The Lion King

Synopsis: A young lion Prince is cast out of his pride by his cruel uncle, who claims he killed his father. While the uncle rules with an iron paw, the prince grows up beyond the Savannah, living by a philosophy: No worries for the rest of your days. But when his past comes to haunt him, the young Prince must decide his fate: will he remain an outcast, or face his demons and become what he needs to be?
Production: Buena Vista
  Won 2 Oscars. Another 33 wins & 29 nominations.
 
IMDB:
8.5
Metacritic:
83
Rotten Tomatoes:
93%
G
Year:
1994
88 min
$94,240,635
Website
48,817 Views


IN DARKNESS:

A Native African VOICE calls out in SONG.

FADE IN:

Dawn. The sun slowly rises over an African plain - full, brilliant.

Native African VOICES respond in SONG. The SOLO VOICE continues, joined by the group.

CLOSE ON:

ANIMALS - alert to the sound: a RHINO, TOPEES, MEERCATS, a CHEETAH, several MARABOU STORKS. Another marabou stork enters frame. Intro SONG: "THE CIRCLE OF LIFE"

The stork takes wing.

EXT. VICTORIA FALLS

The rising sun lights the cascading water. The marabou storks fly across frame.

EXT. PLAIN WITH KILIMANJARO IN B.G.

ELEPHANTS walk along through the morning mist.

AERIAL SHOT - A RIVER

Flocks of airborne FLAMINGOS cast «shadows on the meandering waterway, below.

GAZELLES leap and run across a grassy plain.

EXT. A HILL

A MOTHER GIRAFFE crests the hill, followed by her baby, as the song lyric begins:

VOICE:

singing

FROM THE DAY WE ARRIVE ON THE PLANET

AND BLINKING STEP INTO THE SUN THERE'S MORE TO SEE THAN CAN EVER BE

MORE TO DO THAN CAN EVER BE DONE

The mother and child giraffes cross frame and reach a crest that overlooks a huge migration of animals. They lope down the hill to join them. We HOLD ON:

A TREE BRANCH where ants carrying leaves march across. RACK FOCUS to reveal:

ZEBRAS below, trotting in the same direction as the rest of the herds.

DOWN SHOT - GUINEA FOWL

waddle toward us, as dust reveals:

A HUGE ELEPHANT who crests an incline and lumbers toward us. The guinea fowl scamper ahead. One is almost stepped on by the elephant's huge hoof.

EXT. A STREAM

reflecting the morning sun. The reflection is shattered by ZEBRA who leap into the water and cross, causing an explosion of shimmering droplets. In the b.g., AN ELEPHANT with birds perched on its head and tusks gives them safe passage across the stream. PAN to see'the animals getting out of the stream and joining a SCREENFUL of animals, all walking in the same direction.

VOICE:

THERE'S FAR TOO MUCH TO TAKE IN HERE MORE TO FIND THAN EVER BE FOUND BUT THE SUN ROUTING HIGH THROUGH THE SAPPHIRE SKY KEEPS GREAT AND SMALL ON THE ENDLESS ROUND

The light changes. PAN to REVEAL:

EXT. PRIDE ROCK - CONTINUOUS

An impressive mountain: with many plateaus, levels and textures. It stands castle-like in the center of the Pride lands.

VOICE:

IT'S THE CIRCLE OF LIFE AND IT MOVES US ALL THROUGH DESPAIR AND HOPE THROUGH FAITH AND LOVE ON A PATH UNWINDING TILL WE FIND OUR PLACE IN THE CIRCLE THE CIRCLE OF LIFE

AERIAL SHOT - CONTINUOUS

WE TRACK in with a horn bill (ZAZU) who flies over the gathered animals and ANGLES up, up, up to the promontory.

He lands and bows regally to an 0. S. character. He gestures with his wing, indicating that all is ready and reverently backs away.

ANGLE - MUFASA

The rising sun lights this regal, commanding lion (MUFASA) — who acknowledges Zazu with a warn nod.

REVERSE ANGLE:

Below, the animals are collected in a natural amphitheater.

WITH MUFASA:

Surveying the situation.

WITH THE ANIMALS

Gourds and on the top of a walking stick make their way through the crowd. An old baboon (RAFIKI) who carries the walking stick, hobbles out from the crowd, toward Pride Rock. There is mystery and humor to this old fellow as he ambles forward and scales the cliff.

EXT. EDGE OF PLATEAU - ABOVE

Raflki's head pops up. He ambles to a standing position, goes right to Mufasa and gives him a hug. Mufasa beans. These guys obviously go way back. They turn and look at:

A LIONESS (SARABI) who has her newborn cub (SIMBA) nestled at her feet.

FULL SHOT:

Mufasa lovingly nuzzles Sarabi. Then he nuzzles the little cub.

