The Maze Runner Page #4

Synopsis: Awakening in an elevator, remembering nothing of his past, Thomas emerges into a world of about thirty teenage boys, all without past memories, who have learned to survive under their own set of rules in a completely enclosed environment, subsisting on their own agriculture and supplies. With a new boy arriving every thirty days, the group has been in "The Glade" for three years, trying to find a way to escape through the Maze that surrounds their living space (patrolled by cyborg monsters named 'Grievers'). They have begun to give up hope when a comatose girl arrives with a strange note, and their world begins to change with the boys dividing into two factions: those willing to risk their lives to escape and those wanting to hang onto what they've got and survive.
Director(s): Wes Ball
Production: 20th Century Fox
  4 wins & 11 nominations.
 
IMDB:
6.8
Metacritic:
57
Rotten Tomatoes:
65%
PG-13
Year:
2014
113 min
$98,537,272
Website
57,784 Views


First Ben, then Alby...

and now the girl.

Everybody saw

she recognized you.

And I'm betting

you know who she is.

Gally...

you know we can't stay

here forever, right?

Who's there?

It's just me.

Sorry, Chuck.

Here.

You'll run better

on a full stomach.

Mmm...

Thanks, Chuck.

Hey, what do

you got there?

Wow, that came out

pretty damn good.

What's that for?

It's for my parents.

You remember

your parents?

No.

I mean, I know

I must have them.

And wherever they are,

I'm sure they miss me...

but I can't miss them

because I don't remember them.

What do you think you're

gonna find out there tomorrow?

Uh, I don't know.

But if there's

a way out, Chuck,

me and Minho

are gonna find it.

Here.

Chuck, why would

you give this to me?

I can't remember

them anyway.

But maybe if you

find a way out,

you can give it

to them for me.

If Iletyou

get some sleep.

Hey, Chuck.

Come here.

Put out your hand.

I want you to give

that to them yourself.

We're gonna

get out of here.

All of us.

Okay?

I promise.

Yeah.

All right.

Good night.

Good night, buddy.

Big day, Greenie.

Are you sure you don't

wanna sit this one out?

Come on, man. Get me

out of here. All right.

Let's g0!

This way. Not much

further to the inner ring.

Let's g0!

Come on! This way.

That's strange.

What?

Seven is not supposed to

be open for another week.

What the

hell is this place?

We call them blades.

It's Ben's, isn't it?

Yeah.

A Griever must have

pulled him down here.

Whoa, 'new,!

I think it's

showing us the way.

Wait, wait, wait.

What, what?

This way. Come on.

Minho, you ever see

this place before?

No.

It's just another

dead end.

Are you sure

about this?

Nope.

Grievers.

What the

hell was that?

We gotta

get out of here.

Give me the key,

give me the key!

Move, move!

We gotta go!

Run, Thomas!

We're gonna

get trapped!

Go! Go!

Go, go, go!

Move!

Minho!

Come on!

Let's go, let's go!

Come on, move!

Keep going!

Keep going! Let's 9!

Whoa!

Go, go, go!

Oh!

Go, go, go!

Whoa!

Come on!

Don't look back!

Come on!

Oh, sh*t!

There!

Whoa, whoa, whoa!

Oh!

What the hell's

going on out there?

What the hell you

done now, Thomas?

We found something,

a new passage.

We think it

could be a way out.

Really?

It's true.

We opened a door, something

I'd never seen before.

I think it must be where the

Grievers go during the day.

Wait! Whoa, whoa, whoa...

You're saying you found

the Grievers' home?

And you want

us to go in?

Their way in could

be our way out, Chuck.

Yeah, or there could be a dozen

Grievers on the other side.

The truth is, Thomas doesn't

know what he has done, as usual.

Yeah, at least I did something, Gally.

I mean, what

have you done?

Aside from hide behind

these walls all the time?

Let me tell you

something, Greenie.

You've been here 3 days, all

right? I've been here 3 years!

Yeah, you've been here 3 years

and you're still here, Gally!

What does

that tell you?

Maybe you should start doing

things a little differently.

Maybe you should be in

charge, what about that?

Hey, it's Alby!

He's awake.

Has he said anything?

No.

Alby"

Alby, are you all right?

Hey, Alby.

Alby, we might have just

found a way out of the maze.

Do you hear me? We could

be getting out of here.

We can't.

We can't leave.

They won't let us.

What are you

talking about?

I remember.

What do

you remember?

You.

You were always

their favorite, Thomas.

Always.

Why did you do this?

