The Mark of Zorro Page #7

Synopsis: Around 1820 the son of a California nobleman comes home from Spain to find his native land under a villainous dictatorship. On the one hand he plays the useless fop, while on the other he is the masked avenger Zorro.
Director(s): Rouben Mamoulian
Production: 20th Century Fox
  Nominated for 1 Oscar. Another 1 win.
 
IMDB:
7.6
Rotten Tomatoes:
100%
APPROVED
Year:
1940
94 min
667 Views


- The capitn's blade is not so firm.

- Still firm enough to run you through.

I needed that scratch to awaken me.

He's dead. Well, he's been troublesome lately.

And you killed him, Diego.

Your Excellency, a secret stairway

from the cellar. We just discovered it.

A secret stairway? Leading here?

Yes, Your Excellency.

Good. Very good.

Excellent. You shall be rewarded.

Sentries. Sentries!

Keep that man covered.

Take him to the guardhouse

and lock him in a cell.

The strongest cell you have.

Why arrest me, Excellency?

For three reasons. First,

you have mud from the cellar on your boots.

Second, that secret stairway

happens to be in your old home.

And third, you handle a sword

like a devil from hell.

And that's exactly where you're going,

Seor Zorro.

That's a pretty way to treat

your future nephew, Uncle Luis.

No more ofyour wit. Take him away.

You, Morales!

Send the officer ofthe day to me. I want all

caballeros and all peons summoned at once.

Yes, Your Excellency.

All caballeros are requested to report

at the alcalde's residence immediately.

- At this hour? Ridiculous!

- The alcalde's orders, seor.

Sergeant, assemble your men

for firing-squad duty.

- But why did they arrest Diego?

- I don't know.

Luis won't tell me.

He must have lost his mind.

- (knock on door)

- Come in.

His Excellency requests you ladies

to stay in your rooms tonight.

- Why?

- I cannot say. I was ordered to tell you.

Oh, lnez.

Firing squad, forward!

- Good evening.

- Why are we meeting here?

- What do you know about this, Alejandro?

- Nothing. I was forced to come here, like you.

They must be up to something.

Good evening, seores.

It's a pleasure to see you here.

Get to the point. Why drag us

out of our homes at this hour?

To witness a delightful spectacle, my good

Vega. You will find it particularly interesting.

I'm executing a caballero at midnight.

- What caballero?

- Who is it?

He's the man you selected from among you to

defy me, to prey upon me, to threaten my life.

I brought you here to see him die

as a lesson to the lot ofyou.

- I don't know what you're talking about.

- Nor l.

You almost convince me.

Too bad you're about to lose

the best actor among you.

But in a few moments,

you'll see your precious Zorro shot.

There. Oh, Padre.

Now, observe very closely. Watch the candle.

Blow.

You should really see something worthwhile,

like changing a copper coin into solid gold.

- Can you do that?

- The good padre here has seen me do it.

- Many times.

- It was a secret discovered by Merlin,

in the 11th century. It's been handed down

through a long line of sorcerers

to some of us living today.

You can change a centavo into gold?

- Easily.

- Please, seor, do that for me, eh?

Oh, I am very weary. I must seek repose.

Oh, seor, seor,

I have a wife and seven children,

and the little I earn isn't enough for them.

Please, make gold for them

and I'll pray for you. Please.

Well, if I must, I must.

- Now, hold the centavo in your closed fist.

- S, seor. Gracias.

Tightly now. Now,

put your fist well through the bars.

- S.

- Cold iron will spoil everything.

Now, I take your fist gently. Like this.

- Oh, seor.

- Now, open the door. Be quick about it.

- Come along now.

- S, seor.

Now, get in. Get down under there,

close to the wall. And not a sound, remember.

(drum roll)

Close the door, Padre.

Hide this in your robe.

Sit down.

And now, seores, you will behold

the result ofyour rebellious plans.

Come in!

Here is Zorro the fox, safely trapped.

Diego? What is this?

- Hola, seores.

- What idiotic joke is this?

- As ifyou didn't know.

- Luis Quintero, you are a fool.

Zorro is a man. This is my worthless,

trick-playing offspring.

Have you seen this one, Father?

Help! Help! Zorro is loose! Zorro is loose!

Sganme!

- Seores, are you with me?

- I am with you, Diego!

God forgive me.

God forgive me.

God forgive me.

Well, what a splendid audience you have.

Peons, caballeros, everyone.

- It was thoughtful ofyou to have them here.

- What's happened?

Good evening, ladies.

His Excellency is about to make an address.

Address? Well... well, what shall I say?

You know. The little matter

ofyour resignation.

Quiet! Quiet for His Excellency.

We're waiting, Excellency. Go on.

Uh... uh...

Good people of Los Angeles,

owing to my ceaseless efforts to...

to improve conditions in the district...

(angrymurmurs)

..my health is endangered.

(mocking laughter)

I have therefore decided

to give up my office and go to Spain.

(laughter)

To succeed me as alcalde ofthis district,

I am naming my illustrious predecessor,

Don Alejandro Vega.

(cheering)

And now, Your Excellency, I personally will

accompany you to the wharf at San Pedro.

I wish to bless your voyage, and ask God

to reward you according to your merits.

Spain. Spain!

Oh, Diego, when may we expect you

and our dear little Lolita in Madrid?

Not for some time, I'm afraid.

We'll follow the customs of California.

- What do you mean?

- We are going to marry

and raise fat children

and watch our vineyards grow.

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John Taintor Foote

John Taintor Foote (March 29, 1881 – January 28, 1950) was an American novelist, playwright, short-story writer, and screenwriter. Foote studied at Kenyon Military Academy, Gambier, Ohio. He began as a writer of sporting stories. His first story was published in The American Magazine in 1913. He wrote horse stories featuring the roguish track character Blister Jones, and the story upon which the Alfred Hitchcock film Notorious is loosely based. He also wrote or collaborated on five plays, among them the comedy Toby's Bow (1919) and the dramas Tight Britches (1934), and Julie the Great (1936). Foote came to Hollywood in 1938 to work on the screenplay of his book The Look of Eagles, which was retitled Kentucky, starred Loretta Young, and won an Academy Award for Walter Brennan. Foote’s subsequent scripts included The Mark of Zorro, Broadway Serenade, Swanee River, The Story of Seabiscuit and The Great Dan Patch.Foote is buried at Hollywood Forever Cemetery in Los Angeles. more…

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Submitted on August 05, 2018

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