The Missing Person Page #5
Yes. And tell him one thing for
me, Mr. Rosow. Will you?
Sure.
Tell him I can't wait to be with
him.
Bad news.
Want a hit?
That kid blocks the plate like
Thurman Munson.
I drank too much. Harold's gone.
No. You think I drink too much, too
much to bring this guy back to his wife.
You were banking on that. Lana
almost pulled it off.
You always did like your
conspiracy theories, John.
You sure you don't want a pop?
No. Can I have a couple of
scallion pancakes though?
Knock yourself out.
Don't forget the sauce.
Yum. I do miss the take-out
Chinese.
There's no place good in Chicago
that delivers.
I could've told you that, and
I've never even been in Chicago.
What about the pizza? They got
that Chicago style, right?
Yeah, they got your Chicago style
pizza, sure, but you know what that is?
And I just found this out
myself. It's just Sicilian style.
It's just a different name for
Sicilian.
We went over to Difara's the
other night and got seven pies.
I think he's still making them.
The boys miss you, John.
We all miss you.
How long have you been on
Drexler Hewitt's payroll?
Here we go.
You get paid by Miss Fullmer to
find Harold,
but you get paid even more by
Hewitt not to find him.
Is that it? So you hire me to
bring him back to Miss Fullmer,
but you hire me more for Drexler,
because you figure I'll muck it up.
You got a napkin?
I earn my money.
You get the medex to forge
Harold's death certificate.
With Harold officially dead,
case closed.
All the insurance and
compensation money gets collected,
and the estate gets divvied up, and Drexler
Hewitt gets his piece of the Fullmer pie.
I'm sure you got your crumb. But then, oh,
a friend of the missus sees Harold in Mexico.
Harold wasn't coming back. He was
gone, might as well have been dead.
It was high time she figured
that out for herself.
Why do you care?
9/11 families were paid by the
government
according to how much the victim
would have earned in a lifetime.
I know. And Harold was a big
deal broker.
That's a lot of money. Enough for a greedy
lawyer to want to make sure he stays dead.
So Drexler bought you to help
him.
He knew how much Miss Fullmer
trusted you.
Listen, John. Harold wasn't
going to stay home. He's nuts.
His old lady is a kookjob. All
that money, for what?
It's crazy. People like that,
they're not like us.
She just wanted to talk to him,
Gus.
I'm gonna' need you to leave
your cell phone.
It's got all those nice pictures
on it.
Oh well. I had the feeling it
was gonna' get old anyway.
Oh, John, one more thing.
Your old buddy, Don Edgar?
Taking care of all the little
kiddie widdies down Mexico way?
What about him?
That orphanage is a front.
Don Edgar, the most major dope
dealer in Tijuana.
Yeah, that's right. Whether Harold knew it or
not, he was in cahoots with a very bad hombre.
I don't believe you.
No? It's true. Why do you think
the FBI was snooping around?
Christ, what happened to those
kids?
Don Edgar says he sends them
back to their families.
Right. And I'm Tinkerbell.
You seem upset, John.
What are you thinking?
You thinking you want to come
over here and hit me?
No. I'm just trying to remember
what I ever saw in you.
Did he give you any trouble?
No. He was very nice.
No trouble at all.
Put your hands under the table.
Yeah.
He plays like an angel,
doesn't he?
Tomorrow morning, you go back to
her.
The gig is up. This is the old
reality, Harold.
You're in New York. You ain't
dead, there aren't any angels,
and the missus wants to see you.
Matter of fact, she said she
can't wait to see you.
You know about angels, Rosow.
Oh, I do?
I saw you listening to the song.
Did you see him, Miss Charley?
No, I did not.
You know the music is okay, but
the service stinks.
We're empty here.
Where's the waitress?
Good morning.
What the f*** are you doing,
you idiot?
Who's the saint who looks after
money?
I can't hear ya.
Never mind.
Do you have a problem with me
smoking?
NO!
Come on!
I appreciate this, Charley.
Oh, that's okay.
No, I really do.
You want me to go up with you?
I think I should go alone.
Okay. Well, I have some business
with Drexler Hewitt, so...
Good luck.
Good luck.
Memories flooding you right
about now, huh?
No, not really.
Hey, listen. There's no way you're going
in with this kind of attitude, okay?
You stand up straight and look
happy to see her. Come on.
Remember me, darling?
Is that you, sir?
Don't be rude to the lady.
I need to use the bathroom.
Hey, this is what, one of those
recreations of a famous painting?
Yeah.
Kind of funky looking, isn't it?
Julian, Mr. and Mrs. Fullmer's
son.
He won the contest at school
with that piece.
The theme was Masterpieces of
American Art.
Julian was only eight years old
when he painted it.
Pretty good for an eight year
old, I guess.
Don't touch it.
John?
John?
Let me go, please.
Please let me go.
You wake up one day and you're
an adult.
And all the people you were just
dreaming about have gone or changed.
from your eyes and you say,
was it really so long ago that
you and I sat together in fun?
No. Not so long ago. But life
goes by in the blink of an eye.
Sobriety, after all this time, isn't
as bitter as I thought it would be.
Recently, for a second or two, I almost
felt like things were okay with the world.
Strange to feel that way, when
you know there are wars everywhere,
and everything is going to hell
in a hand basket.
But still, I must admit, for a
moment, I felt some kind of peace.
Charley, she finally said yes
to a date with me.
I have a confession. I lied.
You were right.
I have four older brothers.
And I was an All-Star shortstop in the
boy's little league three years in a row.
Till they kicked me out.
Remember when it was like that?
When we were all together? And I
figured we'd play forever.
I had no idea.
She's not a half bad girl,
Charley.
She's looking for a job now.
I told her she could be my secretary
once I got a few more assignments,
but she said she didn't mix
business with pleasure.
I promised her I was no
pleasure. Yuk, yuk, yuk.
Sometimes I think back to that day at
Miss Fullmer's place, and I ask myself,
did you do the right thing?
I don't know.
What is that, the right thing?
A police reporter once said that when we
pass beyond the lights of a precinct station,
we go into another world, a
place beyond right and wrong.
I don't really mind living this
way. Quiet.
Not much to say.
But sometimes, every once in a
while,
I remember back to when I had
you.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Missing Person" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/the_missing_person_20866>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In