The Loss of a Teardrop Diamond
- You up mighty early,
Miss Willow.
- I haven't been to bed yet.
- Stay in there. Stay.
- Hey.
- I noticed your car
was headed in.
- Yes, I'm still
in my party dress.
See?
- Let me out.
Ow!
- Come on out, Mr. Dobyne.
Don't let him bully you
that way.
- Come on out here, Dad.
Fisher wants to see you.
- Okay, okay.
- Careful, careful.
- Good morning.
- Miss Willow,
you know my father,
Mr. James Dobyne.
He's in charge
of your father's commissary.
Held the job
nearly two weeks now,
and that's a record for him.
That's the longest
he's held a job
since the Spanish-American War.
- Well, here he is
bright and early on a Monday.
- Yes, ma'am.
This here's my boy,
- I know your son,
Mr. Dobyne.
- That's good, Dad.
Blow your stinkin' hooch breath
in her face
so she can give
a complete description
of your condition
at 8:
00 this morningto her father,
Mr. Alex Willow.
That'll fix everything up
real good.
- Mr. Dobyne,
I think your condition is fine.
I wish my condition this morning
was half as good.
- Jimmy, get in the car
and drive up to the house
with me.
I want you to do something
for me.
Will you let him go,
Mr. Dobyne?
I'll bring him back
in one hour.
- Why, sure, sure, Fisher.
Yeah, okay.
What I want tell you
is that I think
that I found out why
small planters in this country
don't like your daddy.
It's 'cause last spring,
of his levee
so the rest wouldn't break,
and consequently,
all the planters south
of his place were underwater.
Whew.
Your father's not popular
with them.
In fact, they hold him
personally responsible
for the drowning
of two white men
and one old crippled white lady
and five or six negroes.
- Mr. Dobyne,
but he didn't dynamite
that levee
without a telephone warning
Jimmy, come on.
Get in the car.
- Oh, I can't go car riding now,
Fisher.
- Just up to the house.
Will you, please?
I've got to ask you something.
Let's stop here.
I can't smoke in the house.
Apparently, my father's
selfish action last spring
with its...
tragic consequences
to a number of helpless persons
south of here
is very well known
in Memphis.
I wonder
are as strong as mine.
I barely speak
to my father anymore.
But they find it convenient
to hold it against me, you see.
Oh, I'm sure they also resent
probably even more:
my foreign education,
my tendency
to make sharp remarks
as stupidly provincial.
I'm considered sarcastic.
I want to escape,
but since I have now supposedly
completed my education,
Aunt Fisher's determined
that I have this...
debut,
even though I am older than most
of the other debutantes,
of going to college.
And I have to go through with it
to please Aunt Fisher
so she won't leave $5 million
to the Episcopal Church
when she dies
but to me.
- Don't you have
enough money already?
- A person of my kind
never has enough money.
- Well, you don't mean
you're greedy, do you?
- No, I just know
that I'll have to buy
most everything that I want.
Why don't you look at me?
- I don't know what you want.
- You.
- Me?
- Yes.
- Why?
- To take me out in Memphis,
to escort me
- How can I take you
and run the commissary
and watch out for Dad?
- I just need you nights,
The rest of the time,
Aunt Fisher's lawyer will do.
- Well, surely he's not
your only prospect, Fisher.
- Auntie Fisher
to be seriously involved
with anyone outside
her circle of acquaintances,
either direct
or by reputation,
Jimmy.
I could have married
When I intimated
my infatuation with him,
"Come home at once. "
I started not to,
but, um...
practical considerations
seem to run in my blood
as well as...
sensual.
I hope you've listened to me
and understood me.
- Oh, yes.
I had a scholarship
to Ole Miss.
- I know.
Now, drive us
up to the house.
Jimmy.
Up here.
- I shall,
with your assistance.
Hold your arms out
for the tape.
Oh, take off
that sloppy old shirt.
Of course,
you're gonna need shirts,
evening shirts.
And, Jimmy, don't hold your arms
over your head
like this was a holdup.
Hold them straight out
to your sides like a cross.
Only don't suffer on it
so much.
- Fisher, there's one thing
I want you to know
about my old man.
He's a sincere,
honest person,
a stinker, yeah,
a real stinker,
but what he told you
about the local attitude
towards your father was meant-
it was meant good.
- Jimmy, will you please help me
measure your legs?
Hold the end of the tape
at the inside top
- Yeah.
Were you listening to me,
Fisher, about my old man?
- Yes.
You said
that he was a stinker.
- Well,
I said he was a stinker,
but I said he was
a sincere, honest man.
Know what she done?
Measured me for clothes
to take her to Memphis parties.
- Garden pilgrims.
Garden pilgrims with dogs
not admitted.
No dogs can enter the gardens.
- Excuse me.
I am very sorry, madam,
but Miss Cornelia Fisher
cannot allow dogs
to enter her gardens,
because last fall,
a dog was very, um...
destructive.
I'm so sorry.
- Susie,
will you please take
this beast upstairs,
and will you please bring me up
a steaming-hot glass of milk
and a hot water bottle
and tell Auntie Fisher
and to get Miss Grace
to cancel any engagements
on my list for today?
Say I'm dead
or something else to amuse them.
- You've still got
- Fisher.
Was that Fisher?
Fisher.
- Hello, Mama.
How are they treating you?
I need to talk to you.
It's about a girl.
She made this proposition,
and I just wanted to know
what you would think.
Mama, it's Jimmy.
- A young man
just arrived in a truck,
says he's expected by you.
- Fisher.
- In here, Jimmy.
I nearly despaired
of your arrival.
The party's been on
for an hour.
Look, all of your dress clothes
are laid out on the bed.
Please, get into them
lickety-split.
Jimmy, you look dazed.
Is something wrong?
She didn't know who I was.
- Jimmy,
she'll soon be out.
- Mama was committed.
Arrangements can be made.
It's just a question of time.
Get out of those wet things.
or would you like champagne?
You've had a shock.
Make it champagne
laced with brandy.
- I'm undressing
right in front of you
as if you weren't a girl.
- Propriety is a waste of time.
We don't have time to waste.
Get right into the tuxedo.
- This thing looks complicated.
- Oh, Susie will help you,
from me?
- Susie, please.
- I see.
Well, Susie,
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Loss of a Teardrop Diamond" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/the_loss_of_a_teardrop_diamond_12835>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In