The Lost City Page #4

Synopsis: In Havana, Cuba in the late 1950s, a wealthy family, one of whose sons is a prominent night-club owner, is caught in the violent transition from the oppressive regime of Batista to the government of Fidel Castro. Castro's regime ultimately leads the night-club owner to flee to New York.
Genre: Drama, Romance
Director(s): Andy Garcia
Production: Magnolia Pictures
  2 wins & 3 nominations.
 
IMDB:
6.7
Metacritic:
47
Rotten Tomatoes:
25%
R
Year:
2005
144 min
$2,434,066
Website
2,401 Views


Luis Fellove, alias Peligro.

Not angel,

not the Virgin Mary

Peligro!

l swear,

l did not kill your brother.

Your brother attacked

the Presidential Palace

with the intent to kill

my President.

He committed suicide.

Believe me, you do not want

to disappoint me.

Trust me on this.

l can see

all you have is thirst for revenge.

Ah, I see.

You know what a zugzwang is?

lt's a chess move.

Mm-hmm.

lt is a chess move

that is no move at all.

lt is actually a position

the position in which each player

will obtain a worse result

if it were his time to move

than if it were not.

Do you follow?

A double-bind.

A reciprocal situation.

All you have to do

is act accordingly.

which means...

Do not act at all.

Go.

Ho ho ho!

Hey, hey!

Bravissimo, Fellove!

Bravissimo!

A showman to the end!

one more audition.

So just about any

clothes fit you, huh?

She's very lonely.

Ever since she moved in,

she won't go out at all.

Not even with her friends.

The memory of your brother,

and the fact that she

has not been able

to have a family of her own...

l hate to see her so sad.

lt breaks my heart.

why don't you ask her out?

She would like that.

lt would do her good.

She needs you, and you need her.

Fico, talk to me.

Please.

You know the last thing

Luis said to me before he died?

what?

He made me promise...

that if anything everhappened to

him,

l would take care of you.

You've grown up in Havana all your

life,

and I bet there's parts of the

city you don't know at all.

I'm sure you know them well.

You know...

Havana's very much like a rose.

lt has petals, and it has thorns.

So it depends on how you grab it.

But in the end,

it always grabs you.

why don't you come out

with me tomorrow?

lt'll do you good.

You ever see Beny Mor? live?

Mmm.

Ah!

Have you been to

the Tropical BeerGardens?

Ah!

lt's good to see you smile.

Thank you.

why are their handkerchiefs?

The handkerchiefs

are so there's no evidence.

of what?

of the intimacy they're sharing.

Beny! Beny!

Beny! Beny! Beny!

Beny! Beny! Beny!

Beny! Beny!

where is he?

He's always late.

Beny! Beny! Beny!

Beny! Beny! Beny!

Beny! Beny!

He likes to make an entrance.

There he is.

How many more are in the barracks?

Come on. Come on.

How many more are in the barracks?

Fellove!

Let's move. Don't waste

any time with that.

Let's move.

You seem troubled, Fellove.

ls it about the captain we shot?

Listen to me very carefully.

ln an insurrection,

the end justifies the means.

what is an insurrection?

Huh?

Armed struggle.

what is the end?

Revolution.

which entails social, economic,

and political transformations.

Like I said??

the end justifies the means.

Hmm?

This is Havana.

who said a woman

is like a flower?

A poet with a sense of smell.

May I join you?

Yes.

what was your name again?

My name again is no name.

what do you mean?

l don't mean nothing!

Names don't mean, people do.

But you are people, aren't you?

That...nobody can deny.

So what's your name, then?

l have no name.

l already told you that.

Everybody has a name.

Mm-hmm.

Everybody but me.

why not?

l don't know.

Ask him.

Leave me out of your puns.

You're the strangest man

l evermet.

Thank you.

Thank you.

okay, Emilio.

Your money's no good here.

Thank you, Emilio.

I'll see you at the club.

when I grow up,

l wanna be just like him.

why?

Because...

he neverpays.

we interrupt

this program with a special news report.

The University of Havana was

closed by the government today,

as a direct result

of the ongoing riots.