MUSIC UNDER:

ANGLE - THE CUB

Rafiki looks at him. He shakes a gourds on his walking stick over Simba and they RATTLE. He cracks a gourd open and smears some goo on the little-guy's forehead. He takes a handful of dirt and sprinkles it over Simba. Simba SNEEZES. Mufasa and Sarahi, doting parents, think this is adorable.

RAFIKI ever-so-carefully lifts Simba and carries him to the promontory of Pride Rock. He holds the cub up for all to see.

The animals react with glee: ELEPHANTS trumpet; MONKEYS applaud and do somersaults; ZEBRAS stomp.

THE SKY:

A shaft of sunlight shines down through the clouds on the future king.

THE ANIMALS bow and genuflect grandly.

SUMMIT OF PRIDE ROCK

Rafiki holds the cub high. Mufasa and Sarabi watch.

VOICE:

IT'S THE CIRCLE OF LIFE

AND IT MOVES US ALL

THROUGH DESPAIR AND HOPE THROUGH FAITH AND LOVE

ON A PATH UNWINDING

TILL WE FIND OUR PLACE

IN THE CIRCLE:

THE CIRCLE OF LIFE

MUSIC OUT.

TITLE CREDIT:
"THE LION KING"

SEQ. 1.2 (SCAR, ZAZU, MUFASA)

FADE IN:

EXT. A ROCK SURFACE - A SHORT TIME LATER

A chameleon blends in with its terrain. Its eyes shift. It walks away. PAN DOWN the rock to reveal a shadow then a dark crevice.

DARKNESS:

Two little eyes dart erratically across FRAME. As b.g. becomes lighter, we realize that the eyes belong to a FIELD MOUSE.

EXT. SHADE TREE AREA - CONTINUOUS

As the field mouse scarpers, a huge lion paw THUDS into frame and traps the mouse in its jail-like claws. PULL BACK TO REVEAL:

SCAR, a thin, angular lion with an attitude problem. He gingerly lifts the mouse by its tail and dangles it over his gaping mouth. Rather than eat the mouse. Scar rolls it through his paw the way a gambler rolls a coin.

SCAR:

Life's not fair. Yes -- You see, I shall never be king. And you shall never see another day. Adieu.

As Scar is about to eat the mouse, he HEARS:

ZAZU (O.S.)

Didn't your mother ever tell you not to play with your food?

SCAR:

Oh, Zazu. What do you want?

REVEAL Zazu, the horn bill we net in the opening scene. Zazu blends regal with ironic edge. He reveres his boss (King Mufasa) and disdains anyone he perceives to be a low-life cretin -- which is pretty much everybody but the King.

ZAZU:

I'm here to announce that King Mufasa's on his way. And you'd better have a good excuse for missing the ceremony this morning.

The little mouse escapes to freedom.

SCAR:

mock sad

Now look, Zazu. You've made me lose my lunch.

ZAZU:

You'll lose more than that when the king gets through with you. He's as mad as a hippo with a hernia.

Scar, licking his chops, advances on Zazu who backs away.

SCAR:

Ooooo. I quiver with fear.

ZAZU:

Now, Scar -- Don't look at me that way.

Scar continues stalking.

ZAZU:

Help!

Scar catches Zazu in his mouth. And CHOMPS his teeth shut. Mufasa enters, having witnessed what Scar just did.

MUFASA:

admonishing

Scar!

Scar, surprised, and with a bird bulge in his mouth:

SCAR:

Hmmm?

With that, Zazu's beak pokes out from Scar's lips. It looks like the mouth-within-a-mouth in "Alien."

ZAZU'S BEAK

Impeccable timing, Your Majesty.

MUFASA:

to a disobedient puppy

Drop him!

SCAR:

releasing Zazu

Plegh!

Zazu tumbles to the ground and shakes off.

SCAR:

to Mufasa

Why if it isn't my big brother, descending from on high to mingle among the commoners.

MUFASA:

Sarabi and I didn't see you at the presentation of Simba.

genuine

Is anything wrong?

SCAR:

insincere

That was today? Oh, I feel simply awful. Must have slipped my mind.

Rate this script:4.0 / 36 votes

Irene Mecchi

Irene Mecchi is an American writer for television, movies, newspapers, and Broadway. Originally from San Francisco, she started her work with Disney in March 1992, when she wrote Recycle Rex, an animated short film which won the 1994 Environmental Media Award. Irene has worked on Herb Caen's books, and is the co-screenwriter of Disney animated movies such as The Lion King, The Hunchback of Notre Dame, and Hercules. With co-author Roger Allers, she received a 1998 Tony nomination for writing the book for The Lion King. Irene wrote the teleplay for Annie, which aired on ABC in 1999. more…

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Submitted by acronimous on May 19, 2016

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