The Oxford Murders Page #9

Synopsis: Martin, a PhD student in mathematics, enrolls at Oxford in the hope of meeting his mentor, Professor Seldom. The young man manages to find lodging at Mrs. Eagleton's but in this house a stifling atmosphere prevails due to the landlady's attitude. Indeed Mrs. Eagleton, who happens to be a friend of Seldom's, is a haughty and unsympathetic woman who also stifles her daughter Beth. At the university, things do not fare much better as Martin is put in his place by his idol during one of Seldom's lectures. But his private life changes for the best as he starts an affair with Lorna, a beautiful girl he met during a game of squash. One night Seldom and Martin who find themselves at Mrs. Eagletons's discover her dead body. They are interrogated by the police. Soon afterwards they decide to lead their own private investigation...
Director(s): Álex de la Iglesia
Production: Magnolia Pictures
  6 wins & 5 nominations.
 
IMDB:
6.1
Rotten Tomatoes:
9%
R
Year:
2008
104 min
$3,607
Website
739 Views


Sir, one of the professors|insists on speaking to you.

He's completely|lost control of himself.

Oh what the hell?

You.|Did you know about this?

Did you f***ing know about this?

You and your f***ing equations!

I don't know anything.

Nothing.

Five of the victims|are possible donors.

Five organs offer a fair chance.

They're rushing them off|to St Joseph's.

That's why he sent the ambulances.

That's right.

The petrol tank|was down to a minimum.

He wanted to cause|as little harm as possible,

only this time|it wasn't exactly imperceptible.

Why all these?|Why all the symbols?

He didn't plan|to die in the accident.

His idea was to jump in time|to avoid being a suspect.

How do you know?

When the bus crashed,|the doors were already open.

And what about the other deaths?

Well, if only the children|had been killed,

he would have been|the prime suspect.

Making us believe|in a serial killer

took the spotlight off him.

Only he miscalculated|and didn't get out in time.

So, he didn't really want|to kill the other people,

- he just needed an alibi?|- Exactly.

Shame we didn't work it out sooner.

So much

for logic.

You were just a pawn in his game.

You have nothing|to feel guilty about.

You don't know what you're saying.

You don't need to get on a plane.

Sorry?

I said, you don't need to get on|a plane. You're already miles away.

I was just thinking...

Really?

Ok.|From now on,

we are just two tourists

in an airport with the heaviest|rucksack I've ever seen.

What did you pack in here anyway?

Oh, you know, just the essentials.|A double bed, a cooker,

for making spaghetti

- and a couple of other things.|- Well, I hope

you didn't pack a single|one of your mystery novels.

Of course not!

No mystery novels,|no symbols, no Oxford.

We had a deal, remember?

You gonna be able to live like this?

Yes.

Just you and me.

Come on.

Thank you.

Can I have your|boarding pass, please?

He didn't know!

Martin?

That old f***er tricked me!

He didn't know|what the third symbol was!

My God!

You've got the pictures with you?

What is this?

"Kreis".

What is that?

She spent 3 years|deciphering German codes.

Excuse me, sir,|you can't do that here.

Of course!

Kreis is German for circle.

He came up with it on the spot!

Have you been here before?

I never had a chance.

It would be a pity to leave the|country without seeing this place.

This is the largest

collection of fakes in the world.

Not even Michelangelo

can distinguish|this David from his original.

Trajan's column|we believe to be in Rome,

but we are sure|that this is a common

plaster copy.

I feel at ease here.

No one tries to deceive me.

In effect, Martin,|this is the place

that contains the most truth|in the entire planet.

We have an absolute truth:

everything is fake.

Outside of these walls

nobody is sure of anything.

You took a big risk in giving me|a blank piece of paper.

That was important.|I had to convince you that I knew

what the sign was when, at|that moment, I wasn't at all sure.

I knew you wouldn't|let me down, Martin.

Your pride wouldn't let you open|this piece of paper

until you had|a solution of your own,

and that, if I might say,|was going to take some time.

There was no serial killer.

