The Others
GRACE:
Now, children,are you sitting comfortably?
Then I'll begin.
This story started
many thousands of years ago...
but it was all over
in just seven days.
All that long, long time ago...
none of the things
We can see now--
the sun, the moon,
the stars, the earth...
the animals and plants--
not a single one existed.
only god existed...
and so only He
could have created them.
And He did.
MRS MILLS:
Simpson.What a character he was.
I wonder
whatever became of him?
MP TUTTLE:
Oh, I imaginehe's dead like all the rest.
MRS MILLS:
Ah, those were the days.
Mr Tuttle, your hair.
Yes?
Good morning, ma'am.
We've come about the--
Oh, yes, of course.
Come in.
I wasn't expecting you so soon.
You are... ?
I'm Bertha Mills, ma'am.
And this is Edmund Tuttle.
Pleased to meet you, ma'am.
You must be the gardener.
That's right. The gardener.
And this young lady
is called Lydia.
Have you had
much experience in service?
Oh, don't let that angel face
fool you, ma'am.
She's older than she looks.
Can you iron?
What's the matter?
Has the cat got your tongue?
She can't talk, ma'am.
The poor little mite's a mute.
Oh.
Oh, but she's
a good little worker.
I can promise you that.
All right.
All right. The other girl
I had spoke too much, anyway.
Follow me.
Mrs Mills, you and the girl...
at the top of the stairs.
- And you, Mr...
- Tuttle, ma'am.
around the back.
As you can see, the housework
has been rather neglected...
since the servants disappeared
almost a week ago.
You mean they just vanished?
GRACE:
Into thin air.No notice, nothing. They didn't
They... they just left us.
MRS MILLS:
GRACE:
You'll soon find outthere are times...
When this house is not
exactly an ideal home.
Hence my advertisement
in the newspaper...
requesting honest,
hard-working people.
There's nobody more honest
or hard-working than us.
Isn't that right, Mr Tuttle?
Oh, aye, we're very honest.
And, um, very hard-working.
The kitchen.
I have breakfast at 8.00...
the children at 9.00.
Lunch will be served at 1.00
and dinner at 7:
30.MRS MILLS:
And the master, ma'am?
The master went off to war...
a year and a half ago.
I've had no news
since the war ended.
Which of you does the cooking?
MRS MILLS:
I'm so sorry, ma'am.
Which of you does the cooking?
You'll notice what I'm doing.
In this house,
no door must be opened...
Without the previous one
being closed first.
It is vital
that you remember this.
It's not as easy
as it may seem.
There are 1 5 different keys
for all of the 50 doors...
depending on which area of
the house you're in at the time.
Mrs Mills,
from tomorrow onwards...
I will be leaving
a set of keys in your charge.
Yes, ma'am.
The music room.
That old piano was already here
when we moved in.
Please do not let
the children thump away on it.
It sets off my migraine.
Silence is something that we
prize very highly in this house.
That is why you will not find
a telephone, a radio...
or anything else
that makes a racket.
Oh, we don't have
electricity, either.
During the war, the Germans
kept cutting it off...
so we learned to live
without it. Let's continue.
Ma'am, there's no need
to show us the whole house.
GRACE:
Yes!.Yes, there is.
Most of the time,
you can hardly see your way.
It's often difficult
to make out...
if there is a table, a chair,
a door, a sideboard...
or one of my children
playing hide and seek.
What do you mean, ma'am?
Perhaps I should introduce you
to the children.
Mr Tuttle,
you can see to the garden now.
You'll find tools in the shed.
Yes, ma'am.
You two can star closing
the curtains.
All of them.
Come.
I'll wake them.
You wait here.
Whatever you do,
don't open the curtains.
Wakey, wakey.
GRACE:
Now, come on.Eyes closed, hands together.
CHILDPEN:
Let it be, at light of day...
Jesus, to whom now I pray.
Blessed be the Virgin pure...
Whom I greet with faith
too short.
Jesus, Mary, spotless rose...
keep us till this day
doth close.
GRACE:
They're still half asleep.
MRS MILLS:
Well... what do you say?
How do you do?
How do you do?
How do you do, children?
My name is Mrs Mills...
but you can call me
Bertha if you like.
What are your names?
- Anne.
- Nicholas.
Anne and Nicholas.
What pretty names.
ANNE:
Are you going to beour new nanny?
Mm-hmm.
Yes, my dears.
I'm your new nanny.
It's time for their breakfast.
Lydia, go to the kitchen
to find a cure.
For what?
Their condition.
The children have
a very serious allergy to light.
They are photosensitive
and must never be exposed...
to any light
much stronger than this.
otherwise,
in a matter of minutes...
they will break out
in sores and blisters...
and begin to suffocate.
It would eventually be fatal.
MRS MILLS:
good heavens.I don't like this toast.
Oh? Why not?
It tastes funny.
That's because before,
somebody else made it.
When are they coming back?
They're not coming back, child.
Just like Daddy.
Daddy is coming back, though.
Mrs Mills, our father's
fighting in a war in France.
NICHOLAS:
It's the World War.I know, but he's in France.
That's enough, chatterboxes.
Finish up your breakfasts.
Are you going to leave us, too?
of course not!
The others
said they wouldn't...
but they did,
and then it happened.
Be quiet!
What do you mean, Anne?
What happened?
Mummy went... mad.
- Nothing happened.
- Yes, it did.
- No, it didn't!
- Yes, it did!
GRACE:
Be quiet.What's going on?
in less than a minute.
Is that clear?
Mrs Mills, would you
come outside a moment?
I'd like a word with you.
Yes, ma'am.
The postman usually
comes every Wednesday.
But I just checked
the letter-box...
and this week he hasn't.
I'm afraid
I don't follow, ma'am.
This letter
should have been collected...
and delivered to
the newspaper five days ago.
It's an advertisement
for servants.
Since it was never published...
Would you explain
what you're doing here?
Oh, I understand.
Ma'am, that's what
I was going to say to you...
When you opened the door to us.
The truth is
that we just come by...
on the off chance.
A big house like this...
is always in need of someone
who knows the ropes.
You've served in a house
like this one before?
This may come as a surprise
to you, ma'am, but...
We, in fact,
used to work here.
Here?
Oh, now,
it was a few years ago.
If you don't mind
my saying so, ma'am...
they were the best years
of my life.
That's why we come by,
because this house...
means a lot to us.
Perhaps I'd best show you
our references, ma'am.
No, no, no. Don't bother.
There's no need.
So you say
you know the house well?
MRS MILLS:
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Others" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/the_others_21006>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In