The Limey Page #23
ADHARA:
You guys are f***ing nuts, I'm calling --
She starts to stand. Valentine pulls her down.
ADHARA:
Hey.
TOM:
Mr. Avery.
Avery looks to Tom, who nods toward the back porch.
THEIR POV:
A silhouetted figure is tentatively making its way along the
porch, trying not to be seen. We don't get a very clear
glimpse.
AVERY:
Draws his gun and takes aim.
THE FIGURE:
Careful not to become fully visible, but growing more
courageous with each step.
AVERY:
Locked on him, waiting.
VALENTINE:
Puts Adhara's hand to her ears.
THE FIGURE:
We see a little more now than we have before.
AVERY:
He sees enough. Squeezes off a series of SHOTS, the muzzle
flash strobing the kitchen area like a flashbulb, Adhara and
Valentine flinching.
THE FIGURE:
Hit. Spinning and collapsing to the ground.
AVERY:
Lowers his gun. Turns to Tom.
AVERY:
Watch my back.
Avery moves out from behind the counter and heads for the
body.
EXT. BIG SUR HOUSE. BACK PORCH. NIGHT.
Avery makes his way to the figure, which is on its stomach
and writhing slightly.
AVERY:
Careful. Takes the gun and turns the body over.
STACY:
Stares up at him, choking on his last few breaths.
AVERY:
Puzzled. What the hell is this guy doing here? He starts
feeling around Stacy's jacket for anything useful, but is
interrupted when his hand EXPLODES, accompanied by the sound
of a gunshot. He screams in pain.
INT. BIG SUR HOUSE. KITCHEN. NIGHT.
Valentine and Adhara drop to the floor. Tom, gun raised and
pointing, tries to see who shot Avery.
EXT. BIG SUR HOUSE. BACK PORCH. NIGHT.,/u>
Avery is turning toward his assailant, but not fast enough.
A shot rings out and part of his neck disappears in a blossom
of blood. Stunned, he falls on his side, gasping.
AVERY'S POV
Uncle John. Close by, huddled by the lip of the cliff. He
starts to move cautiously toward Avery and Stacy.
INT. BIG SUR HOUSE. KITCHEN. NIGHT.
Tom squints, trying to see.
TOM:
F***.
VALENTINE:
What?
TOM:
Avery's down.
TOM'S POV
A piece of Uncle John's silhouette appears.
TOM:
Fires at it. Didn't hit anything.
TOM:
F*** this.
Tom jumps up and runs for the living room, firing his gun in
front of him toward where he last saw Uncle John's
silhouette.
LIVING AREA:
Tom runs through and reaches the sliding doors to the back
porch. A portion of the frame SPLINTERS from a gun shot as
he gains access to the other side of the back porch.
EXT. BIG SUR HOUSE. BACK PORCH. NIGHT.
Tom is through the sliding doors and trying to make his way
around to the driveway.
UNCLE JOHN:
Crouched behind the opposite end of the porch, sticks his
head up.
HIS POV:
Tom crossing to the steps, slips on the damp wood, tries to
right himself.
UNCLE JOHN:
Squeezes off two shots.
TOM:
Is shot in the ankle as he is about to reach the steps. He
yelps in pain, tries to raise his gun.
UNCLE JOHN:
Crouched down. A shot flies over his head.
TOM:
Stops shooting. Tries dragging his shattered ankle to the
steps.
UNCLE JOHN:
Looks over the edge of the porch.
HIS POV:
UNCLE JOHN:
Fires at him.
TOM:
Screams again as his elbow of his gun hand disintegrates. He
slips on the first step and tumbles down, the gun bouncing
beside him.
UNCLE JOHN:
Sees this. Stands up to cross the back porch. Takes a step
forward but is stopped by a bullet in the chest (about the
only clean shot anybody makes). He looks down at himself.
UNCLE JOHN:
Sh*t.
He looks up to SEE:
AVERY:
Near death. Gun in his good hand. He squeezes the trigger
again.
UNCLE JOHN:
A small black hole appears in his cheek. He blinks, begins
to raise his hand to his face, and collapses.
AVERY:
Exhales and rolls over.
TOM:
Still trying to get to his feet. He gives up and just lies
there, panting.
A HAND:
Reaches for the gun beside Tom. Tilt up with it to reveal:
ED:
He puts the gun in his jacket and slides away.
INT. BIG SUR HOUSE. KITCHEN. NIGHT.
Valentine and Adhara are still stuck behind the counter.
Valentine sees the shadowy shape of Ed slipping behind the
back porch.
VALENTINE:
Decides to make a run for it, following Tom's route, away
from Ed.
ADHARA:
Where are you going?
LIVING ROOM:
Valentine runs to the sliding door, smack into:
WILSON:
Standing there. Wet. Mad. He grabs Valentine by the shirt
and pushes him back into the room.
VALENTINE:
Bounces off the couch and onto the floor.
WILSON:
Comes toward him.
VALENTINE:
Grabs a lamp off an end table and hurls it at Wilson. It
careens off Wilson's arm and shatters.
WILSON:
Is almost on him now.
VALENTINE:
Tries to scramble away. Throwing anything he can get his
hands on at.
WILSON:
Who keeps coming. He grabs Valentine, pulls him up, then
throws him into the television.
VALENTINE:
Crashes into the TV face first and bounces to the floor.
WILSON:
Goes to him, grabs him by the neck with one hand and pulls
out his gun with the other. He seems about to speak when
suddenly he screams instead.
WILSON:
AAAAGGGGHHHH!
ADHARA:
Has just stuck a kitchen knife into Wilson's back.
WILSON:
Turns instinctively and whips the pistol around, smashing
Adhara in the mouth.
ADHARA:
Hits the ground. She won't be retaliating.
WILSON:
In agony, spinning, trying to reach the knife in his back,
but IT'S JUST BEYOND HIS REACH.
VALENTINE:
Scrambles through the sliding glass door.
EXT. BIG SUR HOUSE. BACK PORCH. NIGHT.
Valentine stumbles out. Notices Avery slumped on the deck,
mortally wounded. Goes to him -- as if concerned -- but
actually just to take the gun. Then runs off the porch
toward the STEPS that lead down to the sea.
WILSON:
Comes out after him, the knife still in his back. So intent
on catching Valentine he fails at first to notice Avery lying
in the shadows.
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"The Limey" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/the_limey_719>.
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