The Other Side of the Door
- R
- Year:
- 2016
- 96 min
- 184 Views
(PEOPLE CHATTERING)
MICHAEL:
People arethrowing colored powder
and buckets of
water at each other
and I keep getting hit in
the face with this stuff.
So, I mean, at this point,
I must look like some kind of crazy clown.
(CHUCKLING) And all the while,
this incredibly
serious discussion
about antique furniture.
And he's telling
me about this piece
that he's found that
And then,
out of nowhere, he says...
I'm pregnant.
Seriously?
(BOTH LAUGHS)
- (PEOPLE CHATTERING)
- (SEAGULLS CRYING)
It is beautiful.
It's crazy.
Oh, baby, I don't
want to go back.
What if we stayed here?
Started a family here.
Are you serious?
(CHUCKLES)
Why not?
I'm going to have to come three times
a year to source antiques anyway.
What's to keep us from
setting up our base here?
(BOTH LAUGHS)
What do you think?
I don't know.
(CHILD SPEAKING HINDI)
This yours?
Hey.
(SPEAKING IN HINDI)
What are you saying?
I'm asking her if you and I
should stay here forever.
(SCREAMING)
(GASPS)
(PANTING)
- How can you sleep?
- Ow!
So peacefully!
Whoa, whoa.
Sweetheart, stop. Stop.
It's okay,
it's okay, I'm here.
It's not okay.
Stop it, stop it.
- I'm here, I'm here. It's okay.
- (SOBBING)
I got you.
It's okay, I got you.
LUCY:
(GIGGLES)Winston, come on.
Winston.
Good boy! Good boy.
Come on, boy.
- Come on, Winston.
- (WINSTON BARKING)
- MICHAEL:
Lucy?- Come on.
Morning, sweetheart.
- Morning.
- How did you sleep?
Good.
MICHAEL:
Morning, Piki.Morning, sir.
MARIA:
Michael.Yeah, what's up?
I am...
Hey, you don't have
to say anything, okay?
I'm lost, Michael.
I don't know if I can live with it.
We're going to be fine.
We'll get through this.
Maria?
Hello?
Mrs. Harwood retired early
for the night, sir.
She had a migraine.
I put Lucy to bed.
Right.
(SPEAKS IN HINDI)
- Okay.
- Night, sir.
Night-night, Piki.
MARIA:
(ON VIDEOTAPE)Those are F and G fingers.
F and G fingers.
Wrists up like
there's an orange.
And a one, two,
a one, two, three, four!
(PIANO MELODY PLAYING)
MICHAEL:
(ON TAPE)What?
- Yeah!
- (KIDS CHEERING)
MARIA:
Well done.LUCY:
A bunch of scribbles.MICHAEL:
You guys are fantastic!Was that really you playing?
It was too good. You sure
it wasn't Mommy? (LAUGHING)
No.
MICHAEL:
You're telling me itwas really you playing?
That's basically it.
MICHAEL:
Can't believe it!My children are geniuses.
- Yeah.
- I'm so proud of you both.
MARIA:
They worked on itall day just for you.
Happy Father's Day.
(INHALES SHAKILY)
(SNIFFLES)
We're going to
get through this.
(BOTTLE CLATTERS)
Maria?
Maria!
Maria! Open your eyes,
sweetheart.
(AMBULANCE SIREN WAILING)
Can you hear me? Maria?
I need you to listen
to my voice, please.
Sweetheart, I need
you to focus, okay?
I need you to
fight this. Please!
Maria, I can't
live without you.
(BREATHING THROUGH VENTILATOR)
OLIVER:
Mommy!Please help me.
Mommy! Mommy!
Mommy, I can't get free!
My leg's stuck!
Luce?
Lucy. No, no, no.
Lucy, please wake up, baby.
- Mommy, get me out!
- Lucy, please wake up!
No, no, no!
Mommy, I can't get free!
It hurts!
(SCREAMS)
Please get me out!
(GRUNTING)
(SCREAMS)
Okay, okay.
Please wake up.
- I'm scared!
- I know you're scared! I'm scared, too! Pull!
Okay? Oliver, come on.
