The Night Manager Page #10
Season #1 Episode #6- TV-14
- Year:
- 2016
- 358 min
- 2,546 Views
BURR:
For the very first time Mr Roper,
it seems you are without
protection. How does it feel?
Beat. PINE guards the door.
ROPER stands in silence.
ROPER:
What do you want?
BURR:
I want to know something. All those
lives lost. All that pain and loss
you’ve caused. Why do you do it?
PINE watches.
ROPER:
It’s the only honest reaction to
the world.
BURR:
What is?
ROPER:
Terror.
BURR:
You really believe that?
ROPER:
Yes I do.
The Night Manager ep 6 final.
He smiles.
BURR:
Then you and I are not in the same
world.
Beat.
ROPER:
But my dear Angela, we are.
BURR nods. POLICE come in. Handcuff ROPER. PINE watches.
ROPER smiles as BURR approaches.
ROPER (CONT’D)
You really think this is going to
work? What happens when you get me
back to London? I’ll get bail of
course. Long court case. Expensive
lawyers fudging the issue. Friends
in the right places, too many
people knowing I know too much, I
can say too much, about them, about
their fingers in the till. We will
all agree on a minor custodial
sentence in a comfy cell, no
questions asked. And on release, a
year, maybe two, back to the old
life. And I’ll begin again. Only
five times worse.
BURR:
That won’t happen.
ROPER:
You want a bet?
He smiles at her. She holds her ground but inside she knows
he speaks the truth. He smiles, almost triumphant.
ROPER (CONT’D)
I always win Angela.
And BURR stares at him with an almost complete hate.
INT. NEFERTITI HOTEL. DAY.
Music. ROPER is being led through and out of the foyer of the
hotel by POLICE, it’s a public scene, BURR and PINE with him,
heavyweight EGYPTIAN POLICE behind him, the muscle.
EXT. NEFERTITI HOTEL. DAY.
Outside the hotel, ROPER sees the police van waiting. He
turns to PINE.
The Night Manager ep 6 final.
ROPER:
To another day Jonathan.
He stares at PINE. Almost triumphant.
And then something strange happens.
A black car draws up across the street. POLICE visibly shaken
by its arrival as if they just know this is power, real power
that has arrived on the scene.
BURR turns to see it. PINE too.
And RICHARD ROPER sees it too.
The black car stops. And out of the car steps BARGHATI.
He stares at ROPER. Smiles quietly.
ROPER looks visibly nervous.
ROPER (CONT’D)
Take me to the van.
BURR stops. PINE stares at her.
They are both having the same thought.
ROPER (CONT’D)
Take me to the bloody van.
No one moves.
Then another door opens and a HENCHMAN of BARGHATI, suited,
sleek, gets out.
ROPER stares.
ROPER (CONT’D)
What are you bloody waiting for?
Beat.
BURR:
No. You’re right Richard. Taking
you home’s not justice. In fact
they might be the only justice
there is.
She moves close. The rage of past deaths and recent in her
eyes but there is no triumph in her look.
BURR (CONT’D)
Goodbye Mr Roper.
He stares at her.
And BURR walks back into the hotel.
The Night Manager ep 6 final.
ROPER turns tries to follow but EGYPTIAN POLICE stop him from
re-entering.
ROPER turns to PINE.
ROPER:
Jesus Christ man. Don’t be stupid.
Get me in the van.
But now the POLICE VAN starts up and drives away.
ROPER watches it go.
Turns to PINE.
ROPER (CONT’D)
Help me.
PINE:
I can’t.
PINE stares at him. Then he says it, not knowing why, but
says it none the less.
PINE (CONT’D)
Good luck.
And PINE walks past the POLICE cordon back into the hotel,
leaving RICHARD ROPER cuffed and utterly alone on the street.
Desperately he stares at BARGHATI who stares back calmly,
inscrutably.
The HENCHMAN slowly walks across the street.
ROPER desperate now, approaches a BELLBOY.
ROPER:
Get me a taxi to the airport. Now!
The BELLBOY, embarrassed, scared, moves away. No one wants to
be involved, not with these guys on the scene.
BARGHATI walks calmly across the street.
And ROPER starts to feel the terror.
BARGHATI:
We’ll take you Mr Roper.
He smiles. The HENCHMAN with him.
ROPER thinks of struggling, but what can he do? He fights as
the HENCHMAN grabs him.
And BARGHATI slowly walks him back across the street into the
car.
The Night Manager ep 6 final.
And put him in the back.
The car slowly draws away from the hotel.
INT. HOTEL NEFERTITI CORRIDOR.
PINE walks along a hotel corridor slowly approaching a door
to a room.
EXT. CAIRO STREETS. DAY.
ROPER is in the back of the car, BARGHATI and KHIYAMI to
either side.
INT. NEFERTITI HOTEL.
ANGELA BURR stands in the hotel foyer, almost imagining what
is happening. Her face is solemn, almost sad.
EXT. CAIRO STREETS. DAY.
ROPER sits alone. His face in pure terror. The car drives
through the streets.
INT. HOTEL NEFERTITI. DAY.
PINE enters a hotel room. His room.
There is JED. Bruised and broken. But standing waiting for
him. Alone.
He stares at her.
EXT. CAIRO STREETS. MORNING.
ROPER’s face. Close-up. The car has stopped.
Somewhere like a wasteland. But we can barely see this. We
are on ROPER’s face and no one else’s.
Maybe the sound of a gun being primed.
ROPER starts to shake. Plea.
Squeal in pure naked terror.
Freeze-frame on his face.
The Night Manager ep 6 final.
103 INT. CAIRO. NEFERTITI HOTEL. NIGHT. 103
It’s ten o-clock at night. JONATHAN PINE is pouring an
elegant coffee for a beautiful woman in the dining room of
the Nefertiti Hotel. Just as he did for Sophie Alekan all
those years ago.
But this time it’s JED MARSHALL who is sitting at the table.
Still a little worse for wear, but recovering from her
ordeal.
JED:
Thank you.
She sips.
JED (CONT’D)
You pour a good cup of coffee.
He nods, Sophie in his mind, all those years. She leans in,
takes his hand. He strokes her hand.
JED (CONT’D)
I remember when I first saw you.
All beaten up on that restaurant
floor.
PINE:
It was just an act.
JED:
It wasn’t though was it? None of it
was just an act. You’re a remote
island Jonathan.
PINE:
You got closer than anyone.
She stares at him.
JED:
Did I?
He takes her hand tight. Emotion fills him.
PINE:
Jed I...
Then a figure appears in the doorway. The NIGHT MANAGER.
NIGHT MANAGER:
Mademoiselle your taxi is here to
take you to the airport.
JED:
Thank you.
She puts her coffee down.
The Night Manager ep 6 final.
PINE:
What time do you land?
JED:
Six in the morning.
PINE:
Will there be someone there to meet
you?
JED:
I think they’ll all be there.
She means BILLY, her boy. Sudden emotion.
JED (CONT’D)
What if he doesn’t recognise me?
PINE:
A son always remembers.
He stares at her. She leans forward. Kisses him deeply.
JED:
Goodbye Jonathan. Don’t forget me.
Then gets up.
PINE watches through the windows as the NIGHT MANAGER and
BELLBOYS help her with her luggage into the taxi.
One look back from inside the taxi - and she is gone.
PINE stands in the foyer. The NIGHT MANAGER walks past.
NIGHT MANAGER:
Is there anything I can get you
sir?
PINE smiles at him.
PINE:
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"The Night Manager" Scripts.com. STANDS4 LLC, 2025. Web. 19 Jan. 2025. <https://www.scripts.com/script/the_night_manager_799>.
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