The Lost Boys
- R
- Year:
- 1987
- 97 min
- 2,067 Views
CAMERA SKIMMING along the top of the water. Moonlight on
the surf. Racing toward the beach where large bonfires
CAMERA FLIES THROUGH FLAMES revealing:
This is the place where it's all happening on warm summer
nights. MUSIC and NOISE. Arcades. Thrill rides. A
brightly-lit Ferris wheel turning against a jet black sky.
3 INT. CAROUSEL3
Spinning merrily. Loud CALLIOPE MUSIC. Young kids and
teenagers occupy the horses and benches. A tough group
of "SURF NAZIS" also ride. "My Beach, My Wave" on their
T-shirts.
The LOST BOYS enter the carousel house. Cool kids in dis-
tinctive dress. Compelling; not threatening. They are
DAVID, MARKO, PAUL, DWAYNE; David the obvious leader.
GREG, the head Surf Nazi, sits in one of the carousel's
benches with his arm around his girl, SHELLY. He thinks
he's King of the Boardwalk.. And doesn't like it one bit
when Shelly casts an appreciative glance toward David.
David smiles back at her. Not flirting, just being chi-
valrous. Greg scowls and takes his anger out on Paul by
tripping him as he goes by. An insult... a shove. David
joins Paul. Surf Nazis join Greg. The Lost Boys close
ranks. A major melee seems ready to erupt, when the ugly
end of a nightstick is shoved against his Adam's apple.
A three hundred pound security GUARD is at the other end.
The ride suddenly ends. CALLIOPE MUSIC STOPS.
GUARD:
I told you to stay off the
boardwalk.
For an endless moment David's and the Guard's eyes lock
in mortal combat. Neither one willing to give ground.
Then David smiles.
DAVID:
Come on, let's pull.
The Lost Boys begin to leave as the Guard turns to Greg
and the Surf Nazis.
GUARD:
You too, off the boardwalk. And
don't come back!
Greg and the Surf Nazis grumble and leave. There is
bad blood between them and the Lost Boys, but both groups
EXT. BOARDWALK - NIGHT (AERIAL SHOT)
CAMERA TRAVELS through the empty amusement park as the
lights go off systematically. CAMERA CONTINUES past the
rides to reveal:
The Security Guard approaches his lone car carrying his
lunch pail. Deadly quiet.
VAMPIRE POV SHOT
Zooming down on the Guard. A rush of air. High-pitched
SCREECHING. WHISPERING VOICES.
THE GUARD:
looks up -- reacts for a split second -- and then he's
gone -- pulled UPWARD OUT OF FRAME so fast, he's just a
blur. Only his lunch box -- bouncing on the pavement
-- remains behind.
5 SHOTS OF GROTESQUE CARNIVAL IMAGES ON THE BOARDWALK 5
Clown faces bobbing. Dark images in the carousel.
6 EXT. DESERTED BEACH - NIGHT 6
WAVES LAP against the beach. Lonely and deserted. No
one around for miles.
All is quiet and still, until... WHOOSH! THUD!
THE GUARD'S BODY
falls from the sky and lands in the wet sand directly IN
FRONT OF CAMERA.
Horrible and bloodless. Sucked dry, like a deflated
balloon. CAMERA PULLS UP, UP, UP until the coastline is
visible to us. And NIGHT DISSOLVES INTO DAY.
7 EXT. PACIFIC COAST - MORNING 7
Helicopter shots of the COASTLINE and HIGHWAY 17 approach-
ing Santa Clara:
ocean, agriculture, etc. CAMERA FINDSa beat up LAND ROVER pulling a U-HAUL TRAILER.
8 INT. ROVER 8
LUCY ANDERSON drives -- late thirties, sexy, warm, com-
fortable with herself -- a bit of a free spirit. SAM,
11, a victim of too many afternoons in shopping malls
watching Bratpack movies, sits next to her in his trendy
duds, suffering the foreign coastline with his large
Malamute dog NANOOK.
