The Oxford Murders Page #5

Synopsis: Martin, a PhD student in mathematics, enrolls at Oxford in the hope of meeting his mentor, Professor Seldom. The young man manages to find lodging at Mrs. Eagleton's but in this house a stifling atmosphere prevails due to the landlady's attitude. Indeed Mrs. Eagleton, who happens to be a friend of Seldom's, is a haughty and unsympathetic woman who also stifles her daughter Beth. At the university, things do not fare much better as Martin is put in his place by his idol during one of Seldom's lectures. But his private life changes for the best as he starts an affair with Lorna, a beautiful girl he met during a game of squash. One night Seldom and Martin who find themselves at Mrs. Eagletons's discover her dead body. They are interrogated by the police. Soon afterwards they decide to lead their own private investigation...
Director(s): Álex de la Iglesia
Production: Magnolia Pictures
  6 wins & 5 nominations.
 
IMDB:
6.1
Rotten Tomatoes:
9%
R
Year:
2008
104 min
$3,607
Website
731 Views


of the highly-gifted subjects.

He was in the presence|of pure thought,

without grooves,

but he couldn't understand it.|The problem

was his own brain.

He saw everything from the outside.|To understand

those symbols, he had|to see them from the inside.

There was only one way of|achieving it: to erase the grooves.

The idea might seem grotesque,

but not to a person|who has been told

that he's suffering|from terminal cancer.

His bones were rotting like wood

infested with woodworm.

All he had to look forward to

was the amputation|of his limbs, one by one.

He was euphoric, he laughed,|nervously, like someone about

to discover something incredible|who can't contain his joy.

It was then

that I realized that my friend|had gone completely mad.

He wanted to lobotomize himself.

His only problem|was how to ensure

that the brain damage|was not excessive.

He had to perforate|the skull and reach

the brain, with something like

a small harpoon.

He asked for my help|and I refused,

although I did promise I would try|to collect the messages he wrote

from the other side.

He used a nail gun.

What does he write?

The symbols are becoming|more and more illegible.

In all this time he's never drawn|a logical symbol or a number.

So what are they, then?

Four letters that|he repeats over and over.

A woman's name.

Where were you last night?

Beth, what are you doing here?

I was waiting for you.

I'm sorry. I was out and...

I thought you felt|something for me.

More than pity,

but I was wrong.

Of course I feel something|for you. We're friends.

I want to help you, but...

"We're friends,|you want to help me".

That's worse than saying|"you disgust me".

- Beth, please.|- Don't touch me!

The kinder you try to be,

the more humiliated I feel.

Beth, I don't mean to humiliate you.

Then treat me like a woman. You all|treat me like I was a little girl.

Maybe this isn't the time for...

Now is the f***ing|perfect time for this, Martin.

What's the matter?

You're embarrassed to be seen|with me? Is that it?

Don't worry.|I'm his mother.

I'm just making sure|he does his homework.

Be quiet!

Beth, wait!

Found your killer yet?

Lorna? It's me, Martin. Do you know|anything about Seldom's friend?

Kalman?|What's wrong?

He's been murdered.|Today, at two fifteen.

No... Wait a second.

Sorry, Sherlock,|but he's alive.

Are you sure?

Yes, he's right in front of me.

If it's not him, then who?

It would have looked like|death from natural causes,

if we hadn't discovered|this little detail.

It's an intravenous injection,

and he wasn't receiving|that kind of treatment.

What sort of poison|was administered?

We don't know. We'll have to wait|for the post mortem report.

We know the time of death?

Exactly as it said on the note:

quarter past two.|It says so

- on the wristband.|- Where did they find the body?

In the ward,|before it was brought here.

All of these people|have died in the last few hours?

Well, it's only to be expected.|This is the terminal illnesses ward.

At least a couple|of patients die every day,

according to|the senior nursing officer.

He knew my movements,|which encouraged him

to commit the crime here.

If he had meant to harm me,|he would have killed Kalman.

