The Looking Glass War Page #4

Synopsis: During the Cold War, the British Intelligence receives a blurred photograph from East Germany taken from Hamburg and Director LeClerc believes they are missiles. Their agent, Taylor King, who receives a film which might clarify the detail from a pilot in Finland, is found dead on the road, and the police believe he was accidentally killed in a hit-and-run. LeClerc meets the Polish defector Fred Leiser, who jumped overboard from a ship expecting to have asylum and stay with his British girlfriend who is pregnant, and decides to recruit him to cross the border and spy on the Eat German facility to check on the missiles. In return, he would have salary, insurance and political asylum. Leiser is trained by the agent and family man John Avery,and soon he finds his girlfriend has had ended the pregnancy. When Leiser crosses the border, he meets up with Anna, a local, and they stay together in the beginning of a dangerous journey where he is just a pawn in a war game.
 
IMDB:
6.0
M
Year:
1970
108 min
105 Views


Like a waiter in one's club.

Good morning, good night

and a guinea at Christmas.

Coming in. That's something new.

My God, just look at that.

Coffee.

Hey. You ought to

get something for that cut.

That's terrible.

Wait. l'll get you something.

-How did you get a cut like that?

-What a stupid question.

"How did you get a cut like that?"

Now, don't move.

l'll get some hot water.

Am l on the right road to Kalkstadt?

l said, am l on the right road

to Kalkstadt?

You won't miss it.

You go straight on until you smell it,

then you turn left till you step in it.

Oh, look at that!

Come, l'll give you a ride.

You forgot your rucksack.

What's in it, bricks?

Come on, come on.

Kalkstadt's quite a distance yet.

Good.

Russians.

Now they got into it.

That's it. That's typical.

Germans eating Russian dust.

Military police.

There have been police all morning.

What's the matter?

-Come on, it's not going to hurt you.

-Stop the truck. l'll get out here.

l don't mind, you can hit me

if you like. Lots of men like that.

Let me tell you something.

They killed a boy, a guard,

in Wilmsdorf this morning.

The road is covered with police.

Well.

Come on, relax.

l don't give a damn about the police.

l hate the police.

You don't know what--

l'll have hush, gentlemen, please.

There he is. He made it.

That's it.

Just his identification, then off the air

until tomorrow. Copybook.

That's what he is, sir, copybook.

Am l on the right road to Kalkstadt?

Wait a minute.

Hey!

-What are you doing?

-Come on, move over.

-l'm going to Kalkstadt.

-So?

So l'm going to drive.

You can't drive like that.

Come on. Come on, move.

Who is he?

He's my friend.

Frulein, get out, please.

Your papers, please.

Please. Please.

What the hell did you hit him for?

He was just asleep. You woke him up.

Your papers.

Where are you going?

He's going to Kalkstadt.

Travel authority?

ln the truck.

Go get them.

lt says here that the driver of the truck

should be Wilhelm Koestler.

-What is your name?

-Leiser.

Koestler got sick. There was

no time to change the papers.

You, lock it up.

He's here.

Where's he going?

Kalkstadt.

All right, thanks.

No. Don't arrest anybody. Let him go.

Why did you hit that Vopo?

He might have hit you back.

l hated when they were

pushing you around like that.

lt's just their job.

lf they want to hurt me, they can do it

because they hate me...

...not because it's their job.

Someone killed a guard at the border.

That's what they were looking for.

They said a spy was coming over.

Get rid of the truck. They'll know it

by now. They'll be watching.

They would have arrested me back

there at the roadblock, wouldn't they?

What do birds dream about?

Worms, crickets, grasshoppers...

...flies, spiders,

slimy good things to eat.

-Have you ever eaten a spider?

-No.

l think you're lying.

Who's that?

Who is she?

Your wife? Your girlfriend?

She's nobody. She doesn't exist.

Then l can tear it up.

You don't have to go to Kalkstadt.

Let's go someplace else.

Where there's sun.

Spain.

Any place.

No father, no mother.

We can print our own newspapers.

We can make our own people.

You better go.

Did you hear what l said?

Hey!

-Herr Fritsche.

-Yes?

Your son Heinrich

asked me to see you.

