The Mummy Page #7
EVELYN:
Ahmar is Ossirion. "Passageway
to the underworld", actually.
She gives him a know-it-all grin.
EVELYN:
I don't believe in fairy tales
and hokum, Mister 0'Connell, but
I do believe that one of the most
famous books in history is buried
out there, The Book Of The Living
It's what first interested me in
Egypt as a child. It's why I came
here, sort of a life's pursuit.
O'CONNELL
And the fact that they say it's
made out of pure gold, makes no
nevermind to you, right?
Evelyn is surprised by his knowledge.
EVELYN:
You know your history.
O'CONNELL
I know my treasure.-
Evelyn gets up to go, then she hesitates, nervous, she turns
back to O'Connell, and as matter-of-fact as possible says:
EVELYN:
By the way, ...why did you kiss me?
O'Connell, cleaning his guns, just shrugs his shoulders
O'CONNELL
I was about to be hanged, seemed
like a good idea at the time.
Evelyn's eyes widen, furious, she turns and storms off.
O'Connell looks up, watching her leave, a bit perplexed
O'CONNELL
What? .... Wha'd I say?
Then he hears someone SNICKERING under the table. He quickly
reaches down, grabs that someone and lifts him up. It's Beni.
BENI:
My very good friend! What a surprise
O'CONNELL
Why if it ain't my little buddy,
Beni. I outta kill you.
O'Connell sticks a knife under Beni's throat. Beni swallows
hard, then tries to weasel his way out with a big grin.
BENI:
You never were any good with
the ladies, O'Connell.
O'CONNELL
So you're the one leading the
Americans, I shoulda figured.
So what's the scam? You get 'em
out in the middle of the desert
then leave 'em to rot?
BENI:
Unfortunately no, these Americans
are smart, they pay me only half
now, half when I get them back to
Cairo, so I must go all the way.
O'Connell pulls the knife away. Beni relaxes, rubs his neck.
BENI:
You never believed in Hamunaptra,
O'Connell. Why are you going back?
The devil himself lives out there.
They look as they hear Evelyn YELP. A single CAMEL in the
HORSE PADDOCK takes another bite at her. She YELPS again and
backs away. O'Connell grins as Evelyn flees down the deck.
O'CONNELL
The girl saved my life, figured
keep her out of trouble.
BENI:
You always did have more balls
than brains.
O'Connell's eyes narrow at the insult, he looks back at Beni
O'CONNELL
Let's make us even, shall we?
BENI:
Even?
O'Connell grabs him and chucks him over the side of the
barge. Beni SPLASHES into the river. O'Connell takes his
gunny-sack and starts walking off down the deck.
BENI(o.s)
O'Connell! I am going to kill
you for this!
O'CONNELL
Sounds familiar.
And that's when he spots THREE SETS OF WET FOOTPRINTS, coming
up over the railing from the river and heading down the deck.
O'Connell quickly looks around, immediately on the alert.
INT. EVELYN'S CABIN - NIGHT
Evelyn, wearing a nightgown, stands in front of a mirror. She
gives her head a good shake, letting her hair fall loose over
her bare shoulders. Then she turns around, RIGHT
THERE IS ONE OF THE HIDEOUS MUMIA! It's Hook. He slams his
hand over her mouth and lifts up his hook, ready to strike.
HOOK:
Where is the map?
Evelyn's terrified eyes glance down. Hook looks over, sees
the map lying next to a flickering candle on a nearby table,
HOOK:
And the key? Where is the key?
Evelyn's eyes look confused. She shakes her head. Hook grins,
HOOK:
Then I'll find it myself,
He c*cks his hook, about to kill her. And that's when the
door is KICKED OPEN. O'Connell BURSTS IN, gun in each hand.
Hook spins Evelyn around and holds her out in front of him.
O'Connell looks at her.
O'CONNELL
Friend of yours?
Evelyn's eyes widen. And that's when the candle on the table
FLICKERS. Everything happens at once, READ FAST: O'Connell
spins around just as a window BURSTS OPEN. A Mumia leans in.
FIRES A GUN. Woodchips BLAST OFF the wall next to O'Connell's
head. He returns FIRE. Kills the Mumia. The Mumia falls back.
FIRING BLINDLY.-A LANTERN in the room is BLASTED. Kerosene
SPLASHES across the wall. BURSTS INTO FLAMES. Evelyn grabs
the candle on the table and JAMS IT back over her shoulder,
right into Hook's EYE. He SCREECHES in pain and lets her go.
O'Connell grabs her and YANKS her out of the FLAMING ROOM.
HALLWAY - NIGHT
O'Connell pulls Evelyn down the hall, she tries to jerk free.
EVELYN:
The map! We need the map!
He shoves her up against a wall.
O'CONNELL
Relax! I'm the map!
(taps his forehead)
It's all up here.
EVELYN:
Oh that's comforting.
O'Connell gives her a look, then pulls her forward
O'CONNELL
C'mon, there's still one more of
those guys around here somewhere.
Hot melted wax covers Hook's face as he holds his sore eye
and struggles to the door. Then he notices the key/box on the
floor. He bends over to pick it up. And that's when the door
is KICKED OPEN again, it hits him in the ass and knocks him
into the fire. Jonathan leans in. Sees nothing but flames.
JONATHAN:
EVY!!
Then he sees the key/box on the floor and picks it up,
A HAND suddenly snatches the key/box away from him.
JONATHAN:
Hey that's mine---
it's Hook. His backside is now ON FIRE. He lifts his pistol.
Jonathan quickly backpedals out the door as Hook OPENS FIRE.
EXT. CAMEL PADDOCK - NIGHT
O'Connell and Evelyn race out onto the deck near the horse
paddock. People are SCREAMING and SHOUTING, lots of panic.
BLAM! A chunk of the wall is BLOWN OFF next to Evelyn's head.
O'Connell pivots and FIRES BACK. It's the last Mumia, on the
other side of the paddock. He and O'Connell exchange GUNFIRE.
Another LANTERN BURSTS INTO FLAMES. O'Connell SHOOTS OFF the
paddock lock. The horses go nuts. O'Connell FIRES over their
heads. They CHARGE FORWARD and CRASH through the door. The
Mumia SCREAMS as the horses STAMPEDE over him. FLAMES sweep
up the walls and race across the roof. Half the barge is now
ON FIRE. O'Connell throws the gunny-sack over his shoulder.
O'CONNELL
Can you swim?
EVELYN:
well of course I can swim, if
O'CONNELL
Trust me,
He picks her up and throws her over the side
O'CONNELL
The occasion calls for it.
Evelyn SPLASHES into the water. O'Connell dives in after her.
Jonathan runs out onto the bow, sees the three Americans,
guns in every hand, fanning their pistols, SHOOTING
everything in sight. Jonathan just shakes his head.
JONATHAN:
Americans.
Hook suddenly stumbles up behind him, --now a FLAMING TORCH.
Jonathan turns around, Hook grabs him by the throat with his
FLAMING ARM and pins him to the cabin wall. Jonathan's eyes
widen as he sees a hook rising up inside the FLAMES about to
strike him. The Americans pivot and OPEN FIRE. Blow Hook over
the railing. Jonathan turns to the Americans and smiles.
JONATHAN:
I say! Good show!
Then he points his thumb at himself
JONATHAN:
And did I panic?
He lifts up his other hand, --he has the key/box back.
JONATHAN:
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Mummy" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/the_mummy_636>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In