Or he could have seen you

enter the ward and didn't know|which of the two was your friend.

A terminal patient

on the point of death.

A murder that wouldn't have been|discovered had it not been

- for the note.|- Another imperceptible crime.

And might I know what|you're talking about, gentlemen?

The second sign gives the clue as to|how the sequence should be read.

It could be|figurative representations,

or could be semantic or syntactic,|like geometric figures.

Can you translate that?

The professor means the signs

could represent things|in the real world

or not represent anything,|be abstract, like geometric shapes.

The second symbol|is again astute, because,

being so schematic,|it allows both readings.

It could be a game of symmetry,|or it could simply be a fish.

Soup,

fish,

dessert.

Martin, show some respect

for the inspector, please.

No possibility deserves|to be overlooked.

Let me propose a puzzle.

What is the fourth

symbol...

in this other series?

No idea.

Did you miss class that day, too?

You just have to know how to look.|The solution

is very simple, I assure you.

It's called the idiot series.

Anyone who can't work it out...

Thank you, professor.|I get the message.

However, I incline to the idea that|the symbols relate to mathematics,

rather than gastronomy.

So, you think|a mathematician's involved?

It's possible, someone who seeks|recognition of some sort,

or someone who's not|a mathematician but wants to be.

A student?

That's unlikely.

Could you take

the second lieutenant out, Martin?

No, I haven't taught|for a long time.

Well, can you tell us

what the third symbol

will be?

No.

Far too many options.

He's putting us to the test,|and I wouldn't like to slip up.

Okay, let's see|if I've got this right.

We are going to wait|until he kills another person

because we can't decipher|this bloody puzzle?

Tricky situation, isn't it?

- Could I get those there?|- 2.60 please, sir.

Good evening.

Seldom!

Martin?

Why are you following me?

I'm not following anybody,|for God's sake, least of all you!

So what are you doing here?

I'm going to that restaurant.

Do you find it so odd that|I should be going out for dinner?

That's where I'm going, too.

Why, that's absurd.

I'm sorry.

I should have told you|Arthur was coming as well.

Excuse me, Lorna,|but I'm the one who's annoyed

by the presence at our table|of this good-for-nothing.

Good-for-nothing?

You couldn't see a joke if it stood|up and bit you in the arse, Martin.

You're far too serious

- for your age.|- He called me at the hospital and I

just thought it would be best to|bring you up to date together, so...

Forget it, I'm not bothered by it.|I just hope I didn't hurt you.

Even if you had,|I wouldn't admit it.

You're like two kids|fighting over a ball.

- And you're the ball?|- No, I'm the nurse who's gonna spank

your bottoms|if you don't shut up.

Please.

I talked with the forensic expert.

And?

Nothing.

Not a trace of|any toxic substance.

Whatever he was injected with|is totally unknown.

Air, maybe?

No!

Let her speak, please.

He's right, it's unlikely.|If he'd been injected with air,

they would have spotted it|in the post mortem.

However there is another|possibility. A substance

they extract from|a poisonous mushroom: Amanita

Muscaria. But there are|no reagents that detect it.

So it's a sort of secret among

- forensic pathologists.|- How did you find out?

Lorna has a knack|of finding out what she wants.

Her house is littered|with murder mysteries,

but I imagine|you know that by now.

Yes, I do.

What surprises me|is that you haven't managed

to worm all the information|out of Martin.

Martin is a good guy.|He knows he can't tell anyone

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Álex de la Iglesia

Alejandro "Álex" de la Iglesia Mendoza (born 4 December 1965) is a Spanish film director, screenwriter, producer and former comic book artist. De la Iglesia's films combines grotesque and very dark elements such as death and murder: most of his work is considered dark comedies, but are also often considered to have horror and/or drama elements. All his films, with the notable exceptions of The Last Circus (2010) and As Luck Would Have It (2011), were written together with Jorge Guerricaechevarría. more…

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Submitted on August 05, 2018

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