The Mask of Dimitrios Page #2

Synopsis: A mystery writer named Leyden is intrigued by the tale of notorious criminal Dimitrios Makropolous, whose body was found washed up on the shore in Istanbul. He decides to follow the career of Dimitrios around Europe, to learn more about the man. Along the way, he is joined by mysterious Mr. Peters, who has his own motivation.
Director(s): Jean Negulesco
Production: Warner Bros. Pictures
 
IMDB:
7.2
APPROVED
Year:
1944
95 min
196 Views


A fig-packer,

you affirm only to the winds.

I will give you

one more chance.

Did you or did you

not rob konrad?

Rob him? Yes, yes,

i robbed him.

But i did not kill him.

It was dimitrios,

dimitrios who did it.

And who is dimitrios?

He is a fig-packer,

and a bad one.

He is always in trouble.

And he has fled

the country, no doubt?

Yes, that's why

he wanted the money.

I am a man who loves

other men as brothers.

I would not speak-

enough! Hold your

tongue, imbecile.

You've admitted that

you robbed konrad. That is sufficient.

Even if there was

6 dimitrioses,

you would still

be guilty.

The sentence is death.

Take him out.

No! No, no!

Oh, no, no, no!

I did not kill konrad!

I tell you, i did not

kill him!

It was dimitrios!

Dimitrios! Dimitrios!

That beggar was right.

But we had no definite proof

till later.

What a despicable

character,

but as much as

i hate to admit it,

very brilliant.

Oh, yes.

I don't deny it.

I see it intrigues

your fancy.

You want to know more?

Certainly i want

to know more.

I learned he had fled

to athens.

I issued a warrant

for his arrest, but he escaped me.

Later i found out that

he sometimes used the name of talat.

Talat? T-a-l-a-t?

But again too late,

huh?

Yes. From athens

we traced him to sofia,

where in '23

a man named dimitrios

was connected with

the stambulisky affair.

No?

Then he turned up

in belgrade.

That was... let me see-

oh, yes, in 1926.

This time stealing

military secrets.

Military secrets?

Nothing was too big for him, huh?

No.

And the last time i heard

of him was in paris

in connection with

an international smuggling gang.

When was that?

Between '29 and '31,

about that time.

The gang was

eventually broken up.

Dimitrios had

betrayed them.

That's logical.

Murder, treason,

and betrayal.

That's

the finishing touch.

What an evil genius

that man was,

but fascinating.

Wonderful character

for a novel.

You really think so?

There's so much

i don't know.

For instance, what is it

about a man like that?

Why does anybody trust

him in the first place?

Details. If i could

only know more details.

You will need patience,

mr. Leyden.

Yes. You see,

colonel haki,

i'd love real characters

for my stories.

And that man, well...

he obsesses me,

and i admit it,

and i have to go on.

I don't know whether

i should like you

for introducing me

to that mr. Dimitrios

or whether i should

hate you for it.

It's true.

I come to istanbul for a little rest.

Well, tracing the

life of dimitrios,

i don't think

that will be a very peaceful occupation,

do you?

No. Ha ha!

Where did you say

he went from smyrna?

Oh, athens.

I want a ticket

for athens, please.

Tomorrow morning.

One ticket.

Leyden on phone:

What is the earliest train?

7:
00.

Thank you very much.

Yes, sir.

I beg your pardon.

Is there a man named

konstantin gollos

staying

in this hotel?

No one by that name

is registered, sir.

Could you tell me

if a mr. Gollos has been registered here

any time during, say,

the last 30 days

or has he made

any reservation?

Just a moment, please.

I'm sorry, sir.

I don't find any record of that name.

Thank you, sir.

I beg your pardon,

but would it be

possible for me to view the remains

of a man you have here?

He may be a relative.

The place is empty.

Clean.

The paper

said a man named dimitrios makropoulos-

oh, him.

He's been disposed of

an hour ago.

Disposed of...

come. It's a question

of patience and organization.

Organization is the secret

of modern statecraft,

but patience is necessary.

You say the surname

was makropoulos?

That's right-

makropoulos.

Dimitrios makropoulos.

That would be

drawer number 13.

Why? Because "m" is

the 13th letter of the alphabet.

Oh.

This is

organization.

That's very good.

Makropoulos,

makropoulos,

makropoulos...

makropoulos,

but no dimitrios.

Gone.

Who is gone?

Didn't you see that

stout gentleman?

I have no assistants

in my work of organization here.

The whole burden falls

on my shoulders,

and people

have no patience.

I'm engaged

for a moment, they cannot wait.

A man can only do

his duty,

no more, no less.

But patience...

pardon me, sir,

could we try under

the name of talat?

Talat? That is

a turkish name.

I know,

but could we try?

Talat. "t" that is

the 20th letter of the alphabet.

That will be

drawer number-

Very clever.

Talat!

Dimitrios talat.

Yes?

A fig-packer?

That's right.

Mm-hmm...

name-dimitrios talat;

born-salonika, 1889;

occupation-fig-packer;

identity card lost...

said to have been

issued at smyrna;

warrant for arrest

on charge of robbery

and attempted murder.

That's dimitrios,

all right.

You see?

That is organization.

Here you are,

my man.

Porter:

Thank you.

Hd

i must apologize

for intruding on your privacy.

Oh, please.

You're not intruding.

This berth was not

occupied.

How good of you

to say so.

How little

kindness there is in the world today,

how little thought

for others.

May i ask how far

you are going?

I'm going to sofia.

Oh, beautiful city.

Beautiful.

I am continuing

to bucharest.

Oh?

I trust that we shall

have a pleasant journey together.

I hope so.

Will you allow me

to smoke, please?

