The Man Who Knew Too Much Page #2
- PG
- Year:
- 1956
- 120 min
- 527 Views
This was her wise reply
Que sera, sera
Whatever will be,
will be
(WHISTLES ALONG)
The future's not
ours to see
Que sera, sera
Oops! (CHUCKLES)
BOTH:
What will be, will beMay I have
this next dance?
Yes.
All right.
(VOCALIZING)
Oh, you're divine.
(KNOCKING ON DOOR)
Dinner for the boy.
Yeah, come in.
Right around
the corner.
I can't tell you
how beautifully
your wife sings.
Pretty good,
isn't she?
Oh, she's marvelous.
Too bad it was
interrupted.
I had that same feeling
myself many times.
Well, everything's fine.
The manager has
a babysitter for us.
Good.
Mrs. McKenna,
permit me the pleasure
of serving you a drink.
I would love it.
Thank you.
Were you on the
American stage,
Mrs. McKenna?
Yes, Mr. Bernard,
I was on the
American stage,
and the London stage,
and the Paris stage.
Oh?
had seen me in Paris,
being French.
You know,
the theater
requires time,
and for me,
time is often
a luxury.
Have you ever
been to Paris,
Mr. Bernard?
I was born there.
What business are you in?
I buy and sell.
What?
Whatever gives
the best profit.
Well, now that
you're in Marrakech,
what are you
buying and selling?
You know,
I would much rather
talk about the stage.
If you tell me what
shows you are in...
(KNOCKING ON DOOR)
Would you excuse me?
I'll get it.
No, I got it.
No, I will.
(SPEAKING FRENCH)
I'm inquiring
for the room of
Monsieur Montgomery.
He asked me for
a drink, and I...
I'm sorry.
There's no
Montgomery here.
Pardon me, monsieur.
I regret disturbing you.
BEN:
Okay.May I use your
telephone, please?
Yeah, sure.
It's right there.
HANK:
Mommy!Yes?
HANK:
I can'tcut this meat.
I'll do it for you,
dear.
(SPEAKING FRENCH)
Hello?
(SPEAKING FRENCH)
I'm terribly sorry,
but I cannot go to
dinner with you tonight.
Oh?
Oh!
I have neglected
an important matter
which now requires
my attention.
I see.
Perhaps
another night?
Sure.
Sure. We'll get
together again.
Good-bye.
Good-bye.
Bye.
Good night.
Good night.
(VIOLIN PLAYING)
(INDISTINCT CHATTER)
(GREETING IN FRENCH)
My name's McKenna.
Of course.
The hotel phoned.
Follow me, please.
I think you will
find this comfortable.
Thank you very much.
(CHUCKLES)
Honey, move over here.
Let me sit out there.
You're on my dress.
Whoop!
(METAL CLATTERING)
(SPEAKING FRENCH)
Yeah.
(CHUCKLES)
We always wash
the hands
before eating.
BOTH:
Oh!Thank you.
Whoop!
(SOFTLY) Those people
are staring at us.
What people?
Right in back of us.
What?
Yes.
Here.
They were staring
at us in front of
the hotel too.
Jo, will you please
stop imagining things?
(WHISPERS) I'm not.
Good evening.
You must think
me awfully rude.
I've been staring at
you ever since I saw
you at the hotel.
You are Jo Conway,
the Jo Conway?
Yes, I am.
Didn't I tell you?
I knew I was right.
I'm Lucy Drayton,
and this is my husband.
How do you do?
How do you do?
We're Dr. And
Mrs. McKenna.
My wife tells me
Mrs. McKenna appeared
at the London Palladium
a few years ago.
Of course, we hardly
ever see a show now.
Edward is such an
old stick in the mud.
So I have to
console myself
with your records.
Oh!
I must admit
I love them.
I'm not one for
this terrible bebop
or whatever
you call it.
(ALL LAUGH)
Thank you very much.
When are you coming
back to London?
Possibly never again,
professionally.
Oh! Don't say
you're giving
up the stage.
Well, temporarily,
I am.
Well, it's just
that I'm a doctor,
and you know,
a doctor's wife never
has as much time...
What my husband
is trying to say
is Broadway musical
shows are not produced
in Indianapolis, Indiana.
Well, you know...
Of course,
we could live in New York.
I hear that doctors
aren't starving
there either.
Well, it's not that
I have any objection
to working in New York.
It's just that
it'd be hard
for my patients
to come from
Indianapolis
for treatment.
LUCY:
You know, dear,wrong thing. I'm sorry.
JO:
Oh, not in the least.LUCY:
Tell me,Dr. McKenna,
do you also go...
Hey, why don't
all of you sort of turn
around here or something.
It's kind of kind
of hard on the neck.
(LUCY LAUGHING)
EDWARD:
It's in one ofour English counties.
It's not what
you'd call a farm.
It's really more
of a small holding.
Ah, here we are.
Isn't that
fascinating?
Yes.
There we are.
Hey, they look good.
Surprise.
They look wonderful.
Ah, looks like bread.
We're not going
to eat all that,
are we?
No.
(ALL LAUGH)
Is that the way
you do it?
Just break it?
Yes, just break it.
Just break it.
Just like this.
It won't break.
Oh, no.
Well, I'm gonna...
There.
Is that the way
you do it?
(LAUGHING)
That's quite
all right.
That was
a tough one.
Does it chew
any better
than it tears?
(LAUGHING)
Is it fattening?
I imagine
it might be.
No, it's pretty
good, hon.
Well, I...
No plate.
No?
No.
No knife or forks.
That's right.
I understand you're
just supposed to dig in.
Allow me to show you,
will you?
You use only the
first two fingers and
thumb of the right hand.
You don't use the
other two fingers,
and always the left
hand in the lap.
Oh, I see.
May I show you?
Just these two
fingers, huh?
Can I help you?
I'll hold it for you.
That's it.
There we are.
(GIGGLING)
Well...
Boy, could I use this
hand now. I can't...
(ALL LAUGHING)
It's all right.
Nobody minds.
No one minds.
That's good style.
No one minds.
It's messy,
but worth it.
I think
I'll practice
on an olive.
Oh!
Honey, it's wonderful.
Here. Take a bite.
Good?
Yeah.
Tell me, does this
way of eating
have to do with
religion or something?
I think
it's more social
than religious.
I don't know.
It seems like to me
if you have four good
fingers and a thumb,
you ought to be able
to use all of them.
It's very good,
isn't it?
Very good.
Well, as I was saying,
I was quite happy
farming my bit of land
down in Buckinghamshire
when these
United Nations fellows
started worrying me.
Edward was a big noise
in the Ministry of Food
during the war,
you know.
So we pulled
ourselves up
by the roots,
and here we are,
United Nations Relief.
Sounds like
interesting work.
I'm preparing
a report on soil
erosion at the moment.
You know,
parts of this country
are not unlike your
Dust Bowl formation.
A thin layer
of topsoil and
underneath...
(SPEAKING FRENCH)
How do you like that?
First he promises to
take us to dinner...
Yeah. Well, we just
met him today, honey.
You can't expect
him to change
his whole life.
Ben, what's the
matter with you?
What's the matter
with me?
There's nothing
the matter with me.
What's the matter with you?
I just don't want
to be insulted.
That's all.
Oh, you're not
being insulted.
After all, you can't
blame him, can we,
for turning down an
us for a girl like that.
We're not an old
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Man Who Knew Too Much" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/the_man_who_knew_too_much_13281>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In