The Matrix Page #7
36.
35 CONTINUED:
35MORPHEUS:
Rest, Neo. The answers are
coming.
36 INT. NEO'S ROOM 36
Neo wakes up from a deep sleep, feeling better. He beginsto examine himself. There is a futuristic IV plugged intothe jack in his forearm. He pulls it out, staring at thegrafted outlet.
He runs his hand over the short hair now covering hishead. His fingers find and explore the large outlet inthe base of his skull.
Just as he starts to come unglued, Morpheus opens thedoor.
NEO:
Morpheus, what's happened to me?
What is this place?
MORPHEUS:
More important than what is when?
NEO:
When?
MORPHEUS:
You believe the year is 1997 when
in fact it is much closer to 2197.
I can't say for certain what year
it is because we honestly do not
know.
The wind is knocked from Neo's chest.
MORPHEUS:
There is no reason for me to try
to explain it when I can simply
show it. Come with me.
37 INT. HOVERCRAFT 37
Like a sleepwalker, Neo follows Morpheus through theship.
MORPHEUS:
This is my ship, the
Nebuchadnezzar. It's a
hovercraft.
(MORE)
(CONTINUED)
THE MATRIX - Rev. 3/9/98 37.
37 CONTINUED:
37MORPHEUS (CONT'D)
Small like a submarine. It's
cramped and cold. But it's home.
They climb a ladder up to the main deck.
38 INT. MAIN DECK 38
Everyone is there.
MORPHEUS:
This is the main deck.
most of my crew.
You know
Trinity smiles and nods.
MORPHEUS:
The ones you don't know. That's
Mouse, Cypher, and Switch. Those
two guys are Tank and Dozer.
The names and faces wash meaninglessly over Neo.
MORPHEUS:
And this, this is the Core. This
is where we broadcast our piratesignal and hack into the Matrix.
It is a swamp of bizarre electronic equipment. Vines of
coaxial hang and snake to and from huge monolithicbattery slabs, a black portable satellite dish and banksof life systems and computer monitors.
At the center of the web, there are six ecto-skeleton
chairs made of a poly-alloy frame and suspension harness.
Near the circle of chairs is the control console and
operator's station where the network is monitored.
MORPHEUS:
You want to know what the Matrix
is, Neo? The answer is righthere.
He touches the back of Neo's head.
MORPHEUS:
Help him, Trinity.
Neo allows himself to be helped into one of the chairs.
He feels Morpheus guiding a coaxial line into the jack atthe back of his neck. The cable has the same kind of
cerebrum chip we saw inside the plant.
(CONTINUED)
38.
38 CONTINUED:
38MORPHEUS:
This will feel a little weird.
There are several disturbing noises as he works theneedle in.
We MOVE IN as Neo's shoulders bunch and his face tightensinto a grimace until a loud CLICK fires and his ears poplike when you equalize them underwater.
He relaxes, opening his eyes as we PULL BACK to a feelingof weightlessness inside another place -39
INT. CONSTRUCT 39
Neo is standing in an empty, blank-white space.
MORPHEUS:
This is the Construct.
Startled, Neo whips around and finds Morpheus now in theroom with him.
MORPHEUS:
It is our loading program. We can
load anything from clothes, toweapons, to training simulations.
Anything we need.
Morpheus walks past Neo and when Neo turns he sees thetwo leather chairs from the Hotel Lafayette set up infront of a large screen television.
Sit down.
MORPHEUS:
Neo stands at the back of the chair as Morpheus sits.
NEO:
Right now, we're inside a computerprogram?
Morpheus smiles.
MORPHEUS:
Is it so hard to believe? Your
clothes are different, the plugsin your arms and head are gone.
Look at your hair, you were bald a
moment ago.
Neo touches his head.
(CONTINUED)
39.
39 CONTINUED:
39MORPHEUS:
It's what we call residual self
image. The mental projection ofyour electronic self. Wild, isn't
it?
Neo's hands run over the cracked leather.
NEO:
This -- This isn't real?
MORPHEUS:
What is real? How do you definereal? If you're talking aboutwhat you feel, taste, smell, orsee, then real is simplyelectrical signals interpreted byyour brain.
He picks up a remote control and clicks on thetelevision. On the television, we see images of theTwentieth Century city where Neo lived.
MORPHEUS:
This is the world you know. The
world as it was at the end of the
Twentieth Century. It exists now
only as part of a neural-
interactive simulation that we
call the Matrix.
He changes the channel and we see a very different cityas we enter the television.
MORPHEUS:
You have been living inside adreamworld, Neo. As in
Baudrillard's vision, your wholelife has been spent inside themap, not the territory. This is
In the distance, we see the ruins of a future cityprotruding from the wasteland like the blackened ribs ofa long-dead corpse.
MORPHEUS:
'The desert of the real.'
Beneath us, the water is gone.
(CONTINUED)
40.
39 CONTINUED:
(2) 39We TURN AND DESCEND, SPIRALING DOWN TOWARD the lake bed
which is scorched and split like burnt flesh, where weFIND Morpheus and Neo. Neo clings to the chair, tryingto get his bearings.
MORPHEUS:
We have only bits and pieces of
information. What we know for
certain is that, at some point in
the early Twenty-first Century,
all of mankind was united in
celebration. Through the blinding
inebriation of hubris, we marveled
at our magnificence as we gave
birth to A.I.
NEO:
A.I.? You mean artificial
intelligence?
MORPHEUS:
Yes. A singular consciousness
that spawned an entire race of
machines. I must say I find it
almost funny to imagine the world
slapping itself on the back,
toasting the new age. I say
almost funny.
He looks up and his sunglasses reflect the obsidianclouds roiling overhead.
MORPHEUS:
We don't know who struck first.
Us or them. But we do know it was
us that scorched the sky. At the
time, they were dependent on solar
power. It was believed they would
be unable to survive without an
energy source as abundant as the
sun.
As we DESCEND INTO the circular window of his glasses,
there is a flash of lightning.
MORPHEUS:
Throughout human history, we have
been dependent on machines to
survive. Fate, it seems, is not
without a sense of irony.
41.
40 EXT. FETUS FIELDS 40
On the flash, we PULL BACK from the darkness which
reveals itself to be the black eye of a fetus.
MORPHEUS:
The Machines discovered a new form
of fusion. All they needed was asmall electrical charge toinitiate the reaction.
The fetus is suspended in a placenta-like husk, where itsmalleable skull is already growing around the brain-jack.
MORPHEUS:
The human body generates morebioelectricity than a 120-voltbattery and over 25,000 B.T.U.'sof body heat.
The husk hanging from a stalk is plucked by a thresher-
like farm machine.
MORPHEUS:
There are fields, endless fields
where human beings are no longerborn; we are grown.
We RISE UP, the field stretching in every direction tothe horizon, lightning tearing open the sky as aharvester sweeps past us.
From the yawning black of the waste port, we begin toPULL BACK as it snaps shut.
Red amniotic gel flows into the pod below us, poolingaround a tiny newborn that suckles its feed tube.
MORPHEUS:
For the longest time, I wouldn'tbelieve it. But then I saw the
fields with my own eyes, watchedthem liquefy the dead so theycould be fed intravenously to theliving and standing there, facingthe efficiency, the pure,
horrifying precision, I came torealize the obviousness of the
truth.
Still PULLING BACK, we see the image of the power plantnow on the television as we return to the white space ofthe construct.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Matrix" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/the_matrix_84>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In