-Heinrich?

-Can l come in?

Heinrich? How is that possible?

Hands across the sea.

-Did Heinrich tell you to say that?

-Yes.

He said to say "hands across the sea"

and that you had photographs for me.

You didn't give him any money?

Yes, for the photographs.

Heinrich is in good health!

Other children you have to

teach to be crooked...

...but Heinrich was a child prodigy.

A Mozart!

Hands across the sea!

No, no, you must not mind.

He does it to all the people.

Sit down.

l will make you a cup of coffee.

Yes, Heinrich. Cheating at school,

that's how it started.

Then lying,

stealing from his mother's purse....

Did he tell you what was

supposed to be in those photographs?

l'm afraid you will

have to have it black.

l take in very little milk, only half a liter

a day and that's for the cats.

You see, l have so few visitors here.

Hands across the sea.

Yes, Heinrich was a monster.

Life with him was just

one long series of surprises.

Explaining to the police,

paying his bills.

And the parties he had here.

The boys he brought home...

...they were of the worst possible type.

And the girls, if anything,

they were worse.

Hands across the sea!

Where are you going?

-Lbeck.

-The roads are closed.

You'll have to stay in Kalkstadt.

The inn will give you a room.

lt's clean, comfortable.

lt's the only one.

-What's wrong with your hand?

-lt's infected.

Yes. You feel warm.

What do you want?

What's wrong with you?

Look, can't you get it through your

head that l don't want you around?

Does your hand still hurt you?

Yes.

Now, why don't you go?

-l could tell them that you're here.

-They already know.

-Will they hurt you?

-What do you think?

You don't think.

What goes on in that

mind of yours, anyway?

Besides a lot of noises and words

and feelings you don't understand.

-Will they hurt you?

-Yes, they'll kill me!

l'm a trained man.

They'll have to kill me.

You're afraid.

Don't be afraid.

Did you ever see one of those?

Never. What is it?

-What's your name?

-Anna.

Anna, listen.

l asked you to come up here with me.

But when we got here,

l pulled this knife...

...and l stuck it to your throat.

Do you understand?

Did l tell you about England?

You know, the English are crazy.

l went for a walk there once

in the rain...

...and l saw this little old man...

...drawing on the pavement with chalk.

And as fast as he drew...

...the rain kept washing it all away.

They told me l could stay in England

if l send this message.

l cannot stay here. l am a murderer

here. So l have no choice, do l?

Don't send from here.

Old bird.

Who do you send to?

Just people. They eat through their

mouths like everybody else.

What will you say?

Missiles in Kalkstadt.

Range, 700 miles.

Here he is.

Three. Eight. Seven.

Zero.

He's slow?

All right. South-southwest.

One. Nine.

Three.

That's it.

What do you want?

lt's a serious breach of--

lt's my operation!

You mean you don't know?

There's been a hell of a crisis.

The ministry laid on a plane.

Know? What?

We're in the middle of

the most serious--

-l thought he didn't want the details.

-Well, the world knows it now.

You must be the only ones who don't.

Your bloody man killed

a sentry in crossing over.

Footprints going in.

lt's in the newspapers.

lt's not your fault. l....

l had a look at your files.

Real fine job.

You looked at my files?

That's a breach of security!

You've committed an offense!

They killed Taylor.

You haven't forgotten that.

Anything in this pot?

There's the problem of what to do.

lf they catch him,

they'll make a circus out of his trial.

There's nothing to connect him

with us in London.

Rate this script:0.0 / 0 votes

John le Carré

David John Moore Cornwell (born 19 October 1931), better known by the pen name John le Carré (), is a British author of espionage novels. During the 1950s and 1960s, he worked for both the Security Service and the Secret Intelligence Service. His third novel, The Spy Who Came in from the Cold (1963), became an international best-seller and remains one of his best-known works. Following the success of this novel, he left MI6 to become a full-time author. In 2011, he was awarded the Goethe Medal. more…

All John le Carré scripts | John le Carré Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Looking Glass War" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/the_looking_glass_war_20741>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Looking Glass War

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "O.S." stand for in a screenplay?
    A Off Screen
    B On Stage
    C Original Sound
    D Opening Scene