Why did you come here?

Winston,

what's going on?

It's the doors.

They aren't closing.

Chuck, go to

the Council Hall

and start barricading

the doors. Mmm-hmm.

Winston, you go with him. Got it.

Get the others. Tell them to

go to the forest. Go hide, now!

Minho, I want you to grab

every weapon you can find.

I'll meet you at Council Hall. Let's go.

Teresa, you and I are gonna go

get Alby, all right? Come on.

All right, everybody hide!

Teresa!

Come on! Run! Run!

Stay down!

Run!

Ahh!

Zart!

Help me!

Go! Get to the village!

Go, go, go!

Stay down,

stay down!

Gally! Let me in,

let me in!

Alby!

Are you okay?

What's going on?

They're here.

Grievers?

Thomas,

what do we do?

It's got me!

Everybody, run, run, run!

Jeff, come on, go, go, go!

Everyone,

90,90,90!

Keep moving!

Oh, sh*t!

Ahh!

Alby!

Get behind me!

Come on!

Over here, let's go!

Over here!

Let's go! Come on!

Over here, come on!

Winston!

Get Alby inside.

Chuck, get in! Go, go, go!

Lock down the doors!

Careful.

Whoa!

Stay back, guys.

ls everyone all right?

Help!

He 1-

Help! Y grab hlm!

Watch out!

Chuck!

Chuck, no!

Grab him!

Pull him back!

Help!

Chuck, don't let go!

No sh*t!

Pull!

Don't let him go!

Chuck, are you okay?

Yeah, I'm fine.

Thanks, Alby.

Alby! Watch out!

NEWTI Grab him!

Thomas, get them out.

Alby!

No!

Thomas-

Thomas!

Don't go out there!

No, Thomas, wait!

Thomas, wait!

Where is everybody?

Who's that over there?

Gally-

This is all you, Thomas!

Look around!

Back off, Gally!

It's not Thomas' fault!

You heard

what Alby said!

He's one of them!

One of who?

He's one of them,

and they sent him here

to destroy everything,

and now he has!

Look around, Thomas!

Look around!

This is your fault!

Back off, Gally!

This is not Thomas' fault!

What are you

talking about? Calm down.

They sent him here,

and now he's destroyed

everything that we've built!

What are you

talking about?

Maybe he's right.

Thomas-

I need

to remember, Teresa.

Thomas-

Thomas!

No, don't!

Thomas!

Chuck, get

the other syringe!

It's okay.

Thomas, I'm here.

THOMAS". Who put us here?

ALBY". That we don't know.

Teresa...

why are we doing this?

Excellent, Thomas.

Come with me.

Wicked isn't good.

Thomas...

Wicked is good.

How could

this be my fault?

You did this!

I saw you!

I can't keep

watching them die.

Hey.

Are you okay?

What the hell

were you thinking?

What happened?

Gally

has taken control.

He said we had a choice.

Eitherjoin him...

or get banished

at sundown with you.

And the others

agreed to that?

Gally has everyone

convinced that

you're the reason

all this has happened.

Well, he's been

right so far.

What are you

talking about?

This place...

it's not what

we thought it was.

It's not a prison,

it's a test.

t all started

when we were kids.

They would give us

these challenges.

They were experimenting

on us.

And then people

started disappearing.

Every month, one after

the other, like clockwork.

They were sending

them up into the maze.

Yeah, but not all of us.

What do you mean?

Guys, I'm one of them.

The people who put you

here, I worked with them.

I watched

you guys for years.

The entire time

you have been here...

I was on the other

side of it.

So were you.

What?

Teresa, we did this

to them.

No.

That can't be true.

It is. I saw it.

Why would they send us

up if we were with them?

It doesn't matter.

He's right.

It doesn't matter.

Rate this script:4.6 / 29 votes

Noah Oppenheim

Noah Oppenheim (born, 1978) is a writer, Emmy-winning television producer, and President of NBC News.[1][2] Previously, Oppenheim was the executive in charge of NBC's Today Show, head of development at Reveille, and senior producer of NBC's Today Show, where he supervised the 7–8am hour of the broadcast. more…

All Noah Oppenheim scripts | Noah Oppenheim Scripts

1 fan

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Maze Runner" Scripts.com. STANDS4 LLC, 2024. Web. 27 Jul 2024. <https://www.scripts.com/script/the_maze_runner_20830>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which film won the Academy Award for Best Picture in 1997?
    A Good Will Hunting
    B As Good as It Gets
    C Titanic
    D L.A. Confidential