MICHAEL, in his late teens, slumps in the back seat. He
is a loner, an independent and not enjoying the ride.
LUCY:
We're getting close...
SAM:
What's that smell?
LUCY:
(filling lungs)
Ocean air!
SAM:
Smells like something died.
LUCY:
Guys, I know it hasn't been easy...
the divorce and now the move... but
I think you're really going to like
living in Santa Carla...
No reply. Her sons look unconvinced.
LUCY:
How 'bout some music.
She turns on the radio to COUNTRY AND WESTERN.
SAM:
Keep going.
She next finds an EASY LISTENING station.
MICHAEL:
Keep going.
She next finds Donovan singing "Mellow Yellow."
SAM/MICHAEL
Keep going.
LUCY:
(laughing)
Wait. Haight-Ashbury! The summer
of love! 'Mellow Yellow.'
SAM/MICHAEL
Keep going!
They all laugh as Lucy turns the dial to a CURRENT ROCK
HIT and the boys relax.
Showing Boardwalk, Pier, etc. Reads: "Welcome to Santa
Carla."
As they pass, only Michael notices what has been spray
painted on the back of the sign: "MURDER CAPITAL OF THE
WORLD."
MUSIC CONTINUES over:
9 EXT. SANTA CARLA - MORNING 9
ESTABLISH Summer/Fun atmos -- Bikinis, Surfers, Bikers,
Colorful Locals, etc.
HIGH SHOT soaks in boardwalk and surrounding area as
CAMERA MOVES DOWNWARD finding Sam and Nonook in the crowd
running to:
10 EXT. GAS STATION/SURF RENTAL/TRAMPOULINE RIDE 10
In the center of the action. Lucy pumps gas into the
Rover as Sam runs up to her.
SAM:
Mom, there's an amusement park
right on the beach!
LUCY:
That's the boardwalk, Sam.
SAM:
Can we go now, huh?
LUCY:
Maybe later. Grandpa's expecting
us.
Lucy is disturbed as she notices TWO RUNAWAY TEENAGERS
RUMMAGING through a nearby garbage bin for something to
eat. She and Sam are distracted however as they see
Michael rolling his HONDA MOTOR BIKE from out of the
U-Haul.
MICHAEL:
I need to stretch my legs. I'll
follow you.
The Attendant gives Lucy five dollars in change. She
hands it to Sam, indicating the Two Runaways.
LUCY:
Tell them to get something to eat.
SAM:
I thought we were poor.
LUCY:
Not that poor.
Sam runs off as Michael starts his prize possession.
LUCY:
Still mad at me?
MICHAEL:
For what.
LUCY:
For everything.
Michael can't deal with this and just roars his engine.
LUCY:
If you want to check it out and
meet us later it's okay.
Sam returns, having heard this.
SAM:
What!? He can and I can't?! No
fair!!
MICHAEL:
That's okay, Mom. I can see it
later. I'll help you unload.
Lucy seems pleasantly surprised by Michael's display of
responsibility. She and Sam get in the Rover as the
Runaways shout to them.
RUNAWAY:
Hey, thanks, lady.
LUCY:
(to Runaways)
Use some of it to call home.
(to Sam as they
pull out)
Those kids look like me twenty
years ago.
SAM:
When you ran away from home, hitch-
hiked to Berkeley, spent the night
in Golden Gate Park and begged for
spare change in the morning?
LUCY:
You've heard this story before?
SAM:
So many times, I'm starting to
think it happened to me.
11 EXT. GRANDPA'S HOUSE - DAY 11
A long winding road leads to the old lodge-like funky
house. The Land Rover pulls up followed by Michael on
his motorbike.
GRANDPA, a rugged individualist wearing old denims,
Indian moccasins, long grey braid down his back, is a
lifeless form on the front porch. Lucy and sons approach.
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"The Lost Boys" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/the_lost_boys_901>.
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