Please,

go right ahead.

You know, the moment

the attendant told me

that there was a

hollander on the train,

i knew that i should

have a pleasant journey.

That's very kind of you

to say so.

I'm english by birth.

But actually i'm

a citizen of the world.

To me, all languages

are beautiful.

If only men would

live as brothers without hatred,

seeing only

the beautiful things.

But no, there are

always people who look on the black side.

Well...

i think i'm going

to sleep now.

Sleep-

a great mercy vouchsafed

to us poor humans.

My name is mr. Peters.

How do you do?

If you'll forgive me,

i think we're getting

to sofia very early.

Good night, sir.

We are coming into

sofia, sir.

Thank you,

i'm all ready.

Good morning, sir.

Good morning.

I'm sorry, i tried

not to awaken you.

I was not really

asleep.

I want to tell you

that the best hotel to stay in sofia

is the slelyanska

posada.

Oh, really? Thank you,

that's very kind of you.

That's the trouble

with this world.

There's not

enough kindness.

Good-bye,

mr. Leyden.

Happy journey,

sir.

How did he know my name?

I didn't tell him.

I'm very happy

to repay you

for the kindness you

showed me in amsterdam, professor.

You are very

clever people, you journalists.

I just talked to you

this morning,

and already

you have discovered

the only person here

who knew dimitrios.

How did you do this?

It was very easy

the moment you mentioned

the fact that dimitrios

was one of the foreign agents

in the stambulisky affair.

This is her establishment.

She's the proprietress.

She does not get up

until about 10:
00 in the evening,

so we'll probably

have to wait awhile

before we can talk

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Frank Gruber

Frank Gruber (born February 2, 1904, Elmer, Minnesota, died December 9, 1969, Santa Monica, California) was an American writer. He was an author of stories for pulp fiction magazines. He also wrote dozens of novels, mostly Westerns and detective stories. Gruber wrote many scripts for Hollywood movies and television shows, and was the creator of three TV series. He sometimes wrote under the pen names Stephen Acre, Charles K. Boston and John K. Vedder. Gruber said that as a 9-year-old newsboy, he read his first book, "Luke Walton, the Chicago Newsboy" by Horatio Alger. During the next seven years he read a hundred more Alger books and said they influenced him professionally more than anything else in his life. They told how poor boys became rich, but what they instilled in Gruber was an ambition at age nine or 10, to be an author. He had written his first book before age 11, using a pencil on wrapping paper. Age 13 or 14, his ambition died for a while but several years later it rose again and he started submitting stories to various magazines, like Smart Set and Atlantic Monthly. Getting rejected, he lowered his sights to The Saturday Evening Post and Colliers, with no more success. The pulps were getting noticed and Gruber tried those but with no success. As a story came back with a rejection slip, he would post it off again to someone else, so he could have as many as forty stories going back and forth at different times, costing him about a third of his earnings in postage. Erle Stanley Gardner called him the fighter who licked his weight in rejection slips. February 1927, he finally sold a story. It was bought by The United Brethren Publishing House of Dayton. It was called "The Two Dollar Raise" and he got a cheque through for three dollars and fifty cents. Answering an ad in the Chicago Tribune, he got a job editing a small farm paper. In September he got a better paid job in Iowa and soon found himself editing five farm papers. He had lots of money and even wrote some articles for the papers but found he had no time to write the stories he wanted to write. In 1932 the Depression hit, and he lost his job. 1932 to 1934 were his bad years. He wrote and wrote, many stories typed out on an old "Remington" but of the Sunday School stories, the spicy sex stories, the detective stories, the sports stories, the love stories, very few sold, with some companies paying him as little as a quarter of a cent per word. He had a few successes and remained in Mt. Morris, Illinois for 14 months before deciding to head to New York on July 1, 1934. There were numerous publishing houses in New York and he could save money on postage but this led to him walking miles to deliver manuscripts as he had so little money, not even enough for food most of the time. He stayed in a room in the Forty Fourth Street Hotel ($10.50 per week). In his book, The Pulp Jungle (1967), Gruber details the struggles (for a long time, at least once a day he had tomato soup, which was free hot water in a bowl, with free crackers crumbled in and half a bottle of tomato sauce added) he had for a few years and numerous fellow authors he became friendly with, many of whom were famous or later became famous. Early December 1934 and with endless rejection slips, he got a phone call from Rogers Terrill. Could he do a 5,500 word filler story for Operator #5 pulp magazine by next day? He did and got paid. Even better, they wanted another one next month, and another. He was then asked to do a filler for Ace Sports pulp, which sold. Gruber's income from writing in 1934 was under $400. In 1935, his stories were suddenly wanted and he earned $10,000 that year. His wife came to live with him (she had been living with relatives) and he lived the good life, moving into a big apartment and buying a Buick ($750). January 1942, Gruber decided to try Hollywood, having heard about the huge sums some stories sold for and stayed there till 1946. Gruber—who stated that only seven types of Westerns existed—wrote more than 300 stories for over 40 pulp magazines, as well as more than sixty novels, which had sold more than ninety million copies in 24 countries, sixty five screenplays, and a hundred television scripts. Twenty five of his books have sold to motion pictures, and he created three TV series: Tales of Wells Fargo, The Texan and Shotgun Slade. His first novel, The Peace Marshall, which was rejected by every agent in New York at the time, became a film called "The Kansan", starting Richard Dix. The book has been reprinted many times with total sales of over one million copies. He bragged that he could write a complete mystery novel in 16 days and then use the other 14 days of the month to knock out a historical serial for a magazine. His mystery novels included The French Key (for which he sold the motion picture rights for $14,000 in 1945) and The Laughing Fox. more…

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