The Passenger Page #3
that these are his things.
- Yes.
- I'm sorry. My name's Martin Knight.
I'm a television producer
from England.
I've come all the way out to talk to him,
but I can't find him.
I see.
- Well, I'll take you to him.
- Really? That would be very kind.
Thank you.
I left a message for him...
...at the Avis office, but there seems
to have been some misunderstanding.
I think he mentioned you.
You mind following in a taxi?
I have to pick up somebody else
with some more stuff.
All right. Thank you so much,
that's very kind of you.
I'll just get a taxi.
- Was it difficult?
- Well...
- Thank you.
- Come on.
Is that your suitcase?
Can I ask you one question now?
- One you can, yes.
- Only one, always the same.
What are you running away from?
Turn your back to the front seat.
I've run out of everything.
My wife.
The house.
An adopted child.
A successful job.
Everything except a few bad habits
I couldn't get rid of.
How did you get away with it?
There was an accident.
Everyone thought I was dead.
I let them think so.
There is no way to explain it,
is there?
a waiter in Gibraltar.
Too obvious.
- Maybe a novelist in Cairo.
- Too romantic.
- How about a gunrunner?
- Too unlikely.
As a matter of fact, I think I am one.
you're on.
Yes.
I just sold 5000 hand grenades,
...and a great deal of ammunition
to some people...
...fighting a secret war
in an obscure part of the world.
- I like it.
- You like that one?
You like.
How about you?
I'm a tourist
become a bodyguard.
I'm studying architecture.
- Studying architecture?
- Yeah.
What kind of impression
do you think you make...
...when you first come into a room?
They look at me.
Just think I'm all right.
Nothing mysterious.
You learn much more
packing someone's things.
Yeah, it's like listening in
on a private phone conversation.
A room.
- How do you feel?
- Happy.
That man said he was looking
for David Robertson.
Who did?
The man who was following you.
- What else?
- Nothing.
He said he was
a television producer.
And wanted to talk to you
about a friend, that's all.
You've got a date with Marina...
...at 3:
00 on the 10of September, don't forget.
At the Plaza de la Iglesia,
San... San Ferdinando.
And another next day, in a place
called Osuna, with Daisy.
- Osuna.
- Yes.
At the Hotel de la Gloria.
Very picturesque, perhaps.
I won't be there.
What a pity, all these girls:
Lucy, Marina, Daisy.
Daisy again.
Daisy seems to be your favorite.
- I think this Daisy is a man.
- A man?
Yes.
Yesterday when we filmed you
at the village...
...I understood that you were
brought up to be a witch doctor.
Isn't it unusual
for someone like you...
...to have spent several years
in France and Yugoslavia?
Has that changed your attitude
toward certain tribal customs?
Don't they strike you as false now
and wrong, perhaps, for the tribe?
Mr. Locke...
...there are perfectly satisfactory
answers to all your questions.
But I don't think you understand
how little you can learn from them.
Your question...
...are much more revealing
about yourself...
...than my answer would be
about me.
I meant them quite sincerely.
Mr. Locke,
we can have a conversation...
...but only if it's not just
what you think is sincere...
...but also
what I believe to be honest.
Yes, of course, but...
Now we can have an interview.
You can ask me
the same questions as before.
- Everything all right?
- Fine. See you later.
Martin, you're back.
What luck.
I've been trying to find you.
- I want to see this again.
- What?
- This one.
- What's this?
Oh, that one.
- What happened?
- He disappeared.
Who, Robertson?
It was as though he was frightened
of something.
- Frightened?
- Yes, I don't know why.
I think we should get in touch
with the embassy.
They might be able to tell us
something about him.
- Yes, I know.
- What?
I was supposed to collect
David's things there tomorrow.
Mrs. Locke.
Good afternoon.
Please sit down.
Mrs. Locke...
...may I offer you my government's
most sincere condolences.
Thank you.
We have his things here for you.
Now, about your inquiry.
I understand you were asking about
Mr. Robertson.
- David Alfred Robertson.
- Yes.
Can you help me?
He was probably the last man
to speak to my husband.
Robertson is involved
in illegal arms traffic in our country.
Arms traffic?
Could he have killed my husband?
No.
We are sure of the doctor's report.
Your husband died from a heart attack.
- Did my husband realize who he was?
- I don't think so.
Robertson is associated with
the United Liberation Front.
A rather... What shall I say?
A rather radical organization,
a man called Achebe.
They're very troublesome people.
Very unintelligent.
- However, Robertson has vanished.
- But he was in Barcelona.
- When did you contact him there?
- Three days ago.
Do you plan going on
looking for him?
Yes.
Haven't been in London
for three years now.
Wouldn't it be better
if we could just forget old places?
Forget everything that happens
and just throw it all away, day by day?
Unfortunately
the world doesn't work that way.
Well, it doesn't work
the other way either.
That's the problem.
What's on the other side
of that window?
People will believe what I write.
And why?
Because it conforms
to their expectations...
... and to mine as well,
which is worse.
Well, in India, you know, they...
Hey, I think your tape recorder's...
- Yes. I must have...
- Still running, you know.
Yeah, sorry.
Plaza de la Iglesia.
This is it.
No one.
What the f*** are you doing
here with me?
Which me?
The only one I know. There are
no others. All the rest of that's just...
Let's go and eat.
- The old me is hungry.
- No.
- Why?
- Because I'm not interested...
...in giving up.
Hope you make it.
Make it what?
Hey.
- Do you believe in coincidence?
- I never asked myself.
I never used to notice it.
Now I see it all around.
- Do you know something?
- What?
- I saw you before.
- Where?
- In London.
- What I was doing?
- Reading.
- Then it must have been me.
- What are you thinking?
- Nothing.
Excuse me, senor.
- Is that your white car parked outside?
- Yes. Why?
A policeman is looking
for the owner.
Shall I tell him to come in?
No. I'll go.
He's looking for a white convertible
with Madrid plates.
He doesn't know why.
He want us to go with him.
I go, it's better.
Senor, are you looking for the car
or the person in it?
They're looking
for David Robertson.
There is a woman
named Rachel Locke.
She thinks he is in danger.
In danger of what?
Senora Locke?
- Senora Locke?
- Yes?
Senora Locke?
- Senora Locke.
- Yes.
Front desk.
Yes. Do you have a double room
for the night...
...for myself and the young woman?
- Did you give any other information?
Thank you.
What about the embassy?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Passenger" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/the_passenger_16291>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In