I don't care if it hurts,
you have to pull. You have to pull!
(MUFFLED) I know it hurts.
You have to pull.
Keep your nose up.
Keep your nose all the way up.
Keep your nose on the ceiling.
We're all going to be okay.
Okay. Okay.
Baby.
I don't know what to do.
OLIVER:
Please don't leave me!MARIA:
I'm sorry, baby.OLIVER:
(SCREAMING)Mommy!
(GASPING)
We need help! Please.
Please, somebody!
We need help!
My boy's in the car!
My boy's in the car! Please!
No! No! My boy!
Ollie!
No, my boy's in the car!
We need to get my boy!
Ollie!
Ollie!
(SIREN WAILING)
(MAN SPEAKING HINDI)
- DOCTOR:
Michael.- Yeah.
She's going to be fine.
But she took a lot of pills.
(EKG MONITOR BEEPING)
PIKI:
You are inBombay Hospital.
Where's Michael?
He's talking to the doctor.
You are lucky to be alive,
Mrs. Harwood.
I just can't bear life
without him.
I had a daughter once.
Anushka.
She fell into a pond while
trying to pick some plants.
I was looking away
for only one minute.
What if I could bring your son
back to you just one more time?
What if I could give you the
chance to say your final goodbye?
What are you talking about?
I was born in
Surrounding our village
was a big forest.
And deep within
this forest
there was an abandoned temple.
It is said that the line between the
world of the dead and the living
is very thin
at this place.
You should go there.
Take the ashes
of your son,
spread them on the
steps of this temple,
lock yourself inside,
and when night comes,
he will come to you.
And you will be
able to talk to him
through the door
of the temple,
say your final goodbye.
(DOOR OPENS)
I will leave
you two alone.
MICHAEL:
I was so scared I lost you.
I'm sorry.
(SOBBING)
I'm so, so sorry.
(WINSTON BARKING)
LUCY:
Come on.(LAUGHING)
Come on, boy.
(WOOD CREAKING)
If we do this,
you have to promise
me one thing.
When Oliver comes
to you at the temple,
you will be able
to speak to him.
But no matter
what you do,
no matter what he says or
how much ever he pleads,
you must not open the door.
Promise me.
I promise.
It has been too long.
Let me go.
Khan.
(GASPS)
(SOBBING)
(RECITING MANTRAS)
PIKI:
They are the Aghori.They live by
the cremation sites.
(AGHORI CHANTING)
They cover
themselves in the ashes
and they feed off
the flesh of the dead.
For they believe it helps them
communicate with the other side.
(AGHORIS CHANTING MANTRAS)
(OVERLAPPING CONVERSATIONS)
My village is the last stop,
then follow my instructions.
- God, Michael.
- I will give him your note.
No, he's going to be frantic,
and Lucy needs to know where I am.
I will take
care of everything.
MARIA:
Dear Michael,please don't be worried.
days to sort my head out.
I desperately want to
find a way to move on
so that we can
be a family again.
I love you and
Lucy so, so much.
Be home soon. Maria.
(BIRDS CHIRPING)
(FLIES BUZZING)
I love you so much.
(SNIFFLES)
(RASPY GROANING)
(RASPY GROANING)
- (RUSTLING)
- (GASPS)
Who's there?
(BELLS CHIMES)
(SCREAMS)
(RASPY GROANING)
(CAWING WEAKLY)
(GASPS)
(BELLS CHIMES)
(DOOR CREAKING)
Oliver?
(BANGING)
Who are you?
(WAILING)
(BANGING CONTINUES)
(CROWD OUTSIDE SPEAKING HINDI)
(CLAMORING IN HINDI)
(INTENSE BANGING)
(ALL NOISES STOPS)
(CHILD SOBBING)
(SOBBING CONTINUES)
Oliver?
- Mommy?
- (GASPS)
Mommy, is that you?
Oliver, it's Mommy.
Can you hear me?
Yes.
Yes, I can hear you.
Where am I, Mommy?
Baby, press yourself close.
Come up right against the
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Other Side of the Door" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/the_other_side_of_the_door_21003>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In