The Other Side of Midnight Page #4

Synopsis: Beautiful Noelle Page meets dashing WWII American pilot Larry Douglas in France and falls in love. She expects him to marry her, but instead Larry abandons her. In the United States, successful Catherine Alexander meets Larry Douglas and they marry. But Noelle hasn't forgotten Larry even as she's become a successful actress. She maneuvers to have Larry hired as the private pilot of her wealthy and powerful lover Constantin Demiris so she can seek revenge on him, but instead she and Larry rekindled their passion. Desperate to be together, Larry and Noelle make deadly plans. But soon the lovers face a terrible fate determined by the jealous Demiris using Catherine as his pawn.
Director(s): Charles Jarrott
Production: Twentieth Century Fox Home Entertainment
 
IMDB:
6.1
R
Year:
1977
165 min
659 Views


militarily, he'd be a bloody ace by now:

And I'm not even

counting the probables:

Come on, Noelle:

Don't be too upset:

Hey, what are you doing tonight?

We're gonna have a party:

Boozie Bennington's in town:

You'd love him:

- [Chattering]

- [Woman] Oh, hey!

.(music) [Humming Softly]

.(music) [Humming Stops]

[Chuckles]

[Muttering]

Oh:

[Water Sloshes]

[Groans]

[Screams]

Remember:

Drink as much liquid as you can:

I'll come back again tomorrow: Hmm?

- Madame:

- Yes:
I'll see you out:

Be sure she takes

her medicine, will you?

- [Rose] How is she, Doctor, really?

- Better:
Every day:

- Good day, madame:

- Good day, Doctor, and thank you:

[Door Closes]

I got your message: I brought you

the things you asked for from the shop:

Thank you:

So.

You killed his baby.

And you almost

killed yourself in the process:

Are you satisfied, Noelle?

[Sighs]

Well, what is past is past:

Soon, you will be well enough

to come back to the shop.

And we'll start

a whole new collection:

Mmm, no:
It's over:

Oh:
You have something else?

You have been very good to me:

I'll never forget your friendship:

Noelle.

My shop will always be there:

And, you know, it is not

the end of the world:

[Door Opens]

[Door Closes]

Gaumont film studio?

I'd like to speak with

Monsieur Correger, please:

He's a casting director:

Thank you:

[Whimpers]

Hello, Monsieur Correger?

This is Noelle Page:

I'm the model at Madame Rose's:

Do you remember me?

Oh, good:

Yes, I know:

That's very fine:

.(music) [Fanfare]

[Man]

The Arc de Triomphe, Paris, France:

June 1940 sees Nazi troops

make an arrogant entry into Paris:

The French people shed tears

at a sight that emphasizes.

The full depths of humiliation

to which their country has fallen:

In the armistice train

at Compiegne.

Germany imposes brutal

terms of surrender:

What a sight for Hitler and Goring:

How the Nazi fuhrer gloats:

What future conquests

are in his mind?

The world waits as Germany prepares

to throw itself on the tiny British Isles:

Can they resist the might-

Mr.:
Fraser, could you sign this, please?

- Yeah:
What'd I miss?

- The fall of Paris:

London's next,

and do you know what we're doing?

It says here that the United States Army

still has a cavalry that's men on horses:

It'd be great if we were

fighting Geronimo:

So, what's up, boss?

- I've gotta go to England:

- [Gasps] Can I go?

- No:
You're going to Hollywood:

- Gone with the Wind: I got the part:

Oh, no:
Wait a minute:

Vivien Leigh got that part:

Why am I going to Hollywood?

Because they've asked our office

to supervise an army recruiting film:

Now, Brandon could do it,

except he's in New York:

Dan Maloney could do it, except he's in Boston:

You could do it:

- So, you're on a flight to Los Angeles:

- I can't even load a Brownie:

Sorry:
No problem:

There'll be a director for you: There'll be a crew:

They'll even have

actors for you because.

The army doesn't feel that, uh, real soldiers

are convincing enough to play real soldiers:

[Chuckles]

Cathy.

I'm gonna make you an associate:

Oh, Bill!

Thank you:

You better go and pack:

Good luck on your trip:

Thanks:
You too:

[Chattering]

[Chattering]

[Man]

Ready?

[Indistinct]

- Miss Alexander?

- Never heard of her:

- Uh, I'm O'Brien: I'm your director:

- I'm Cathy:
I'm leaving:

It's not as bad as it looks:

The script's written: The set's ready:

You think I can

bluff my way through?

