The Mask of Dimitrios Page #8

Synopsis: A mystery writer named Leyden is intrigued by the tale of notorious criminal Dimitrios Makropolous, whose body was found washed up on the shore in Istanbul. He decides to follow the career of Dimitrios around Europe, to learn more about the man. Along the way, he is joined by mysterious Mr. Peters, who has his own motivation.
Director(s): Jean Negulesco
Production: Warner Bros. Pictures
 
IMDB:
7.2
APPROVED
Year:
1944
95 min
197 Views


You were sentenced to prison

for one month, correct?

Did grodek

tell you this?

No. I took the liberty of

going to the library yesterday,

and what do i find

in our newspaper files?

This little picture.

Ah, yes. A newspaper.

I could not believe my friend grodek-

well, then

you don't deny it?

Oh no,

it is the truth.

Well, then

mr. Peterson...

peters, mr. Leyden.

I decided to change the name.

All right,

peters.

I agree with you, sir.

Peters is a much nicer name.

When i was in istanbul,

i heard some very interesting things

about the end

of those smugglers.

Somebody there said that

dimitrios betrayed all of you.

Sent a dossier to the police,

i think, anonymously.

Is that true?

Dimitrios behaved very badly

to us all.

I was also told that

there was talk of vengeance.

That all of you threatened to

kill dimitrios, as soon as you were free.

- Is that true?

- I did not threaten.

Some of the others did so.

Constantine gullus, for example

was always a hothead.

Oh, i see.

You didn't threaten.

You preferred to act.

I don't understand you,

mr. Leyden.

No...

let me put it to you this way.

I'm just wondering...

wouldn't it be reasonable to suppose

that you killed dimitrios for his money?

I think you

are very indiscreet...

am i?

And very fortunate.

Just suppose i had,

as you suggest, killed dimitrios.

Think what i should

be forced to do.

I should be forced

to kill you also, now, shouldn't i?

There it is.

I knew it.

I knew it.

You see, i lied to you

a moment ago. I admit it.

I was so curious to know

what you were going to do

if you thought

i was unarmed.

You understand my feelings

a little?

So anxious to have

your confidence.

All of which is

as clever a reply

to an accusation

of murder as one could wish for.

Mr. Leyden, this is

not a detective story.

Even if you

cannot be discreet,

at least use

your imagination.

Is it likely that

dimitrios would make a will in my favor? No.

Then how do you suppose

i could kill him for his money?

People in these days

do not keep their wealth

in treasure chests.

Come now, mr. Leyden.

Let us please

be sensible.

Let us have

dinner together,

and after,

talk business.

You probably

disapprove of me.

I really cannot

blame you.

But let us at least

cultivate an illusion of friendship.

I could think of a lot

of reasons why i shouldn't have dinner with you.

Just the same, i will,

but let me warn you,

unless i have this evening

a satisfactory explanation

for your asking me to come to paris,

i shall,

half a million francs or no half a million francs,

leave by the first

available train.

Is that clear?

Couldn't be clearer,

mr. Leyden.

And may i say

how much i appreciate your frankness.

All right.

Where shall we dine?

There's a romanian

place near here.

And afterwards,

we'll go to my apartment for coffee.

Thank you.

Excellent dinner.

Now for coffee.

What about mr. Godfrey?

He's away. At the moment,

i'm in sole possession.

I see.

Peters:

You conclude, i suppose, that i am godfrey?

Mm-hmm.

Thank you.

Peters:

Do you like it?

Well, it's

rather unusual.

Actually, just another

uncomfortable french house.

Immanently an oasis

in a desert of discomfort.

Leyden:
Heh heh.

Dimitrios furnished it.

Dimitrios?

Yes.

He bought this house and the two adjoining.

There are secret doors

leading from one house to another.

In case of police raids,

you know?

Thank you.

Leyden:

Aren't you, uh, a little indiscreet living here?

Oh, no. You see,

dimitrios bought the houses originally in my name.

After my incarceration,

i sold them quite legally to a monsieur godfrey.

Uh-huh.

Do you like algerian

coffee, mr. Leyden?

Pardon me? Yes.

It takes a little

longer to prepare it, but i prefer it.

Oh, by the way,

do you recognize him, mr. Leyden?

Why yes, certainly,

it's dimitrios.

What about it?

You recognize him.

Good.

That, mr. Leyden,

is a photograph of constantine gullus.

Gullus?

Gullus...

what on earth

do you mean?

What you saw on the mortuary

slab in istanbul, mr. Leyden,

was gullus after he tried

to put certain ideas about dimitrios into practice.

I saw the body

of dimitrios with my own eyes.

You saw the body

of gullus, mr. Leyden,

after dimitrios

had killed him.

Dimitrios himself,

i am glad to say, is alive and in good health.

Dimitrios alive.

No, no.

It isn't possible.

I saw his name

inside the coat:

Dimitrios

makropoulos.

It was a french

identification card.

French

identification card.

Ha ha ha!

That i find amusing.

Ha ha ha!

I could get you a dozen

genuine identification cards, mr. Leyden,

and each in the name

of dimitrios makropoulos.

I guess you could.

He's alive...

but where is he?

Here, in paris.

You've been

very reasonable, mr. Leyden,

i shall tell you

everything.

As you may imagine,

we were all very angry with dimitrios.

Some of us

threatened revenge.

I became a wanderer,

mr. Leyden.

A little business here,

a little business there,

travel and meditation,

that was my life.

I met gullus in rome.

He told me that he was

on the track of dimitrios.

Asked me to lend him

3,000 francs to conclude his search.

I gave it to him.

With that money, gullus went to paris.

