The Morgue Page #2

Synopsis: Margo Dey isn't too different from other college girls. She's smart, she's pretty, and she has a part time job-working in a morgue. Margo spends her nights traversing the massive mausoleum corridors, chatting with her "quiet friends" as she goes about mopping the ancient marble floors. Margo's singular earthbound companion is George, the night watchmen, a man so ridden with grief over the loss of his daughter that he seems even deader to the world than the corpses in the morgue. The seclusion of Margo's night-time haven is shattered when Peter and Nan Townsend appear mysteriously out of the darkness with nothing more than an empty gas can and a frightened young girl, Jill. Margo aids the visitors in recovering from their cold trek through the night, and makes preparations to help them get back on the road. It soon becomes evident however, that something at the morgue wants them to stay. The action kicks into high gear when Jacob and his wounded friend Samim desperately burst into the m
Genre: Horror, Thriller
Director(s): Halder Gomes, Gerson Sanginitto (co-director)
Production: LionsGate Entertainment
 
IMDB:
3.1
R
Year:
2008
84 min
93 Views


- Horace?

- Who's Horace?

Margo knows.

- It's stupid.

- Well, what's going on?

Listen, some worker,

he killed himself on the grounds

like years ago

and now Jill thinks

he's after us.

I never got through.

Excuse me?

The ph... the phone.

- It doesn't work.

- I saw you use it.

Yeah, I know. And I'm telling you

I never got through.

That's bullshit. I just heard

the phone ringing.

Me too.

How'd you guys

get here, anyway?

There...

there was an accident.

All right, look.

Let's just get the flashlights,

find Nan,

and get the hell

out of here.

I'm not going out

in the dark.

Well, I think I can fix

our lighting problem.

- Come on.

- No.

I told you,

I'm staying right here.

All right... Margo!

It's Margo.

Open up.

Jill!

Power's up.

This yours?

Yeah.

- How do you come to work?

- Bike.

Where is it?

The bike... where is it?

It's out front.

Why?

I gotta find Nan.

Here's what we're gonna do.

Let's split up.

Two of us go to town...

one on your bike,

one on foot.

The rest stay here

locked in this room.

You, Einstein,

you're coming with me.

Oh, there's a lock.

It's combination.

It's 3-20-33.

Can you remember that?

Let's go.

Let's go. Now.

Sh*t. Where's the bike?

I don't see it.

Where'd she say the rack was?

Should be right

around the other side.

After you.

I'm not going first.

- Sh*t.

- What?

It's not here either.

What do we do?

We walk.

What the hell

were you thinking?

What are you

talking about?

I'm talking

about the door.

"I'm not risking my life

for someone I don't know."

I could've died back there,

you stupid f***.

Why are you

bringing this up now?

Look,

I just figured...

Yeah yeah yeah,

you just figured what?

- Uh, we have a problem.

- Just keep walking.

No, hold on.

You see this?

See what?

You're kidding, man.

Must have taken

a wrong turn or something.

Let's... let's just head

back down the road.

We... we probably

just got turned around

or something.

Yeah.

What the hell

is going on?

Dude.

What that hell

is going on?

All right.

Head back down

around the curve.

I'll stay here.

Okay.

Hey!

Tell me what you see!

Peter! Look up the road!

How the hell

did you get up there?

I don't know.

What the hell's going on?

I don't know.

We should

head back inside,

grab the others

and find a way

out of this morgue.

What do you think?

Jacob?

Jacob?

Hello?

Jacob?

All right, man,

this isn't funny.

No no no!

Margo, open the door.

It's Peter!

Open the door!

- Where's Jacob?

- What?

- Have you seen Jacob?

- Jacob was with you!

What are you

talking about?

What... what happened?

We have to leave now!

Okay, let's go,

but what about him?

We'll come back

with help.

Oh God.

This way.

We can cut through

the chapel

- and go out the side entrance.

- Okay.

Stay close.

Whoa.

- This way.

- Let's go.

Peter!

Over here!

Over here!

What's wrong?

What the...

- Where is he?

- They took him away.

All right, Jill.

I want you to stay here.

Keep the door locked.

I don't want to stay here.

Please.

Stay here

where it's safe.

I will come back

and get you.

Trust me.

Okay.

Okay.

Margo!

He's gone.

He was right there.

You saw him.

We all saw him.

Help!

Help me!

Help me!

Help me!

Peter?

Peter!

Oh my God, Peter!

