The Music of Strangers Page #4
smaller and smaller.
That leads me back to China,
to rediscovering "What
is China's music?"
None of us can prove
anything about how...
much of the past
we carry with us.
I had thought that this
is, in Yo-Yo's mind...
his investigations
into his own past.
My father was born in 1911...
and he left China when he was about
25 to go to France to study.
And he wrote about that
fusion of what Chinese music
might sound like with French
techniques of composing.
Isn't that strange that,
so many years later...
the apple did not fall
that far from the tree?
Yo-Yo!
Yo-Yo.
Yo-Yo.
That's Yo-Yo, the dog.
Okay, come on in.
Home is this for me.
Every birthday of mine
since I was first,
my first birthday, was celebrated
here or in this house.
And for us to keep that
cultural identity alive
is probably one of the
most defining aspects
of what it means
to be a Galician.
During the history of time,
many different
civilizations have tried
to take away that identity...
like Roman Empire.
...they will lose
their memories.
Their... They couldn't
remember anything.
That's the legend
behind the piece
I wrote for my mother,
who maybe like four years ago
started to... to...
lose her memory.
We want to protect
what we have...
our culture, our music...
and we want our children to
keep the language alive.
And in order to be alive,
you have to let it grow.
Lots of people, when they
think of the Middle East,
they think of divisions,
like Sunni, Shia,
Christian, Armenian,
Kurds, Turks.
I don't think of the
Middle East this way.
You know, I think
it's an ancient place
where all the cultures happen
to exist at some point.
- How much are these?
- Excuse.
That's okay, that's okay. I'm
just going to play this, yeah?
Yeah?
When we were in Juilliard,
Kinan and I, Kinan
was graduating.
He made this very moving,
beautiful piece.
And I told Kinan, I said,
"I think I can contribute
something in this piece."
We think very similarly,
and I'm Armenian Christian.
It's... it's not necessary.
We grew up without even knowing
who's Christian, who's
Muslim in Syria.
It was not a necessary thing.
So this place was...
used to be a church,
and then it turned
out to be a mosque.
And then here it is,
now it's a museum.
No, "This is so beautiful,
I don't want to cover it."
That's the power of art,
one crosses any... limitation.
It's the "F" word.
Fa... fun.
Whoa.
Apparently I thought
my father worked
at the airport when
I was a child,
because that's where
he was always going,
and so it was a bit of
a massive revelation
that he was not, in fact...
employed by Logan Airport.
But he knows what's important,
and I think he sees
his obligation,
particularly when he
goes to smaller towns,
as beginning the moment he lands
and lasting the entire
time he's on the ground.
He's there to spread
his sense of the world
in every conversation
and interaction
that takes place.
Wow.
Good evening.
I'm Yo-Yo Ma,
and this is my brother,
Kayhan Kalhor.
Now, we were twins,
but we were separated at birth.
But we found out
from DNA analysis...
that even our life choices...
are the same. Almost, yeah.
Everybody is afraid of going
somewhere they
haven't gone before.
But you build enough
trust within a group,
and sometimes you can
turn fear into joy.
Woo!
A lot of us in our own careers
have developed in
different directions.
We have our own bands,
or we have our own
work here and there,
but this is the one place where
you can come together...
and play music that you... that
you don't get to play otherwise.
That tells people like me,
it's okay to be doing
what I'm doing.
Ah.
Music is their whole life,
and they told me they're
already 11th generation.
So I asked them, "What
about 12th generation?
Is there any 12th, 13th?"
They look at me.
There's no answer.
So that... to me,
really emotional.
I don't know who
writes the scripts
for different revolutions, but
they all look the same...
...and they affect people's
life in the same way.
Cultural Revolution is
the darkest history
time period of China.
And for artist, there
is no creation.
The party tell you what to do.
I question the role of art.
I question my role, like,
"What am I doing?"
What is my role in comparison
to somebody who's on the ground,
peacefully demonstrating
at the risk of being
shot, you know?
If you ask me, "Do you
want to go home?"
Of course, I want to
do... I want to go home,
but in what circumstances
would I go?
We humans are...
we have a tendency to
control everything...
the earth, animals, you know,
even the humans around us.
It's endless.
Later on, when the
Iran-Iraq war started,
it was a very, very
difficult period.
I lost two of my friends.
I lost my best friend.
And later on... a
missile hit our house.
I lost all of my family,
my parents and my brother.
I mean, you see how the
world is reacting to Syria.
Nobody gives a f***,
if I can use the real language.
It's like...
Just three days ago,
people die of cold.
I mean, as simple as that.
I mean, the fact that they
tried to cut the aid for...
for the refugees, because
it's too expensive.
F***.
You know, it's just people
are not... are not bothered.
We are not our
political identities.
Nobody remembers who was the
king when Beethoven lived.
But culture stays,
language stays as a
part of culture,
music stays as part of culture.
The arts is more about opening
up yourself to possibility.
Possibility links to hope.
We all need hope.
Hey, Yo-Yo. Hi, Fred.
So glad to see you.
Nice to see you.
Thank you. When you play,
I'm sure you have a lot
of different feelings.
And as you played as a child,
did you ever play happy
things or sad things
or angry things, just
'cause you wanted to?
Oh, sure. One of my favorite
was "The Swan," which is...
And you can imagine the swan...
right?
You look at anybody's life,
you could find tragedy.
Nobody escapes either the great
things or horrible things.
That's the space between
life and death.
How do you deal with
the fears and doubts?
Do you dare go there?
Can you put all of
yourself behind something
and be absolutely authentic in doing
it to the best of your ability?
All right then.
This is the first time that I tried
to smuggle flutes into somewhere.
It feels like smuggling
flutes, actually...
but it's smuggling
for a good cause.
Of course it's emotional, yeah.
It's just simply emotional.
I'm going to teach...
Syrian children who have been...
they left their homes by force.
I was like them when I was kids.
Look, I didn't have...
a hope that I'm going to be
in New York doing my art.
And definitely, one or two of those
kids, they're going to make it.
So if we can inspire them and
can help them to do this,
they're going to just
continue this... this circle.
It's one of those moments
again in your life, you know?
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"The Music of Strangers" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/the_music_of_strangers_20910>.
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