President Fulgencio Batista,

who is underintense pressure

to resign,

declared publicly today

that the government

will not tolerate the disgracing

of the sacred grounds

of the university's Plaza Cadena,

which he claims the professional

agitators were using

fortheir selfish acts of anarchy.

She wants to talk to you.

lt's okay.

El tiempo no estacon ustedes.

what did she say?

Time is not on our side.

Fico! Fico!

Braulio.

Hey!

Happy New Year.

Happy New Year.

How are you?

Same to you, my friend.

This is Aurora.

This is Captain Castel

and his lovely wife Marie Cristina.

How are you?

The pleasure's mine.

Ah.

You know, this is our year, Fico.

l just got promoted.

Congratulations.

Thanks again.

well...it wasn't

because he's your brother.

lt's because you're

still my favorite pitcher.

well, you won't regret it.

well, I hope not.

lf you're wrong,

not even your curveball's

gonna save you.

Let's dance.

okay.

Bye-bye.

Happy New Year.

Happy New Year.

Happy New Year.

Senoras y senores,

ladies and gentlemen,

it's almost New Year's

here at El Tropico

and all overthe world!

we have ignition.

Engines running.

Countdown!

Happy 1 959!

Happy New Year

to you all!

Mm.

Happy New Year.

A new year, a new life,

or so they say.

l certainly hope so.

Ladies and gentlemen,

l give you the President of Cuba.

Comrades in arms, friends.

Happy New Year's!

Salud!

why are you so unhappy?

I'm not unhappy. I'm just sad.

Don't be.

lt's in my nature.

Hey.

Beauty's your nature.

Sad can be beautiful.

Sad, yes, but not sadness.

whoa, whoa. Please.

Ladies and gentlemen,

we have an urgent announcement.

Batista, President Batista,

has left the country.

He's gone forever.

Let's celebrate a new Cuba!

Music, maestro!

Hold it! Hey!

Hey, hey, come on!

Come on, come on,

come on!

Vive Fidel Castro!

Fidel! Fidel!

Fidel! Fidel!

Fidel! Fidel!

Fidel! Fidel!

Fidel! Fidel!

Fidel! Fidel!

Let us be thankful to God

for all he has given us.

Forthe love we share,

which should never

be taken for granted.

May it flourish

and be fulfilled,

as it is His gift to us.

Amen.

Amen.

You seem truly happy.

l am.

And you?

Me?

l love you.

And I you.

l had a dream.

what was it about?

Us.

Luis was there.

what did he say?

He said he was okay.

what do you think?

You really love me.

Like I said.

Say it to me.

Say it again.

Like I said?

l love you.

watch them closely.

l would be the only

person in Havana

man enough to turn

my back on him.

Hey, come on.

A peeping Tom in reverse.

when all the others are

watching the bearded Godiva,

l will avert my eyes.

Look how happy everybody is.

Everyone is alike in jubilation.

only suffering makes them different.

I'm need to see your cells.

Cells? what cells?

l have a friend in the cells.

Attention!

when a superior officer

approaches you,

you stand at attention.

ls that understood?

Yes, comrade.

At ease.

l need to talk to you.

what's the matter with you?

You've been here all this time,

and you haven't

come see your family?

what do you need?

what do I need?

what?

l can't touch you?

Castel is in here.

He's in a cell. I need to see him.

There are no cells, Fico.

There's only the cage.

Take me to him.

Take me to him.

Don't f*** around.

Take me to see him right now.

As you wish.

Brauilo!

Brauilo!

Hmm?

Braulio.

Come here. Come here.

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Guillermo Cabrera Infante

Guillermo Cabrera Infante (Spanish pronunciation: [ɡiˈʎermo kaˈβɾeɾa imˈfante]; Gibara, 22 April 1929 – 21 February 2005) was a Cuban novelist, essayist, translator, screenwriter, and critic; in the 1950s he used the pseudonym G. Caín. A one-time supporter of the Castro regime, Cabrera Infante went into exile to London in 1965. He is best known for the novel Tres Tristes Tigres (literally: "three sad tigers", published in English as Three Trapped Tigers), which has been compared favorably to James Joyce's Ulysses. more…

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Submitted on August 05, 2018

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