It was an invention,|just like Petersen said.

But it wasn't|the bus driver's invention.

It was yours.

You invented a series of killings|to hide the only real crime:

the death of Mrs. Eagleton.|Beth killed her,

just as the police had suspected|from the very beginning.

Beth hated her life.|She couldn't put up

with that woman any more|so she killed her.

That's when she sent you a note

asking for help.

I couldn't look her in the face.

It was my fault that her father|was killed in that accident

I couldn't let her down again.

We both met at the door.

You'd come to get rid|of the evidence,

but I was there, in the way,|and that spoiled everything.

You had to come up with|a new plan, in front of me,

just moments before the police|arrived. You read the word

"circle" in German|on the Scrabble rack,

and that gave you the idea.

A series with|infinite possibilities.

But you needed a second death

to convince the police|that the murderer was not Beth.

And unwittingly, I helped you.

I gave you the idea of how|to do it, without even realising.

An imperceptible murder.

A murderer who only kills

someone who is at

death's door. You only had

to wait for the occasion|and prick the body with a syringe.

That's when you sent|the second message. The fish.

You still didn't know|where all this was going to lead.

The possibilities of continuing|the series were still infinite.

You had to wait for|another occasion to arise.

And that could take weeks, months.

There was no hurry.

You probably had a different plan|for the third death,

but that triangle player suddenly|appeared like a gift from the gods,

- and you had your solution.|- At first I rejected it.

Too many people, too operatic.

Don't lie.

You couldn't waste

a chance like that.

What's more, there was a triangle.|It all took on meaning!

Beautiful... It was as if|the damned Pythagoreans

were on your side.

It was perfect,|but what's more important,

it was totally inoffensive.

Until the madman appeared.

Any one of our acts can have|unexpected consequences.

That's what you most feared.

Who was to know that poor devil

was going to read|the article in the paper?

He was looking for a solution|to his daughter's problem,

while every day he drove to school|those healthy children

with perfect lungs|but damaged brains.

Why did they deserve to live|and not his daughter?

Mathematicians are not the only ones|familiar with the Greeks, professor.

You gave him his solution|when you published the series.

He also wanted to hide his crime.

He only had to make|a phone call, and he did.

So...

you think I'm the killer.

No.

You haven't killed anyone,

but you're guilty of provoking the|deaths of those innocent children.

You're guilty of arrogance,

of using us all like|pieces on a board game.

Who the hell do you think you are?

I hope my failure has, at least,|served to teach you something.

Yes, one thing.

One very painful thing.

Numbers also lie.

The truth is not mathematical,|as I once believed.

It's absurd, confused, random,

disorderly, and deeply unpleasant.

I'm glad that finally we can agree|on something, Martin, my friend.

Just one thing has escaped you.

The real culprit.

The one who triggered off|this whole string of crimes.

Who?

You, Martin.

Don't make me laugh.

If you don't believe me,|then speak to Beth.

She was in love with you,

or weren't you aware of that?

She remembered|your words exactly.

"You should try it."

"You should try it,"|pounded time and again

inside her head, like a hammer.

"You should be free, like me."

That's what she understood,

and that's what she did.

Put an end to what|prevented her from being free...

her own mother.

The butterfly

Rate this script:0.0 / 0 votes

Álex de la Iglesia

Alejandro "Álex" de la Iglesia Mendoza (born 4 December 1965) is a Spanish film director, screenwriter, producer and former comic book artist. De la Iglesia's films combines grotesque and very dark elements such as death and murder: most of his work is considered dark comedies, but are also often considered to have horror and/or drama elements. All his films, with the notable exceptions of The Last Circus (2010) and As Luck Would Have It (2011), were written together with Jorge Guerricaechevarría. more…

All Álex de la Iglesia scripts | Álex de la Iglesia Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Oxford Murders" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/the_oxford_murders_15460>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Oxford Murders

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "midpoint" in screenwriting?
    A The beginning of the screenplay
    B The halfway point where the story shifts direction
    C The end of the screenplay
    D The climax of the screenplay