The Paperboy Page #6
[laughter]
Wake me up.
Come on.
((Yardley)
You look terrible, Ward.
Those mosquitoes eat
you for breakfast?
Yardley found
the golf course.
You found the golf course?
What's he doing in my clothes?
The car broke down.
we had to walk
into town,
stopped by the motel
to freshen up.
Get out of my clothes now.
(Charlotte)
Come on.
Come on, Jack.
What are you doing?
(Ward) Miss Bless. Come on, stop it.
Jack!
(Yardley) On the morning of the murder
the grounds superintendent
of the Ormond Beach Golf Course
phoned the
Police Department
to report that four of his greens
had been stripped
in the night.
You talked to the superintendent? No.
He died, but I found
another guy who remembered
that the club
called the governor
to ask him to declare
them a disaster area
so they could get
federal funds
to replace the greens.
It gets better.
I found the builder, too,
the guy who bought
the stolen greens.
He remembered
Hillary and Tyree.
They showed up
at 6 AM in a truck.
He took one look at them
and what they had
and thought they'd stolen
it from a cemetery.
But of course, he doesn't want to
be connected to this in any way.
And who was he?
Well, the only way
he'd talk to me
is if I promised
to keep him anonymous.
Come on now.
What's his name?
No, no, no.
I've got to keep it
anonymous. I gave him my word.
He's got, well,
he's in a position
to get some work from
the state, so you know.
(Yardley)
But good, huh?
Outstanding.
How'd you find him?
Building permits.
Damn building permit.
Time to get out of Lately.
[sigh]
(Jack) Did you sleep with Yardley?
You know, people like
Yardley, you just...
got to get him
on your side.
You know what I mean?
[sigh]
You f***ed him for that?
F***ing a man is the most
natural thing in the world, Jack.
It is.
It is.
??????
I kind of like it
out here.
[music]
This was
a good idea.
??????
[laughing]
Oooh!
Come on!
Let's dance.
Come on!
No!
Come on, Jack.
Got to have fun!
[laughing]
??????
You wanna dance?
Yeah! I wanna dance
with you!
[music]
Woo! You're good!
??????
This is not me
apologizing, you dig?
I just don't like
to see you sad.
??????
(Anita, off) Yardley told their
editor about the new evidence
from Ormond Beach.
This was enough to show injustice
in the legal system of Lately
and enough for a good story.
Yardley wanted to get
out of town
and Ward knew it.
All these peanuts
on the floor.
Pigs. Bunch of pigs
living around here.
Sick of this sh*t.
I can't find
Mama's ring.
Oh, well, a n*gger
must have come
in the middle of the night and stole it.
I'm sorry, Anita.
I didn't mean to say...
[sigh]
I didn't mean
to say that.
And I'm really sorry.
You know, Jackie, you
got to watch your mouth.
Somebody'll cut your little
ass over some sh*t like that.
You understand me, boy?
Yes, ma'am.
And you miss
your mother?
Sometimes.
It's a dis-damn grace
the way she left you.
And I been here.
[sigh]
Well, let's find
this ring, I guess.
N o, that's all right.
I can find it.
Ohhh.
Sorry.
All right.
Okay.
I ' m really sorry.
Okay.
All right, Jack.
(Ward) What's makes
this story any different?
What makes your story
different than the others, John?
What makes this case so different
that you want to pull the plug now?
(John, on phone) The
facts. What's left to do?
You've been up there
a month and a half.
I want
your ass back here.
Save that sh*t
for someone else.
I'm not comfortable with it
and you shouldn't be either.
to get the facts.
[phone bangs
in cradle]
(Ellen) I want to get
some alligator shoes.
(W. W.) You run this article,
this sh*t could hurt me.
I got advertisers
to think of.
(Ward) Advertisers? You
want me to be concerned
with the advertisers
for your newspaper?
Ward, you don't
know everything.
H e knows
what he's doing, Pa.
Shut up! I'm not
talking to you.
H e knows
how to get stories,
but what he doesn't
fully appreciate
is that the stories
go out into a community.
They resonate.
Oh, like the jellyfish?
Like getting pissed on?
You notice Anita's been
acting mighty bossy recently?
She's always been that way. Yeah.
[glass smashes]
Oh, sh*t.
Darling, let it go.
Don't get yourself hurt.
Sit down.
I'll get Anita. Anita!
Hey, I'll take
care of it.
Anita will get it. Anita! Does she
have children? I can't remember.
She got two kids. (W. W.) Oh, yeah.
How you doing, baby
doll? Where you going?
Hoo.
A baby shower.
um, Anita, uh,
before you go,
could you clean
up this mess.
I said I got it. It's
all right. Anita's got it.
I got it.
I got it.
We're going
to Ormond Beach.
Oh, just come right
out and tell them.
I've named Ellen
editor-in-chief.
And...
we 're getting married.
[door opens]
It's an antique.
I know it is.
This belonged
to my mother.
(W. W.) It was a gift from
me. Give it back, Jack.
Just give it
back to her.
I t's all I got.
(Anita, off) Ward never
believed Yardley's story.
Building permits
and anonymous sources.
He took Charlotte and Jack
back to Ormond Beach
to get
to the bottom of it.
Yardley went back home
to Miami.
??? That man is dangerous???
??? Loving him is dangerous???
??? That man is dangerous???
??? Loving him is dangerous???
??? That man is dangerous???
??????
What is that builder's name,
Charlotte?
What builder?
You know
exactly what builder.
The one Yardley
says bought the sod.
I don't know.
He went alone.
I went
to the hairdresser's.
Takes a lot
to look like this.
Charlotte Bless,
you is a mess.
And you'd do anything
to get your man
out of jail...
wouldn't you?
??????
(Charlotte)
Thirsty, huh?
Oh, yeah.
??? That man is dangerous???
You keep staring
like that,
we're gonna have
a problem.
What really happened
down there, Charlotte?
After you went to the
hairdresser, what happened? Hm?
Jack, would you tell your brother
to get his hands off of me?
Come on, man. Let's go somewhere
else. Easy, little brother.
Just f***ing relax, boy.
Miss Bless ain't got
no answer, huh?
??????
I didn't think so.
Your brother's
acting strange.
Not used to drinking
like this.
??? Is this love affair for real
Or is it just one and done????
??? I'm telling you???
(Charlotte) A little more than that.
??????
[song ends]
Why is Ward doing this?
We got 50 places
to be tomorrow.
??????
What is that?
??????
It's beautiful.
??????
Don't turn it down.
No one's ever given me
something like this before.
Well, you just tell me
when you want it back, huh?
It's beautiful.
(Charlotte, distant) You
want me to f*** you, Jack?
Then I'm gonna f*** you
any way you want.
[echoing]
Jack.
(Charlotte, nearby)
Jack!
(Ellen, distant) I want to
get some alligator shoes.
(distant)
Mmm, Jack.
(male voice) You
wanted your ass whipped.
Is that what you wanted?
Tell me
what you want.
You're a dirty pig.
I'll f*** you
any way you want.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Paperboy" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/the_paperboy_21029>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In