That's what all

the great producers do:

- Want to take a look?

- Sure:

Uh, this is where we shoot

the recruiting pitch:

And, uh- Uh, city hall:

Uh, stop me if I'm wrong, but some of

these men don't have uniforms on:

Well, that's because

they're not supposed to until tomorrow:

- Today we're shooting them as civilians:

- Ah:

- Well, then what about these air corpsmen?

- They're wrong:

The studio is shooting

three different war films simultaneously.

So a lot of these guys

end up on the wrong set:

Excuse me:
Uh, if I could have your-

Quiet, please:

Uh, Eddy, could you get everybody down here,

and could you just quiet down?

Please:
Help us out:

Come on, fellas:

Give us a break, okay?

Thank you:
Uh-

This is Miss Alexander:

- She's going to be in charge:

- [All Cheering, Whistling]

- Miss Alexander:

- [Clears Throat]

All right now:

Uh, you're all familiar with the script:

- [All] No:

- [Man] Never heard of it:

- How many speaking parts are in this movie?

- None:
It's all voice-over:

Right:
Okay:

Uh, you're all familiar with the fact that.

There are no speaking parts

in this movie:

- Mm-hmm:

- Uh, so.

If you would just take direction

from Mr.:
O'Brien:

[All Groan]

Also, uh, some of you

are not on the right set:

Uh, you air corpsmen

are not supposed to be here:

- Well, we were-

- Now-

We were told to report

to Soundstage 13:

Yes, but you're not supposed to be

in uniform until tomorrow:

And then you're supposed

to be enlisted men, not officers:

- But I like being an officer:

- [All Chuckle]

Right:
You've been in the army for one day,

and they make you a captain in the air corps:

Well, don't you think

I look good as a captain?

First lieutenant?

Second lieutenant?

Third lieutenant?

- [All Chuckle]

- Look:
Uh, just go back

to Wardrobe and get rid of it:

While you're at it,

get rid of those medals and the ribbons too:

I thought these would give

the film a little color:

We're not at war: You would

have had to have won them in a carnival:

Well, maybe I won 'em

in the R:
A: F. :

And then got transferred

to the U:
S: Air Corps:

Look:
If you want to

stay on this film.

Then get rid of the uniform,

the medals and the attitude:

And that goes for the rest

of you Rickenbackers:

- [Chattering]

- O'Brien, take over:

All right:
Eddy,

I'd like to see you, Bruce-

[Chattering]

- [Woman] Hey!

- [Men Laughing]

- You mind if I join you?

- Yes, actually, l-

[Sighs]

What do you want?

Do you really want to know?

- I've just about had-

- I just thought I'd ask you.

If you thought this

was more convincing:

Well, I'm sure that those girls thought it was

more convincing, but you really want my opinion?

I think you're a phony:

- Have I done something to offend you?

- Everything you do offends me:

Look, I just don't like your type:

- What's my type?

- You're a fake:

Well, you enjoy wearing

a uniform on a film set.

And- and strutting around girls,

but have you ever thought of enlisting?

Ooh, and get shot at someday maybe?

Ooh, that's for suckers:

- This is much more fun:

- Aren't you eligible for the draft?

Well, I suppose

technically I'm eligible.

But, uh, I have a friend,

and he knows a guy in Washington.

And I don't think

they'll ever get me:

I think you are contemptible!

- Why?

- If I have to explain why to you,

you would never understand:

Well, how about trying at dinner tonight?

At your place? Do you cook?

Oh, look:
Just don't even bother

coming back to the set:

Rate this script:5.0 / 2 votes

Sidney Sheldon

Sidney Sheldon (February 11, 1917 – January 30, 2007) was an American writer and producer. He came to prominence in the 1930s, first working on Broadway plays and then in motion pictures, notably writing the successful comedy The Bachelor and the Bobby-Soxer (1947) which earned him an Academy Award. He went on to work in television, where his works spanned a 20-year period during which he created The Patty Duke Show (1963–66), I Dream of Jeannie (1965–70) and Hart to Hart (1979–84). He became most famous after he turned 50 and began writing best-selling romantic suspense novels, such as Master of the Game (1982), The Other Side of Midnight (1973) and Rage of Angels (1980). He is the seventh best selling fiction writer of all time. more…

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Submitted on August 05, 2018

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