The Piano Lesson Page #6
- PG
- Year:
- 1995
- 95 min
- 1,585 Views
STEWART:
There is something to be said
for silence
AUNT MORAG:
Oh indeed. Cotton'.
She holds her needle up for NESSIE to thread.
STEWART:
(warming) And with time she
will, I'm sure, become
affectionate.
AUNT MORAG:
Certainly, there is nothing so
easy to like as a pet and they
are quite silent.
Sc 35 EXT STEWART'S WOODCHOP DAY Sc 35
STEWART is at the woodshop cutting firewood. He displays his
virtuosity as an axeman, cutting the wood into ever more slender
pieces, FLORA is watching and stacking the fallen timber. She flinches
as the axe hits the wood, but scurries in to pick up the timber.
BAINES is standing talking to STEWART.
BAINES:
Those 80 acres, that cross the
stream, what do you think of
them?
STEWART:
On your property?
BAINES:
Yes
BAINES carries a log across for STEWART who talks without pausing in
his work,
STEWART:
Good, flatish land with
reliable water, why? I don't
have money. What are you about?
BAINES:
I'd like to make a swap.
STEWART:
What for?
BAINES:
The piano.
STEWART:
The piano on the beach? Ada's
piano?
BAINES nods. STEWART stops, this is serious.
STEWART:
It's not marshy is it?
STEWART has walked a few paces away from his wood chop in the
direction of the land.
BAINES:
No.
STEWART:
You'd have to organise it up
here.
BAINES:
Yes, I thought that.
STEWART:
Well Baines the music lover, I
never would have known. Hidden
talents George.
BAINES:
I'll have to get lessons. It
wouldn't be much use without
them.
STEWART:
Yes, I suppose you would.
BAINES remains silent. He looks away.
STEWART:
Well Ada can play.
BAINES shrugs.
STEWART:
I have it in a letter she plays
well. She's been playing since
she was 5 or6.
FLORA has stopped stacking. She is lying along the top of the wood,
lifting a leg up and down, watching the men.
Sc 36 INT STEWART'S KJTCHEN DAY Sc 36
STEWART, flushed with his plans, is pouring tea into cups. FLORA peers
at cup level through the steam. ADA sits beside her at the table.
STEWART:
I have got us some excellent
queer idea to have a piano, and
you are to give him lessons.
Have you taught before?
ADA signs to FLORA.
FLORA:
What on?
STEWART:
On your piano, that is the
swap.
ALA finger signs, her face furious.
STEWART:
What does she say?
FLORA:
She says it's her piano, and
she won't have him touch it.
He's an oaf, he can't read,
he's ignorant.
STEWART:
He wants to improve himself...
and you will be able to play on
it ... (ADA is not responding
well) Teach him to look after
it.
ADA's breathing becomes heavy with anger, she writes Curiously on her
pad.
NO! NO! THE PIANO IS MINE! IT'S
MINE!
STEWART regards her note and her passion with suspicion and disdain
STEWART:
(getting up) You can't go on
like this, we are a family now,
all of us make sacrifices and
so will you.
You will teach him. I shall see
to that!
ADA's emotions are suddenly removed and she views STEWART blankly,
eerily so.
Sc 37 EXT BUSH FROM BEACH DAY SC 37
The piano is taken up through the bush by a group of six to eight
MAORI MEN. It's very heavy and awkward and they grunt and struggle
with it.
HiM na ake 'nun na'.
(Lift up the back)
UNSUBTITLED:
Tern - tern!
(Ass hole!)
Hei niti niti maan!
(turning around)
You lick it.)
Someone stumbles and the back of the piano comes crashing to the
ground thundering out in the bottom end of the scale. People scatter.
Only one stays who warrior like challenges the piano.
Sc 38 EXT PATH TO BAINES DAY Sc38
The women duck low to avoid a branch as STEWART leads them to BAINE'S
hut. STEWART carries the piano stool. The path slopes up through a
strange, bearded forest where the tops of trees are bare and ghost
like.
STEWART:
I'd try children's tunes,
nothing more complicated
ADA is unrepentant, she does not want to teach BAINES the piano.
STEWART:
Just be encouraging no one expects him to be good.
Sc 39 INT/EXT BAINES' HUT DAY SC 39
The piano is the only cared for item in the rough hut
STEWART:
(lifting the lid) It looks
good, very nice looking thing.
Well . I wish you luck. The girls
lessons.
The "girls" look anything but excited. FLORA shy, plays obsessively
with a long strand of greasy hair. ADA is cold and grim.
STEWART:
Flora will explain anything Ada says.
They talk through their fingers,
you can't believe what they say
with just their hands.
STEWART leaves. BAJNES goes to the piano and lifts the lid. He looks
FLORA:
hands. Hold them out.
BAINES holds out his hands, spread wide as if holding a ball.
No, no, like this
FLORA puts her neat little fingers together, first with their backs up
then she turns them over. HAINES does the same only his bands are big
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