The Nightmare Before Christmas
FADE IN:
PROLOGUE:
CLOSE ON:
AN OLD-FASHIONED CALENDAR,
the kind that used to hang in offices in the forties. Each day
is a tear-off page. The dates are printed in bold black
lettering.
The pages of days of the year zip off -- at a rate faster than
the eye can really register. The impression should be of time
whizzing by...
Over this, SANTA CLAUS narrates....
SANTA (V.O.)
'Twas a long time ago, quite a bit to be fair
In a place that I'm sure you are quite unaware.
For our story that you are about to be told
Began in the holiday worlds of old.
Without holidays, goodness, how dull life would be
Without their distraction and pleasure and glee.
The calendar makes a SUDDEN STOP AT
CHRISTMAS.
The calendar page peels back to reveal the first hint of color in
the black and white of the year. Smoke curls up from the chimney
of a snow-covered cottage in a clearing of a snow-covered pine
forest. THE STOP IS ONLY FOR A BEAT.
Then the calendar speeds on.
SANTA (V.O.) (CONT'D)
But our holidays are the result of much fuss
And hard work for the worlds that must make them for us
The calendar STOPS again. This time at
VALENTINE'S DAY.
This stop is short, but longer than the last -- as each
subsequent stop will be.
In Valentine-ville, FAT CUPIDS shoot arrows at distant chocolate-
dripping hearts:
target practice.SANTA (V.O.) (CONT'D)
See, each holiday town works all year to create
Twenty-four special hours, fantastically great.
Soon the calendar whirls on. Next STOP is
EASTER:
where it is spring. CACKLING HENS sit side-by-side on their long
row of nests. In unison, choreographed like some ballet, they
lay their pre-decorated eggs.
The eggs then drop down a chute and land on a conveyor belt which
carries them out ot the henhouse and into waiting Easter baskets.
SANTA (V.O.) (CONT'D)
Fleeting twenty-four hours take long to prepare,
A full year of planning and plenty of care.
But now getting back to the story at hand
I should mention THIS POINT about holiday lands --
The calendar flips to the
FOURTH OF JULY.
FIREWORKS.
-- ABE LINCOLN fires a cannon. The cannonball explodes mid-air,
showering down the word, "HAPPY."
-- BETSY ROSS uses a SPARKLER to write the word, "FOURTH."
-- PAUL REVERE sets off the first of six rockets. Rocket #1
erupts into an "O." #2 traces an "F" -- together they read "OF."
Rocket #3 won't light. Neither will #4, #5, or #6. Paul Revere
panicks.
But PAUL REVERE'S HORSE saves the day. He kicks off his
horseshoes -- shooting them at the side of a wooden fence. As
they hit the boards each becomes a letter: "J," "U," "L," "Y."
SANTA (V.O.) (CONT'D)
For each one, way back when, was alas unaware
Of the others' existence, now I've said it -- so there!
The calendar pages tear on, slowing at October 29, slowing more
at, and stopping at the 31st.
SANTA (V.O.) (CONT'D)
But once there occurred a calamity SO GREAT!
When two of the worlds did collide by mistake...
The october 31st page peels back to... nothing. To BLACK. We
fall in, or perhaps it should feel more like we're swallowed up.
TITLE SEQUENCE.
Carved JACK O'LANTERNS come at us in the long tunnel of darkness.
Collision seems inevitable, but in the instant before we would
slam into them, the jack o'lanterns veer off, turning to display
the various credits on their uncarved backsides.
When the last jack o'lantern zooms toward us, it doesn't veer
off. It keeps coming and fast. Rather than collide with it
though -- we fall straight into one of the PUMPKINHEAD'S CARVED-
OUT, TRIANGULAR EYES into the further black there and out...
A CRYPT DOOR:
which opens onto the
EXT. HALLOWEENLAND CEMETERY. NIGHT.
The bloated orange disk of the MOON illuminates Halloweenland's
delicately decrepit graveyard.
REVERSE ON PUMPKINHEAD,
giant jack o'lantern head now set on the squat vines of his many
leafy legs. He looks more like a spider than like anything else
as he scuttles across the cemetery toward the big pumpkin patch.
>>>>> THIS IS HALLOWEEN
PUMPKINHEAD:
Wouldn't you like to see something strange?
Come with us and you will see...
This our town of Halloween!
Pumpkinhead has reached the
PUMPKIN PATCH:
where he drops down among his fellow pumpkins -- who all wake up
at once -- sudden jack o'lantern mouths and eyes glowing wide for
the chorus...
PUMPKIN PATCH CHORUS
This is Halloween, this is Halloween!
Pumpkins scream in the dead of night --
This is Halloween, everybody make a scene
Trick or treat 'til the neighbors gonna die of fright!
EXT. HALLOWEEN TOWN. NIGHT/CONTINUOUS TIME.
Beyond the graveyard lies the little city of odd expressionist
angles and the morbid extravaganza of Gothic manses.
PUMPKIN PATCH CHORUS (V.O.) (CONT'D)
It's our town. Everybody scream.
In this town of Halloween...
We swoop down the street, through the creaky iron gate of a...
EXT. DESERTED GOTHIC MANSE. NIGHT/CONTINUOUS TIME.
We enter THROUGH A BROKEN, COBWEB-CLOGGED WINDOW into...
INT. DESERTED GOTHIC MANSE. NIGHT/CONTINUOUS TIME.
Many CREATURES hide in the shadows of this creepy house. The
camera finds them...
CREATURE #1
I am the one hiding under your bed,
Teeth ground sharp and eyes glowing red.
CREATURE #2
I am the one hiding under your stairs
Fingers like snakes and spiders in my hair.
IN THE MANSE'S DECAYED PARLOR,
every item of furniture that could conceivably serve as a coffin
springs open -- the grandfather clock, the window seat, the sofa,
the chaise longe, the hearth rug (covering a trap door), the
drawers of a sideboard and out pop
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"The Nightmare Before Christmas" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/the_nightmare_before_christmas_532>.
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