The Next Three Days Page #17
WHITE 9-10-09 89.
258 CONTINUED:
258JOHN:
Tape their mouths!
John picks up the key and undoes Lara's cuffs.
LARA:
No. Stop.
John yanks her clothing and a white smock out of the bag and
tosses them to her.
JOHN:
Put it on.
LARA:
JOHN:
Because we have no other choice!!
Put it on!
(to nurse) *
Turn around.
He does, John starts taping his wrists.
JOHN (CONT'D)
Lara, put the clothes on!
LARA:
No.
JOHN:
NOW!!
LARA:
No!
They stare at each other. John offers her his cell phone.
JOHN:
Okay. Tell your son you aren't
coming.
LARA:
...Where is he?
JOHN:
Waiting for you. Tell him you aren't
coming.
LARA:
How can you do this to me?
(CONTINUED)
WHITE 9-10-09 90.*
258 CONTINUED:
(2) 258JOHN:
Push send. Tell him I'm not coming
back either.
LARA:
John -
JOHN:
Does it look like I'm going home?!
Tell him he is alone now and his
mother and father aren't coming back!
Lara stares at him with hatred, mutters:
LARA:
You son of a b*tch.
Lara pulls off her prison garb, standing before them naked
except for her panties. She quite purposely does not turn
away or cover herself, but lets her eyes burn into him.
John presses the STOPWATCH button on his watch and the COUNTER
starts running.
259 EXT. UNIVERSITY HOSPITAL - EMERGENCY ENTRANCE -- DAY 259
A squad car pulls up outside the hospital's main entrance.
One officer strides into the Emergency Room while the other
takes a look around the parking lot.
260 INT. UNIVERSITY HOSPITAL - SEVENTH FLOOR HALLWAY 260
Lara and John step out into the hall. John's eyes flick to *
the Nurse's Desk but he keeps walking. As they pass we notice *
DR. LIFSON standing there with Lara's file in her hand. The *
Duty Nurse notices as well. It takes a second for Lifson to *
understand what is going on. She steps out into the hall *
DR. LIFSON *
What are you doing? *
John yanks Lara's arm and makes a dash for the elevator, *
pulling his gun from his pocket. *
The Duty Nurse sees what is happening and bolts down the *
hall, throwing open the door to room 7725. *
260A INT. HOSPITAL - 7TH FLOOR ELEVATOR LOBBY 260A*
The elevator doors are closing as John arrives and jams his *
arm in between them. The passengers see the weapon. *
(CONTINUED)
WHITE 9-10-09 91.
260A CONTINUED:
260AJOHN:
Get out! Get out!
They scurry out and the doors close. A heartbeat later the *
next elevator opens and the cop from downstairs steps off. *
261 INT. HOSPITAL ELEVATOR -- DAY 261*
LARA:
Where's Luke?! Is he safe? Where
is he?!
JOHN:
He's safe!
262 EXT. EMERGENCY ENTRANCE -- DAY 262
The unmarked car brakes hard. Nabulsi and Harris stride out
and into the ER, flipping their ID into their breast pockets.
263 INT. HOSPITAL ELEVATOR -- DAY 263
Lara and John barely breath. *
264 EXT. UNIVERSITY HOSPITAL - HANDICAP PARKING AREA -- DAY 264
The uniformed officer who stayed outside finds John's black
Prius with the broken taillight parked in a handicapped spot.
He lifts his walkie and CALLS IT IN.
265 INT. UNIVERSITY HOSPITAL - MAIN FLOOR -- DAY 265
Nabulsi jabs the elevator button. He reacts as a HOSPITAL
SECURITY GUARD comes running toward him.
LT. NABULSI
What's wrong?
Before he can answer, the elevator doors open and they come
face to face with John and Lara. John sees their police IDs
and levels his weapon.
Around them, patients and employees scream and run away.
JOHN:
Back away!
LT. NABULSI
Don't be stupid. Drop the weapon. *
JOHN:
Get back! *
(CONTINUED)
WHITE 9-10-09 92.
265 CONTINUED:
265LT. NABULSI
be shot trying to leave.
You'll
*
JOHN:
(to Lara)
Hit the button.
Lara stands frozen.
Hit it!
JOHN (CONT'D)
She presses a button. The doors start to close.
LT. NABULSI
Don't do this. *
Doors closed. Nabulsi runs and screams:
LT. NABULSI (CONT'D)
Where are the stairs?!
HOSPITAL SECURITY GUARD #2 leads the way. Nabulsi and Harris
pass him at the door as he yells into his walkie.
Male and female; white lab coats!
Parking levels!
266 INT. HOSPITAL ELEVATOR -- CONTINUOUS 266
LARA:
(freaking out)
Oh please oh please oh please...
JOHN:
It'll be okay.
(she keeps panicking)
Look at me! Do what I say; it'll be
okay; I promise.
She stares at him, having never seen him like this before.
Lara?
JOHN (CONT'D)
She nods.
JOHN (CONT'D)
Take the coat off.
WHITE 9-10-09 93.
267 INT. HOSPITAL STAIRWELL AND P1 LEVEL -- CONTINUOUS 267
Nabulsi, Harris and the guard bound down the stairs into the
lower elevator lobby. Nabulsi sees the doors aren't opening
and runs back to the stairs, meeting the cop from upstairs
on his way down.
LT. NABULSI
Stay here!
(into walkie)
Parking garage! Get your asses down
here!
Nabulsi and Harris leave them and thunder down the stairs.
268 INT. ELEVATOR LOBBY -P3 LEVEL -- CONTINUOUS 268
The elevator doors open and John tosses the lab coats out
toward a trash can in the direction of the garage. He pounds
the elevator button.
269 INT. P2 LEVEL 269
Nabulsi and Harris burst onto this floor -- see the elevator
doors are closed.
LT. NABULSI
Watch that door!
Harris obeys as Nabulsi flings himself down the next flight.
270 INT. ELEVATOR LOBBY -P3 LEVEL -- CONTINUOUS 270
The elevator isn't closing. John slams the button repeatedly.
He hears Nabulsi's heavy feet on the stairs, angles and aims
the weapon -- Lara can't believe what she's witnessing.
Suddenly the doors close, just a heartbeat before Nabulsi
gets there. Nabulsi spots the discarded lab coats and runs
out into THE GARAGE. He heads for the ramp, scanning the
parked cars.
Getting to the bottom of the ramp he looks up and sees a
SQUAD CAR racing down toward him. As it brakes, Nabulsi
realizes they couldn't have escaped this way; he's been had. *
LT. NABULSI
(shouts into walkie)
Who's in the lobby?!
But he only gets static. He charges back toward the stairs. *
WHITE 9-10-09 94.
271 INT. ELEVATOR - LOBBY LEVEL -- CONTINUOUS 271
The doors open. John peers around the corner, hiding his
weapon. No police in the lobby, but through the glass doors
he sees a squad car screeching to a halt. He grabs Lara's
hand and leads her out of the elevator and around the corner.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Next Three Days" Scripts.com. STANDS4 LLC, 2024. Web. 26 Nov. 2024. <https://www.scripts.com/script/the_next_three_days_254>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In