The Marine: Homefront Page #4

Year:
2013
58 Views


Okay.

Darren.

I'll get him,

but we need to get you out of here.

No, I'm coming with you. Please.

We need to get you off this boat.

Please.

Okay.

Okay. Shh.

Teddy's dead.

What?

The boy and the girl are gone.

Find them.

They'll compromise our location.

Somebody's already onto us.

What?

Where?

Nine o'clock and 2 o'clock.

Feds.

Somebody tipped them off.

and ammo to handle just about anybody.

We're gonna see this thing through, right?

Hell, yeah, we are.

You think that's a good idea?

Stay out of it.

Don't go in yet, not like that.

I got two men down.

They're just gonna let you walk in?

We got a plan. If you'll excuse me.

What's the plan?

Get your hand off of me.

My sister is in there.

I know that.

There are thousands of other lives at stake.

So if you'll excuse me, sergeant...

...f*** off and let me do my job.

F*** off?

Whoa, whoa.

I got a lot more on my plate

than stupid kids.

Stupid kids?

Sarge, I don't know if you're some kind

of war hero, a tank mechanic, a cook.

And I don't give a sh*t. You just

touched a federal agent. Arrest him!

Jake.

That's enough.

This is their call. That's the law.

Turn around and put your hands

behind your back.

Right now.

Thanks, chief.

Behind your back.

All agents, move in.

Let's go. Here we go. Come on.

Cazel, the bow.

Jackson, broadside. Let's go.

I want another 60 and the deuce on the bow.

Browder, stick with Cazel.

Let's go. In. Move, move.

Get in here. Stay here, stay quiet.

I'll be back, okay? Lock it.

Okay.

Thank God.

Stay down, stay down.

Fire!

Man down. Man down.

Oh, God.

Call it off. Call it off!

Where the f*** have you been?

With Pope.

Let me take a look.

Come on, it's clear. Let's go.

Let's go.

You're gonna take some heat for this.

Yep.

Be smart.

Talk to me.

What the hell is going on?

I've got two innocents on board.

We know that.

What else you got?

He's moving this afternoon.

What's the target?

Still no word.

Delivery system?

He's packed every ounce of into RDX into...

Okay.

Okay.

Come on.

Okay, let's go.

Go, go, go.

Which way?

Go to the stairs. Go!

Run!

Here, Darren!

Go, go, go!

It's f***ing locked.

Try the window.

Come on, Darren. Come on!

No!

No!

Get the f*** off of me!

Help me! Darren!

Your girlfriend's dead.

Lilly! Lilly!

What happened?

He was making a call.

Didn't get much out.

Are you sure?

Yeah.

Are you?

I'm sure.

All right, what's the plan?

Get us out of this clusterfuck if you ask me.

Nobody asked you.

All right, sit down. Sit.

Amanda.

Who is Amanda?

I'll ask you one last time.

Who is Amanda?

She's my sister.

Lilly?

Hi, Amanda.

You probably figured something

was up.

And I assume you've connected with the

feds, who apparently have found me.

So if you could be so kind, could you put

the man in charge on the phone?

This is Special Agent Wells.

Well, you did one hell of a job today.

You call me for a reason, a**hole?

Well, after presiding over

so many pointless deaths...

...you must be a big hit

amongst your colleagues.

So I was wondering...

...maybe you'd like to do something today

you'd be proud of.

That would be?

Saving the life of a young lady.

Put her on the phone.

Okay.

Lilly, say hello.

Amanda, there are five guys...

Shh.

Wells? I'm giving up.

But I am not surrendering.

You can't have it both ways.

Don't tell me what I can't have.

I want an escort out of here with the girl.

If I pass through without any trouble,

I will let Lilly go, unharmed.

We'll send a car right over.

No.

There's a state police substation

I want a state trooper here

in 20 minutes.

Standard cruiser, clear windows.

No SUV. No vans. No surprises.

One trooper in a patrol car

and I want his name in advance.