Peter, I'm gonna get you out of there!

I'm gonna get you out!

Help! Help me

get out of here!

Margo!

Peter, keep pushing!

Come on!

Come on, kick it!

Kick it,

he's coming!

Come on!

Peter, come on!

He's coming!

He's coming!

Oh God!

Oh God!

Oh God!

Come on!

No! No!

Jill...

Jill!

Jill?

Come on! Come on,

we've gotta go now!

Come on, come on.

Oh, honey.

It's gonna be okay,

I promise you.

We just need to get out of here

and it's gonna

be okay.

Okay?

Come on.

The point is, the husband came home

and told us about the kid.

Which brings us

to our Amber.

Top priority.

You guys can get started

on this by heading out

to the accident

that was just reported:

a two-car collision

on Highway 57.

Officers say they found

an eight-year-old girl.

Let's get moving.

Yeah.

Okay. Okay, come on.

We made it.

Oh...

Come on.

Come on.

Notify the hospital.

Excuse me!

Can you help?

- Can you... excuse me, can you...

- This is one mess.

Oh my God.

Can somebody help us?

Is that our Amber?

No such luck.

- Take this.

- Okay.

Excuse... hey, can you...

Oh, no, no.

It's okay.

We're fine now.

This car was stopped.

The blinkers are on.

The black car

piles into it.

Somebody walked away.

Help! Help!

Somebody, please!

Somebody.

Somebody, help me!

There's handprints,

there's blood there.

Over there...

Hold, please. Chet.

That's attractive.

Good. Thank you.

That was not the guy

that walked away.

No.

Will you grab my gloves

from the car, please?

Margo?

Philip?

Margo.

Sh*t!

Sh*t!

Oh, you've gotta be

f***ing kidding me.

Nan, I would think real hard

before I speak right now.

Did you forget

we're on a schedule?

Don't you think

I know that?!

I'm the one who planned

the f***ing thing.

Yeah, but you can't find time

to get gas, is that it?

Did you remember

to charge your cell phone?

Oh, sh*t.

Jill!

Jill!

See what you've done?

Yeah. Suck on this.

Jill!

Jill!

Don't you ever

do that again.

Come on.

Hey, it's a lady.

Ooh! I'm sorry.

I didn't mean to startle you.

Everybody okay

over here?

Yeah yeah.

We just ran out of gas.

Oh, jeez, the closest

gas station's like six miles away.

Six miles?

Do you hear that, hon?

Got a long walk for you.

Hi, sweetheart.

What's your name?

- Jill.

- Hi, Jill. I'm Margo.

Oh, your sneakers

are all dirty.

- Hit the...

- Dude, shut up!

- You've gotta...

- I've got it, okay?

- We're not gonna get in trouble.

- Just f***in' drive.

Son of a...

I got something that'll

do just the trick.

- What do you say?

- Thank you.

You are very, very welcome.

Ridiculous!

Stupid!

Watch out!

One, two, three,

four, five.

Come on, baby, please.

One, two, three,

four, five.

Phil! Phil!

What are you doing?

Phil! Phil! Phil!

No, get away!

Get away from me!

- Phil! Phil!

- Get away!

- Phil!

- One, two, three, four, five!

- Phil!

- One, two, three, four!

Oh, Christ.

Phil, she's gone!

They did that. They did that.

Get her out of here!

Get her out of here!

Phil, stay here with me.

You're here with me.

It's okay.

I'm right here.

I'm right here.

How you doing, George?

Fine, Paul.

How are you?

I'm doing good.

How's the kid?

Oh, he's gonna be

just fine.

I'm really gonna

miss this young lady.

There was something

special about her.

She was always

very good to me.

Well,

take care, Paul.

You have a better one.

Prep Room,

this is Frank.

Oh yeah.

Hey man, what's up?

I'm all right. I'm just prepping a male

and a female before lunch.

If you want to.

Yeah, that'd be great.

Hey!

Somebody's in here!

Stop!

Oh, no!

Hey, stop!

Stop it!

No, stop! No!

I'm alive!

No! Help me!

Help me!

Now he's stuck in purgatory...

Rate this script:0.0 / 0 votes

Andrew Pletcher

All Andrew Pletcher scripts | Andrew Pletcher Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Morgue" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/the_morgue_14058>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Morgue

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who is the director of "Avatar"?
    A Steven Spielberg
    B Peter Jackson
    C James Cameron
    D Quentin Tarantino