The Mad Magician Page #5
- UNRATED
- Year:
- 1954
- 72 min
- 87 Views
I say, where did you get the idea
for this crematorium?
From a crematory.
The heat principle is the same.
It does more than burn. It disintegrates.
Oh, thanks for inviting us.
It was a wonderful show.
But we must be running along.
Oh, by the way, have you gentlemen heard
anything new about our murder case?
They're still hunting ormond.
Do you know, I'm beginning
to believe that that man is dead.
No one could disappear
so completely.
Want to share a cab
with us, Karen?
Yes, I'm coming.
Oh, it was so sweet of you.
Yes, thanks again.
- Thank you, Karen.
- Good night.
Not bad, gallico.
Not bad at all.
Of course, it needs work,
but I know you'll get the bugs out of it.
Yeah, I'll have the lithograph people
send an artist over here
to make me some sketches
for a new poster.
The great Rinaldi presents
his shocking new illusion...
The crematorium!
save yourself the trouble.
You'll never get your hands on this one.
Do you really think so?
You know, gallico,
that prentiss woman is nobody's fool.
I believe she came close
to the truth about ormond.
If he were alive,
he'd need money.
He wouldn't dare go to his bank,
nor would he go to you, I think.
But he'd surely come to me.
I'm his partner.
Not that he'd trust me particularly,
but he'd know I wouldn't turn him in.
Because, you see,
he had a couple of things on me.
Ross ormond was a cold,
calculating customer.
He'd ditch a woman,
but he'd never kill her.
No woman could mean
that much to him.
He might kick her out of his house,
but he'd never move out himself.
You see, I know these things
because I knew him.
I knew Claire.
I know you.
You're the kind who loves deeply,
believes in the sanctity of the home,
suffers in silence, broods and waits.
You had every reason to hate him.
What did you do with him, gallico?
How did you get rid of it?
Was this thing already built
and hidden away?
Waiting for a job like that?
Ormond was seen alive two weeks ago.
The prentisses identified him.
- That didn't have to be him.
- Who else could it have been?
It could have been you, gallico.
From what ormond told me,
you are a clever mimic,
developed a wonderful new makeup,
something new in the theater.
Something that might be
used offstage, too.
Only a man who dreams up illusions
would think of such a thing,
and only people of the theater
would know it was possible.
Lieutenant Bruce thinks
he has ormond's fingerprints.
What if he should think
to compare them with yours?
This belongs to me.
And so does everything
that comes out of that brain of yours.
From now on
you're a private enterprise.
Ah, I may incorporate you.
Get your souvenir programs here.
Pictures of each and every act
you saw on the stage tonight.
Learn how to read
your own horoscope.
The secrets of the stars
taught in ten easy lessons.
All instructions for performing
5o different feats of magic.
Souvenir programs of the great Rinaldi,
the one and only Rinaldi.
- Mr. Rinaldi.
- Oh, lieutenant. How do you do?
L'm fine, thank you.
It sounded like a good matinee out there.
Yes, we were sold out as usual.
for a moment.
I have an evening performance.
I must rest.
Of course,
but I actually mean a moment.
L'm not looking for an autograph.
This is police business.
Very well.
Please, uh, sit down.
You will pardon me
if I change while you are here.
Of course.
Mr. Rinaldi, you've said repeatedly you
don't believe Ross ormond killed his wife.
That is correct.
Do you still hold that opinion?
I am not sure that I do.
Did you have any reason to suspect
that some other person might have been
with Mrs. ormond when she was killed?
Why do you ask that?
Have you found new evidence?
No, but let's say I've hit
upon a new theory.
But you were so positive it was ormond.
You showed us his fingerprints.
I showed you what I assumed
to be his prints.
To make sure I'm on the right track,
I want a set of fingerprints from every person
who was well acquainted with Mrs. ormond.
That includes you and Mr. gallico.
I have my equipment here
with me.
But what right have you to ask that of me?
Am I a suspect?
Well, no, of course not.
What possible use
could you make of my prints?
Don't you understand? They can prove
a person innocent as well as guilty.
I do not have to prove my innocence.
Don't you want this case solved?
That is police business, not mine.
And now, if you will excuse me,
lieutenant.
Just as you say, sir.
Sorry to have troubled you.
Thanks for letting me see you.
Judas priest.
Sir, I've got something to show you.
Well, all right, what is it?
What have you found?
Today at the 44th street theater,
I asked Rinaldi to let me take
his fingerprints and he refused.
Rinaldi. What the devil?
Sir, please. Will you listen?
After he left the theater,
i broke into his dressing room
and photographed some prints
from objects on his makeup table.
This is one of them.
This is ormond's.
Ormond and Rinaldi
are the same man.
That's the craziest thing
i ever heard.
You can see for yourself.
The prints are exactly the same.
Which proves that you can't depend
on that method of identification.
But you can, sir. The fingerprints
of different persons are never the same.
and hold him on a suspicion of murder.
On evidence like this? Do you want to
make a laughingstock of the department?
The system's too new.
We don't know enough about it.
At least let me assign a couple of men
to watch him. Let me make sure of him.
All right. All right.
But don't make an arrest
until you get the goods on him.
And I don't mean fingerprints.
But how you can work in the same room where
that poor girl was killed is beyond me.
The thoughts of a murderer
and his victim
are supposed to linger
on the atmosphere of a room.
Why, I... I getjust the mood
i want in here.
Well, you can have it.
Good luck on your murderer.
Oh, I say, there was a very nice one
in the fall river thing.
The killer used an ax, and...
Oh, no, no, no, no,
don't tell me now, frank. Save it.
I shall.
Frank!
- Do they know who did it?
- Know who?
Oh, oh, no. Some neighbor saw him,
but he was wearing a mask.
His impersonation of the man
he had killed was perfect.
The mask he wore was equally perfect.
Another face that fitted him
like an outer skin.
Thin as tissue and elastic enough
to give with every move
of the facial muscles.
Frank. Frank.
Frank, I've got it.
- Your... Your plot?
- No. What actually happened.
Remember I told you how much Mr.
Gallico reminded me of ormond?
Yes.
Well, there had to be a reason for that,
and I think I know what it is.
They've never found a trace of ormond. I don't
believe that he was ever in this house.
I believe it was gallico
who rented those rooms upstairs.
Wearing greasepaint makeup?
Oh, no, frank, no. You were right about
that. It had to be more than a makeup.
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"The Mad Magician" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/the_mad_magician_20769>.
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