The Madness of King George Page #8

Synopsis: A meditation on power and the metaphor of the body of state, based on the real episode of dementia experienced by George III [now suspected a victim of porphyria, a blood disorder]. As he loses his senses, he becomes both more alive and more politically marginalized; neither effect desirable to his lieutenants, who jimmy the rules to avoid a challenge to regal authority, raising the question of who is really in charge.
Director(s): Nicholas Hytner
Production: MGM
  Won 1 Oscar. Another 15 wins & 18 nominations.
 
IMDB:
7.2
Metacritic:
89
Rotten Tomatoes:
93%
PG-13
Year:
1994
110 min
1,921 Views


I'm to leave tomorrow.

Yes.

You knew?

It's a pity. You seem

such a promising young man.

Could I, um...

Mr Greville, please.

But...when...

It was what was required,

Mr Greville. That was all.

(Outside) Sharp, sharp!

The king! The king!

Thank you, Thompson.

Madam...

When I was ill,

they tell me that

I said certain things.

I have no memory of them, sir.

Uh, it's not so much

what was said as what was done.

So...

Did we? Did we, uh...

Your Majesty?

Um, did we...

did-did, uh, did we ever

forget ourselves utterly,

because, if we did I should so

like to remember, what, what?

No, sir. Your behaviour

throughout was impeccable.

Hey, hey!

Like the kindest father,

as well as the most

generous of sovereigns.

Good, good.

Mrs King.

Mr King.

You're a good little pudding,

what, what?

It was said,

when you were ill, that...

if you had led a normal life,

this might not have happened.

A normal life?

Other women, sir.

Kicked over the traces,

you mean.

No life is without its regrets.

Yet none is without

its consolations.

You're a good

little woman, Mrs King.

And we have been happy,

have we not?

- Oh, yes, Mr King.

- And shall be again.

Your Majesty, I shall

be in the cathedral,

should the ceremony prove

to be too much of a burden.

You may tell Dr Willis

that the ceremony

will not be such a burden

as the want

of ceremony has been.

Presume not I am as I was.

I'm not the patient.

Be off with you.

Back to your sheep and pigs.

The king is himself again.

We must try to be

more of a family.

There are model farms now,

model villages,

even model factories.

Well, we must be a model family,

for the nation to look to.

Yes, you must try to

be more typical, Fred.

But, Pa, I want

something to do.

Do?

Well, follow in my footsteps.

That's what you should do.

Smile at the people,

wave to them.

Let them see that we're happy.

That is why we're here.

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Alan Bennett

Alan Bennett (born 9 May 1934) is an English playwright, screenwriter, actor and author. He was born in Leeds and attended Oxford University where he studied history and performed with the Oxford Revue. He stayed to teach and research medieval history at the university for several years. His collaboration as writer and performer with Dudley Moore, Jonathan Miller and Peter Cook in the satirical revue Beyond the Fringe at the 1960 Edinburgh Festival brought him instant fame. He gave up academia, and turned to writing full-time, his first stage play Forty Years On being produced in 1968. His work includes The Madness of George III and its film adaptation, the series of monologues Talking Heads, play and subsequent film of The History Boys, and popular audio books, including his readings of Alice's Adventures in Wonderland and Winnie-the-Pooh. more…

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Submitted on August 05, 2018

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