Well, sir,

he found dimitrios

living in a big home

under an assumed name, a rich man.

Gullus intended

to kill dimitrios, but his nerve failed him.

He settled for blackmail.

That was his mistake.

Dimitrios took him

on a cruise to istanbul.

There, he stabbed him,

put a false

identification card in his clothing,

and tossed him

into the bosporus.

A bloated corpse washed up by the sea.

I think you're guessing.

How could you know?

You weren't there.

Ha! But you forget

the 3,000 francs i loaned gullus.

He sent it to me

in paris with a note

saying he was

going on an aegean cruise with dimitrios.

I decided to meet

him in istanbul,

but when i got there,

it was too late.

The only thing left for me

was to try and find out

those things about dimitrios

that gullus had known.

Then, mr. Leyden,

our paths began to cross.

Mmm.

Well, now that

you've found him, what next?

Come now, mr. Leyden,

surely you are not as obtuse as all this.

You alone can prove

that the man buried in istanbul is not dimitrios.,

if necessary,

you can identify

gullus' photographs

on the police files.

I, on the other hand,

know where to find dimitrios.

Our joint silence

will be worth a lot of money to him.

With gullus'

fate in mind,

we should know, too,

how to deal with the matter.

We should demand

a million francs.

Dimitrios would pay,

believing we would come back for more,

but we shall not be as

foolish as to endanger our lives in that way.

We'll rest content

with half a million each, mr. Leyden,

and quietly disappear.

Blackmail on

a cash basis.

You really expect me

to agree to this plan of yours, mr. Peters?

I don't think i quite

understand, mr. Leyden.

If this is

a clumsy trick...

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Frank Gruber

Frank Gruber (born February 2, 1904, Elmer, Minnesota, died December 9, 1969, Santa Monica, California) was an American writer. He was an author of stories for pulp fiction magazines. He also wrote dozens of novels, mostly Westerns and detective stories. Gruber wrote many scripts for Hollywood movies and television shows, and was the creator of three TV series. He sometimes wrote under the pen names Stephen Acre, Charles K. Boston and John K. Vedder. Gruber said that as a 9-year-old newsboy, he read his first book, "Luke Walton, the Chicago Newsboy" by Horatio Alger. During the next seven years he read a hundred more Alger books and said they influenced him professionally more than anything else in his life. They told how poor boys became rich, but what they instilled in Gruber was an ambition at age nine or 10, to be an author. He had written his first book before age 11, using a pencil on wrapping paper. Age 13 or 14, his ambition died for a while but several years later it rose again and he started submitting stories to various magazines, like Smart Set and Atlantic Monthly. Getting rejected, he lowered his sights to The Saturday Evening Post and Colliers, with no more success. The pulps were getting noticed and Gruber tried those but with no success. As a story came back with a rejection slip, he would post it off again to someone else, so he could have as many as forty stories going back and forth at different times, costing him about a third of his earnings in postage. Erle Stanley Gardner called him the fighter who licked his weight in rejection slips. February 1927, he finally sold a story. It was bought by The United Brethren Publishing House of Dayton. It was called "The Two Dollar Raise" and he got a cheque through for three dollars and fifty cents. Answering an ad in the Chicago Tribune, he got a job editing a small farm paper. In September he got a better paid job in Iowa and soon found himself editing five farm papers. He had lots of money and even wrote some articles for the papers but found he had no time to write the stories he wanted to write. In 1932 the Depression hit, and he lost his job. 1932 to 1934 were his bad years. He wrote and wrote, many stories typed out on an old "Remington" but of the Sunday School stories, the spicy sex stories, the detective stories, the sports stories, the love stories, very few sold, with some companies paying him as little as a quarter of a cent per word. He had a few successes and remained in Mt. Morris, Illinois for 14 months before deciding to head to New York on July 1, 1934. There were numerous publishing houses in New York and he could save money on postage but this led to him walking miles to deliver manuscripts as he had so little money, not even enough for food most of the time. He stayed in a room in the Forty Fourth Street Hotel ($10.50 per week). In his book, The Pulp Jungle (1967), Gruber details the struggles (for a long time, at least once a day he had tomato soup, which was free hot water in a bowl, with free crackers crumbled in and half a bottle of tomato sauce added) he had for a few years and numerous fellow authors he became friendly with, many of whom were famous or later became famous. Early December 1934 and with endless rejection slips, he got a phone call from Rogers Terrill. Could he do a 5,500 word filler story for Operator #5 pulp magazine by next day? He did and got paid. Even better, they wanted another one next month, and another. He was then asked to do a filler for Ace Sports pulp, which sold. Gruber's income from writing in 1934 was under $400. In 1935, his stories were suddenly wanted and he earned $10,000 that year. His wife came to live with him (she had been living with relatives) and he lived the good life, moving into a big apartment and buying a Buick ($750). January 1942, Gruber decided to try Hollywood, having heard about the huge sums some stories sold for and stayed there till 1946. Gruber—who stated that only seven types of Westerns existed—wrote more than 300 stories for over 40 pulp magazines, as well as more than sixty novels, which had sold more than ninety million copies in 24 countries, sixty five screenplays, and a hundred television scripts. Twenty five of his books have sold to motion pictures, and he created three TV series: Tales of Wells Fargo, The Texan and Shotgun Slade. His first novel, The Peace Marshall, which was rejected by every agent in New York at the time, became a film called "The Kansan", starting Richard Dix. The book has been reprinted many times with total sales of over one million copies. He bragged that he could write a complete mystery novel in 16 days and then use the other 14 days of the month to knock out a historical serial for a magazine. His mystery novels included The French Key (for which he sold the motion picture rights for $14,000 in 1945) and The Laughing Fox. more…

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