If he's not driving up the bow of this

ferry in 20 minutes, the girl dies.

Call the state police.

Go.

Sh*t.

Damn it.

I've been doing this my whole life.

Where are we going?

Are you gonna let me go?

Listen.

If we get out of here alive and we make it

to our destination, I will let you go.

Okay, okay, okay.

Pretty good match, huh?

Perfect.

Switch the plates.

Yeah.

Darren, it's me.

Calm down. Calm down.

F***. Christ, man.

What are you doing here?

Oh, f***.

You okay?

Yeah, man, I'm fine. I'm fine.

Where's Lilly?

F***, I don't know, man.

You know, I'm looking for her.

She told me to leave, but I'm not going

anywhere. I'm staying right here.

Hey, you did good, kid.

Hey, hey, you know how to use that thing?

Been hunting my whole life, man.

Any idea where they took Lilly?

Yeah.

I think they're in the carport. That's

where all the activity was going down.

Let's go.

Hey. Easy.

Hey.

Hey, she's right there.

Shh.

Hey, get out of here.

What about Lilly?

You heard me. Get out of here.

Wha...? F*** that, man. She's right there.

I will get Lilly.

You just go.

Let me do what I do.

Okay.

parking structure right here, off Helmsley.

Right? We come straight through here.

Park between these sections and blow the

entire support structure of the building.

Wha...? You're blowing up a building?

Did you not hear what I said

about the rich?

Why?

To make them listen!

You see...

...if you kill a couple of CEOs,

you make the local news.

If you knock off a dozen, you make

the CNN/Fox cycle for about three days.

You take down 20 fat cats...

...and 30 stories of glass and steel,

then you make history.

But what about the workers?

What about everybody else?

Show me the rig.

Yeah.

All right, so...

Check it out.

Right now it is on standby.

Plenty of time to get

the hell out of Dodge.

Once the car is in position,

we enter the code here.

Countdown begins.

Put your f***ing hands up.

All right.

Uncuff the girl.

I'm sorry?

Jake.

You think I'm playing?

No, I don't.

No!

No! Stop it!

Stop!

POPE:

Eckert. Get her in the car.

Move. Come on.

Sh*t!

Get in the car.

Jackson. Jackson, what happened?

He shot me.

Not good, pal.

Get out of here.

Get in the car and get the f*** out of here.

Jake!

Jake!

Run!

Pope, I can handle him.

Leave me the gun,

get the f*** out of here.

Pope, you gotta be in Seattle

in 40 minutes.

Go, brother.

Does he know anything?

I'll take care of him.

I'll take care of him!

Go!

Go, brother, I'll be fine.

Sh*t.

Go!

Where are they?

Amanda?

Yes. This is Amanda.

Please can I just speak

with Lilly?

Let me talk to Lilly.

Put Wells on.

Please just let me talk...

Put Wells on the f***ing phone!

No, no, no, stop.

Hey!

Give him the phone.

Yeah.

Wells, you listen to me.

No tails, no choppers, no tracking...

...or I shoot the girl in the head.

You understand?

Understood.

All right, ready the men,

he's on his way, just south of Route 23.

We're gonna follow shortly.

What are you doing?

Gonna nail this son of a b*tch.

Thought I told you to leave.

F*** that.

I'll thank you later.

This is downtown.

Medical building. Helmsley Avenue.

They took Lilly.

Yeah. They took Lilly.

Downtown Seattle.

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Scott Wiper

Scott Wiper (born July 22, 1970) is an American writer, film director, and actor. He wrote, directed, and starred in A Better Way to Die. Wiper's was the co-writer and director of the action thriller, The Condemned, starring WWE's "Stone Cold" Steve Austin. Wiper wrote the screenplay for The Cold Light of Day, starring Henry Cavill, Bruce Willis and Sigourney Weaver. He also directed the WWE Film The Marine 3: Homefront starring WWE wrestler The Miz. more…

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Submitted on August 05, 2018

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