when you become married,

you will be perfectly free to leaveyour own husband. I'll support youwhen you do. In the meantime, don'ttell me to leave mine.

INT. SECOND BEDROOM - MOMENTS LATER

Maurice pulls Nicolas over by the bed.

MAURICE:

You have to get me a girl up here.

NICK:

I thought you wanted to talk aboutthe case.

MAURICE:

Are there any major changes?

29.

NICK:

No.

MAURICE:

Then f*** the case. I'm going crazyup here. Edith's always watching

me.

NICK:

So are the police.

MAURICE:

That's why you need to help. Dress

her up like a lawyer. That will gether by.

NICK:

And implicate the firm?

MAURICE:

I did it before. The doorman was

completely fooled.

NICK:

That could come back to me!

MAURICE:

It was only Edith who caught on.

She's smarter than a cop.

NICK:

I don't want you telling me thingslike this.

MAURICE:

I'm climbing the walls. You're mylawyer and a friend. You're supposedto take care of me. Can't you seeI'm suffering?

Rate this script:0.0 / 0 votes

Ben Kopit

Ben Kopit is a writer and actor, known for Resurrect (2017), Victoria Woodhull and Temple of the Triassic (2013). more…

All Ben Kopit scripts | Ben Kopit Scripts

1 fan

Submitted by marina26 on November 30, 2017

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Libertine" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/the_libertine_1323>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Libertine

    Browse Scripts.com

    The Libertine

    Soundtrack

    »

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed the movie "Dunkirk"?
    A Ridley Scott
    B Steven Spielberg
    C Martin Scorsese
    D Christopher Nolan